Supervisor: Nicolas ()
Announced end of poll: 30 mai 2009
Actual time poll closed: Sat Jun 6 12:36:37 2009
This is a public poll.
Actual votes cast: 34
Number of winning choices:
Condorcet completion rule: Beatpath/Schulze/CSSD    CIVS Ranked Pairs    MAM Condorcet-IRV    (What is this?) 

Poll description

Classez les ouvrages par ordre de préférence. Pour ceux que vous ne souhaitez pas classer, sélectionnez "No opinion" plutôt que le dernier rang possible afin de ne pas les pénaliser.

Ranking of the choices

1. * LE REEL, TRAITE DE L'IDIOTIE, 1977  (Not defeated in any contest with another choice)
2. * LE REEL ET SON DOUBLE, 1976, loses to * LE REEL, TRAITE DE L'IDIOTIE, 1977 by 17–12
3. * LA FORCE MAJEURE, 1983, loses to * LE REEL ET SON DOUBLE, 1976 by 16–13
4. * PRINCIPES DE SAGESSE ET DE FOLIE, 1991, loses to * LA FORCE MAJEURE, 1983 by 16–9
5. * LOGIQUE DU PIRE, 1971, loses to * PRINCIPES DE SAGESSE ET DE FOLIE, 1991 by 12–10
6. * L'OBJET SINGULIER, 1979, loses to * LOGIQUE DU PIRE, 1971 by 12–11
7. * LE PRINCIPE DE CRUAUTE, 1988, loses to * L'OBJET SINGULIER, 1979 by 14–13
8. * LOIN DE MOI, 1999, loses to * LE PRINCIPE DE CRUAUTE, 1988 by 16–11
9. * LE CHOIX DES MOTS, 1995, loses to * LOIN DE MOI, 1999 by 14–11
10. * L'ANTI-NATURE, 1973, loses to * LE CHOIX DES MOTS, 1995 by 11–9
11. * LE DEMON DE LA TAUTOLOGIE, 1997, loses to * L'ANTI-NATURE, 1973 by 11–10
12. * LE PHILOSOPHE ET LES SORTILEGES, 1985, loses to * LE DEMON DE LA TAUTOLOGIE, 1997 by 13–7
13. * LE REGIME DES PASSIONS, 2001, loses to * LE PHILOSOPHE ET LES SORTILEGES, 1985 by 12–5
14. * L'ESTHETIQUE DE SCHOPENHAUER, 1969, loses to * LE REGIME DES PASSIONS, 2001 by 7–6
15. * LES MATINEES STRUCTURALISTES (R. Crémant), 1969, loses to * LE REGIME DES PASSIONS, 2001 by 7–2
16. * LA PHILOSOPHIE TRAGIQUE, 1960, loses to * LES MATINEES STRUCTURALISTES (R. Crémant), 1969 by 7–2
17. * LE MONDE ET SES REMEDES, 1964, loses to * LA PHILOSOPHIE TRAGIQUE, 1960 by 8–7
18. * LE REEL, L'IMAGINAIRE ET L'ILLUSOIRE, 1999, loses to * L'ESTHETIQUE DE SCHOPENHAUER, 1969 by 7–5
19. * SCHOPENHAUER, PHILOSOPHIE DE L'ABSURDE, 1967, loses to * LE REEL, L'IMAGINAIRE ET L'ILLUSOIRE, 1999 by 8–5
20. * IMPRESSIONS FUGITIVES, 2004, loses to * SCHOPENHAUER, PHILOSOPHIE DE L'ABSURDE, 1967 by 8–5
21. * FANTASMAGORIES, 2006, loses to * IMPRESSIONS FUGITIVES, 2004 by 10–9
22. * MATIERE D'ART, 1992, loses to * IMPRESSIONS FUGITIVES, 2004 by 6–4
23. * ROUTE DE NUIT, 1999, loses to * FANTASMAGORIES, 2006 by 9–6
24. Tied:
* EN CE TEMPS-LA, Notes sur Althusser, 1992, loses to * ROUTE DE NUIT, 1999 by 7–5
* ECRITS SUR SCHOPENHAUER, 2001, loses to * ROUTE DE NUIT, 1999 by 4–3
26. * PROPOS SUR LE CINEMA, 2001, loses to * EN CE TEMPS-LA, Notes sur Althusser, 1992 by 8–2
27. * LA NUIT DE MAI, 2008, loses to * PROPOS SUR LE CINEMA, 2001 by 7–5
28. * LETTRE SUR LES CHIMPANZES, 1965, loses to * LA NUIT DE MAI, 2008 by 9–6
29. * FRANCHISE POSTALE (avec M. Polac), 2003, loses to * LETTRE SUR LES CHIMPANZES, 1965 by 7–4
30. * UNE PASSION HOMICIDE..., 2008, loses to * FRANCHISE POSTALE (avec M. Polac), 2003 by 4–3
31. * PRECIS DE PHILOSOPHIE MODERNE (R. Marcas), 1968, loses to * UNE PASSION HOMICIDE..., 2008 by 5–2

