this is the best british gangster film since the long good friday . jon bennet ( played by andrew howard ) is an extremely good assassin . as such he is probably an evil man but it does not worry him . he has become an unquestioning weapon . he is in the employ of a kingpin ( david calder ) far more evil than he is . but even assassins have innocent pasts . he runs into an old from school days and he is married to a mutual girl friend from school . complicating matters is that they live near where he had a recent job and their young daughter may have seen him at the crime . a big piece of what makes this film work is the depiction of the kingpin . calder is a familiar actor in britain , though not frequently seen in the us . he was seen in the world is not enough . here he creates one of the best screen villains in recent years . he is at once seductive and repellent like a beautiful venomous snake . his lair is underground , apparently in a sewer , where he lives like the king of sewer rats . it is the kingpin who pulls the strings that will control bennet's life . paul sarossy who directs spent most of his career as a cinematographer and like the kingpin's lair , he has molded images of class and style out of the darkness . by using semi-darkness and letting the colors of deep blue and black dominate every scene he makes the film visually as ominous as anything in this nether world . this is a world that is cold and unfriendly . sorossy creates a world of violence much more by what we hear than what we see . this is a film with a great deal of physical violence occurring just out of reach . we see very little but we hear a great deal more and we imagine more than that . the screenplay is by peter waddington based on the novel by neil cross , but it is sarossy's film all the way . it creates indelible images of evil . i rate it an 8 on the 0 to 10 scale and a low + 3 on the -4 to + 4 scale . ( i do hope they do not use the tagline " don't mess with mr . in-between . " ) 
