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The Komediant (2002)


THE KOMEDIANT
OVERVIEW

CAST & CREW
Pesach'ke Burstein, Lillian Lux, Mike Burstyn
Directed by Arnon Goldfinger
more...

SYNOPSIS
The glory days of the Yiddish stage are brought to life in this bittersweet saga of a legendary theatrical family, the Bursteins. more...

MPAA RATING
Not Rated

RELEASE DATES
Theatrical: Apr 5, 2002

RELEASE COMPANY
New Yorker Films

GENRE
Foreign Films, Documentary, Foreign (All)

OFFICIAL SITE
The Official The Komediant Site

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PRODUCTION NOTES

SUBMIT/EDIT ARTICLE

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 RATING: FRESH  READING: 91%
(FRESH = 60% or Greater)
  Reviews counted: 23
Fresh: 21  Rotten: 2
Average Rating: 6.7/10
  
( Showing 1-23 of 23 Tomatometer Reviews, sorted a-z )
3/5  "A sharp and quick documentary that is funny and pithy, while illuminating an era of theatrical comedy that, while past, really isn't."
-- Tim Cogshell, BOXOFFICE MAGAZINE

3/4  "...an interesting slice of history."
-- David Cornelius, AMAZING COLOSSAL WEBSITE

4/5  "A dream of a documentary."
-- Ken Fox, TV GUIDE'S MOVIE GUIDE

  "Like any Warhol/Morrissey relic, Arnon Goldfinger's The Komediant rediscovers chapters in New York's cultural past."
-- Ed Gonzalez, SLANT MAGAZINE

2/5  "Less-than-compelling documentary of a Yiddish theater clan."
-- Phil Hall, FILM THREAT

3.5/4  "Mazel tov to a film about a family's joyous life acting on the Yiddish stage."
-- Harvey S. Karten, COMPUSERVE

  "Rife with the rueful, wry humor springing out of Yiddish culture and language."
-- David Noh, FILM JOURNAL INTERNATIONAL

3.5/5  "The Komediant is a tale worth catching."
-- Gerry Shamray, SUN NEWSPAPERS OF CLEVELAND

3/5  No review available.
-- Philip Martin, ARKANSAS DEMOCRAT-GAZETTE

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3/5  "It's not so much enjoyable to watch as it is enlightening to listen to new sides of a previous reality, and to visit with some of the people who were able to make an impact in the theater world."
-- Rachel Gordon, FILMCRITIC.COM

  "Slight but enjoyable documentary."
-- Ernest Hardy, L.A. WEEKLY

82/100  "A gentle blend of present day testimonials, surviving footage of Burstein and his family performing, historical archives, and telling stills."
-- Jon Lap, APOLLO GUIDE

  "... a light, yet engrossing piece. Lux, now in her eighties, does a great combination act as narrator, Jewish grandmother and subject – taking us through a film that is part biography, part entertainment and part history."
-- Niki Patton, MARTHA'S VINEYARD TIMES (MASSACHUSETTS)

--  Click to read the article.
--
Marjorie Baumgarten, AUSTIN CHRONICLE

Hot Pick
  "While centered on the life experiences of a particular theatrical family, this marvelous documentary touches -- ever so gracefully -- on the entire history of the Yiddish theater, both in America and Israel."
-- David Ehrenstein, NEW TIMES

Cream of the Crop
FRESH 89%
Avg. Rating: 6.6/10
2.5/4  "Able to provide insight into a fascinating part of theater history."
-- Robert K. Elder, CHICAGO TRIBUNE

  "A linguistic stew with a zesty, homemade flavor that belies its carefully researched preparation."
-- J. Hoberman, VILLAGE VOICE

3.5/5  "Makes one thing abundantly clear. American musical comedy as we know it wouldn't exist without the precedent of Yiddish theater, whose jolly, fun-for-fun's-sake communal spirit goes to the essence of Broadway."
-- Stephen Holden, NEW YORK TIMES

  "What might have been a predictably heartwarming tale is suffused with complexity."
-- Frank Scheck, HOLLYWOOD REPORTER

B+  "It's their familial ups and downs that shift this small, stubbornly poignant documentary ... from the realm of special-interest audiences to the more universal theater of family psychodynamics."
-- Lisa Schwarzbaum, ENTERTAINMENT WEEKLY

3.5/4  "As charming, humorous and heimisch as its nomadic subjects."
-- Jan Stuart, NEWSDAY

B  "This rich, bittersweet Israeli documentary, about the life of song-and-dance-man Pasach'ke Burstein and his family, transcends ethnic lines."
-- Jane Sumner, DALLAS MORNING NEWS

3.5/5  "The film sparkles with the the wisdom and humor of its subjects."
-- Kevin Thomas, LOS ANGELES TIMES

1/4  "Alas, the black-and-white archival footage of their act showcases pretty mediocre shtick."
-- Megan Turner, NEW YORK POST


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