For simplicity, some details of the poll result are not shown.

Result details

  1.2.3.4.5.6.7.8.9.10.11.12.13.14.15.16.17.18.19.20.21.22.23.24.25.26.27.28.29.30.31.
1. * LE REEL, TRAITE DE L'IDIOTIE, 1977   -17 13 18 12 19 18 23 22 16 23 22 22 17 15 19 18 19 19 23 21 15 19 18 16 18 19 20 18 18 15
2. * LE REEL ET SON DOUBLE, 1976   12 -16 16 14 16 18 21 19 16 24 17 24 19 16 19 18 19 20 24 23 16 21 18 17 17 20 20 19 18 16
3. * LA FORCE MAJEURE, 1983   13 13 -16 16 17 17 18 17 15 20 16 19 16 12 20 15 16 17 22 20 12 19 15 15 15 18 17 16 16 13
4. * PRINCIPES DE SAGESSE ET DE FOLIE, 1991   10 13 9 -12 14 15 14 15 12 14 15 20 17 12 18 14 17 18 23 19 12 21 16 14 17 20 19 17 16 14
5. * LOGIQUE DU PIRE, 1971   10 11 7 10 -12 11 15 14 15 14 12 17 15 11 16 14 14 15 19 17 11 14 15 13 14 16 15 13 13 11
6. * L'OBJET SINGULIER, 1979   8 13 9 13 11 -14 14 17 14 18 15 22 18 13 19 16 17 18 23 21 14 20 17 16 17 19 17 17 16 14
7. * LE PRINCIPE DE CRUAUTE, 1988   8 11 6 11 11 13 -16 15 12 14 12 19 12 10 17 14 14 16 19 17 9 16 14 10 13 16 14 14 14 11
8. * LOIN DE MOI, 1999   5 9 8 12 11 14 11 -14 15 14 14 20 16 11 16 13 16 16 24 20 13 17 17 14 15 18 18 14 16 14
9. * LE CHOIX DES MOTS, 1995   2 8 6 7 6 8 8 11 -11 14 10 16 10 9 12 10 14 11 19 16 10 17 15 11 12 16 14 10 13 12
10. * L'ANTI-NATURE, 1973   6 10 7 10 5 9 9 9 9 -11 10 11 12 9 15 12 10 13 14 13 10 12 12 9 11 11 12 13 10 11
11. * LE DEMON DE LA TAUTOLOGIE, 1997   2 4 5 11 7 8 11 12 10 10 -13 15 12 9 14 12 13 12 17 15 10 15 13 11 12 15 14 13 11 12
12. * LE PHILOSOPHE ET LES SORTILEGES, 1985   1 6 6 6 5 7 8 9 8 7 7 -12 9 8 11 9 10 13 11 10 9 13 9 8 10 12 11 11 7 10
13. * LE REGIME DES PASSIONS, 2001   0 3 3 2 3 2 3 3 5 6 7 5 -7 7 9 8 13 8 16 15 8 11 11 8 11 12 12 9 10 10
14. * L'ESTHETIQUE DE SCHOPENHAUER, 1969   2 2 2 1 1 1 4 3 6 4 5 5 6 -4 8 7 7 7 9 7 4 8 9 7 8 8 8 9 8 8
15. * LES MATINEES STRUCTURALISTES (R. Crémant), 1969   0 0 1 2 0 1 1 3 2 2 3 2 2 4 -7 6 4 4 5 4 3 3 5 3 4 6 5 6 4 6
16. * LA PHILOSOPHIE TRAGIQUE, 1960   2 3 2 3 2 2 2 6 7 2 6 4 8 6 2 -8 6 7 9 9 4 8 8 6 8 10 8 9 8 7
17. * LE MONDE ET SES REMEDES, 1964   2 3 3 4 3 3 2 5 5 4 5 5 7 7 4 7 -7 6 9 9 3 8 7 7 9 9 8 10 8 7
18. * LE REEL, L'IMAGINAIRE ET L'ILLUSOIRE, 1999   1 1 3 2 1 2 3 4 4 4 3 5 4 5 6 7 7 -8 8 6 7 10 8 6 8 11 8 7 7 9
19. * SCHOPENHAUER, PHILOSOPHIE DE L'ABSURDE, 1967   0 2 3 1 1 2 1 5 7 3 6 1 7 7 3 6 6 5 -8 8 4 9 9 5 8 10 8 9 8 6
20. * IMPRESSIONS FUGITIVES, 2004   0 2 2 2 1 2 4 1 2 4 5 5 4 5 5 7 6 7 5 -10 6 10 9 5 6 11 11 7 9 10
21. * FANTASMAGORIES, 2006   1 2 3 4 2 3 4 4 5 3 5 5 6 6 5 6 5 8 6 9 -5 9 8 5 6 10 7 8 9 8
22. * MATIERE D'ART, 1992   0 1 2 2 1 0 3 2 2 1 3 2 3 5 4 5 6 4 6 4 5 -4 5 5 6 7 6 8 5 8
23. * ROUTE DE NUIT, 1999   1 2 1 1 2 2 3 5 3 5 5 2 4 4 4 6 5 4 4 5 6 6 -7 4 6 8 10 6 9 8
24. * EN CE TEMPS-LA, Notes sur Althusser, 1992   1 2 3 2 2 2 3 2 2 4 5 5 4 4 4 5 6 7 5 6 5 6 5 -5 8 8 6 9 7 7
25. * ECRITS SUR SCHOPENHAUER, 2001   0 1 0 2 0 0 3 2 2 3 3 3 3 1 3 4 4 5 3 5 6 1 3 5 -4 6 5 5 5 6
26. * PROPOS SUR LE CINEMA, 2001   0 1 1 0 0 0 1 2 3 2 3 2 1 3 2 2 3 4 3 6 6 3 4 2 5 -7 3 7 6 5
27. * LA NUIT DE MAI, 2008   2 3 1 1 1 2 3 3 3 4 4 3 5 3 3 6 6 5 4 7 8 3 7 5 5 5 -9 5 9 8
28. * LETTRE SUR LES CHIMPANZES, 1965   1 1 3 1 1 3 3 3 3 4 4 4 3 5 4 5 6 5 5 4 7 3 4 5 4 6 6 -7 6 6
29. * FRANCHISE POSTALE (avec M. Polac), 2003   0 0 0 0 1 0 0 3 4 1 2 2 2 2 1 2 1 4 2 5 3 2 4 2 2 1 5 4 -4 4
30. * UNE PASSION HOMICIDE..., 2008   0 0 1 1 0 1 0 2 1 2 3 3 2 3 2 2 3 3 2 3 3 2 3 2 2 1 4 3 3 -5
31. * PRECIS DE PHILOSOPHIE MODERNE (R. Marcas), 1968   0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 3 0 2 0 2 0 0 2 0 2 1 2 3 2 -

Ballot reporting was not enabled for this poll.

The following matrix shows the strength of the strongest beatpath connecting each pair of choices. Choice 1 is ranked above choice 2 if there is a stronger beatpath leading from 1 to 2 than any leading from 2 to 1.

  1.2.3.4.5.6.7.8.9.10.11.12.13.14.15.16.17.18.19.20.21.22.23.24.25.26.27.28.29.30.31.
1. * LE REEL, TRAITE DE L'IDIOTIE, 1977   -17–12 16–13 18–10 16–13 19–8 18–8 23–5 22–2 16–6 23–2 22–1 22–0 18–1 16–0 19–2 18–2 19–1 19–0 23–0 21–1 16–1 19–1 18–1 17–12 18–0 19–2 20–1 18–0 18–0 16–0
2. * LE REEL ET SON DOUBLE, 1976   . -16–13 16–13 16–13 16–13 18–11 21–9 19–8 16–10 24–4 17–6 24–3 19–2 16–0 19–3 18–3 19–1 20–2 24–2 23–2 16–1 21–2 18–2 17–1 17–1 20–3 20–1 19–0 18–0 16–0
3. * LA FORCE MAJEURE, 1983   . . -16–9 16–7 17–9 17–6 18–8 17–6 15–5 20–5 16–6 19–3 17–9 13–1 20–2 16–3 17–9 17–3 22–2 20–3 14–0 19–1 17–2 16–0 17–9 18–1 18–8 17–9 16–1 14–0
4. * PRINCIPES DE SAGESSE ET DE FOLIE, 1991   . . . -12–10 14–13 15–11 15–11 15–7 15–11 14–10 15–6 20–2 17–1 13–1 18–3 14–2 17–2 18–1 23–2 19–4 14–13 21–1 16–2 14–2 17–0 20–1 19–1 17–0 16–1 14–0
5. * LOGIQUE DU PIRE, 1971   . . . . -12–11 12–11 15–11 14–6 15–5 14–7 14–9 17–3 15–1 12–11 16–2 14–3 15–11 15–1 19–1 17–2 13–2 15–11 15–2 14–2 15–11 16–1 15–1 14–3 15–11 14–0
6. * L'OBJET SINGULIER, 1979   . . . . . -14–13 14–13 17–8 14–9 18–8 15–7 22–2 18–1 13–1 19–2 16–3 17–2 18–2 23–2 21–3 14–0 20–2 17–2 16–0 17–0 19–2 17–3 17–0 16–1 14–0
7. * LE PRINCIPE DE CRUAUTE, 1988   . . . . . . -16–11 15–8 15–9 14–10 14–9 19–3 16–11 11–3 17–2 14–2 16–11 16–1 19–4 17–4 13–2 16–3 16–11 14–2 15–2 16–3 16–11 14–0 16–11 14–0
8. * LOIN DE MOI, 1999   . . . . . . . -14–11 15–9 14–11 14–9 20–3 16–3 11–3 16–6 13–5 16–4 16–5 24–1 20–4 13–2 17–5 17–2 14–2 15–2 18–3 18–3 14–3 16–2 14–0
9. * LE CHOIX DES MOTS, 1995   . . . . . . . . -11–9 14–10 13–7 16–5 12–5 9–2 14–10 12–5 14–4 13–7 19–2 16–5 10–1 17–3 15–2 11–2 12–3 16–3 14–3 13–2 13–1 12–0
10. * L'ANTI-NATURE, 1973   . . . . . . . . . -11–10 11–10 11–6 12–4 9–2 15–2 12–4 11–6 13–3 14–4 13–3 10–1 12–5 12–4 11–10 11–2 11–4 12–4 13–1 11–10 11–0
11. * LE DEMON DE LA TAUTOLOGIE, 1997   . . . . . . . . . . -13–7 15–7 12–5 9–3 14–6 12–5 13–3 13–7 17–5 15–5 10–3 15–5 13–5 11–3 12–3 15–4 14–4 13–2 11–3 12–0
12. * LE PHILOSOPHE ET LES SORTILEGES, 1985   . . . . . . . . . . . -12–5 9–5 8–2 11–4 9–5 12–5 13–1 12–5 12–5 9–2 13–2 11–4 8–3 11–1 12–3 12–5 11–2 10–2 10–0
13. * LE REGIME DES PASSIONS, 2001   . . . . . . . . . . . . -7–6 7–2 9–8 8–7 13–4 8–5 16–4 15–6 8–3 11–4 11–4 8–3 11–1 12–5 12–3 9–2 10–2 10–0
14. * L'ESTHETIQUE DE SCHOPENHAUER, 1969   . . . . . . . . . . . . . -6–4 8–6 8–7 8–6 8–6 9–5 9–5 7–4 9–5 9–4 7–1 8–2 9–5 9–5 9–2 9–5 9–5
15. * LES MATINEES STRUCTURALISTES (R. Crémant), 1969   . . . . . . . . . . . . . 5–4 -7–2 7–2 7–2 7–2 7–2 7–2 7–4 7–2 7–2 7–4 7–2 7–2 7–2 7–2 7–2 7–2
16. * LA PHILOSOPHIE TRAGIQUE, 1960   . . . . . . . . . . . . . 5–4 6–4 -8–7 8–6 8–6 9–7 9–6 7–4 9–6 9–7 7–4 8–2 10–6 9–6 9–2 9–4 9–7
17. * LE MONDE ET SES REMEDES, 1964   . . . . . . . . . . . . . 5–4 6–4 7–6 -8–6 8–6 9–6 9–5 7–4 9–6 9–6 7–4 9–3 9–5 9–6 10–1 9–5 9–6
18. * LE REEL, L'IMAGINAIRE ET L'ILLUSOIRE, 1999   . . . . . . . . . . . . . 5–4 6–4 7–6 7–6 -8–5 8–5 8–5 7–4 10–4 8–5 7–6 8–4 11–5 10–4 8–5 9–3 9–0
19. * SCHOPENHAUER, PHILOSOPHIE DE L'ABSURDE, 1967   . . . . . . . . . . . . . 5–4 6–4 7–6 7–6 8–6 -8–5 8–5 7–4 9–4 9–5 7–6 8–2 10–4 9–4 9–2 9–4 8–0
20. * IMPRESSIONS FUGITIVES, 2004   . . . . . . . . . . . . . 5–4 6–4 7–6 7–6 8–6 8–6 -10–9 7–4 10–5 9–6 7–6 8–2 11–7 11–4 9–6 9–3 10–0
21. * FANTASMAGORIES, 2006   . . . . . . . . . . . . . 5–4 6–4 7–6 7–6 8–6 8–6 8–6 -7–4 9–6 8–5 7–6 8–5 10–8 9–6 8–3 9–3 8–0
22. * MATIERE D'ART, 1992   . . . . . . . . . . . . . 5–4 6–4 6–3 6–3 6–3 6–3 6–3 6–3 -6–3 6–3 6–3 6–3 7–3 7–3 8–2 7–3 8–0
23. * ROUTE DE NUIT, 1999   . . . . . . . . . . . . . 5–4 6–4 6–4 6–4 6–4 6–4 6–4 6–4 6–4 -7–5 6–4 7–5 8–7 10–4 7–4 9–3 8–0
24. * EN CE TEMPS-LA, Notes sur Althusser, 1992   . . . . . . . . . . . . . 5–4 6–5 6–5 6–5 6–5 6–5 6–5 6–5 6–5 6–5 -6–5 8–2 8–5 8–5 9–2 8–5 8–5
25. * ECRITS SUR SCHOPENHAUER, 2001   . . . . . . . . . . . . . 5–4 6–5 6–5 6–5 6–5 6–5 6–5 6–5 6–5 6–5 6–5 -6–5 6–5 6–5 6–5 6–5 6–0
26. * PROPOS SUR LE CINEMA, 2001   . . . . . . . . . . . . . 5–4 5–4 5–4 5–4 5–4 5–4 5–4 5–4 5–4 5–4 5–4 5–4 -7–5 7–5 7–1 7–5 7–5
27. * LA NUIT DE MAI, 2008   . . . . . . . . . . . . . 5–4 5–4 5–4 5–4 5–4 5–4 5–4 5–4 5–4 5–4 5–4 5–4 6–3 -9–6 7–4 9–4 8–1
28. * LETTRE SUR LES CHIMPANZES, 1965   . . . . . . . . . . . . . 5–4 5–4 5–4 5–4 5–4 5–4 5–4 5–4 5–4 5–4 5–4 5–4 6–3 6–3 -7–4 6–3 6–2
29. * FRANCHISE POSTALE (avec M. Polac), 2003   . . . . . . . . . . . . . . . . . . . . . . . . . . . . -4–3 4–3
30. * UNE PASSION HOMICIDE..., 2008   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . -5–2
31. * PRECIS DE PHILOSOPHIE MODERNE (R. Marcas), 1968   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . -