deceiver is a plot twist in search of a movie . this overly constructed film succeeds in having many surprises , and , being true to its title , being deceptive . but there is little in the film that is worthy of deceit . braxton ( chris penn ) and kennesaw ( michael rooker ) are two cops investigating the brutal murder of a prostitute ( renee zellweger ) . their lone suspect is wayland ( tim roth ) , a wealthy young man whose phone number was found in the hooker's pocket . however , a routine lie detector test turns against the investigators , as the crafty wayland somehow turns the tables . braxton and kennesaw are forced to confront their own troubled lives . braxton is a gambling addict in deep to mook ( ellen burstyn ) , a local bookie . kennesaw is bitter about his marriage to a socialite ( rosanna arquette ) , believing his wife to be unfaithful . the plot is twisty and complex , with lots of lengthy flashbacks , and plenty of surprises . however , there are times when it is needlessly complex , and at least one instance the storytelling turns so muddled that the answers to important plot points actually get lost . take a look at l . a . confidential , or the film's more likely inspiration , the usual suspects for how a complex plot can properly be handled . the dialogue in deceiver is as overcrafted as the plot . for example , the film tells a few substories ( such as the tale of a woeful absinthe bender , or an alternative telling of how van gogh lost his ear ) , but they are so flat and so plastic that they come off as prefabricated and unbelievable . there's never the sense that these are real characters engaging in conversation . they appear to be nothing more than words on a screenplay . the characters , themselves , are rather pathetic and despicable . not one of them is an ounce sympathetic , and as a result , the labyrinthine plot is all for naught . what does it matter who is guilty of what and why ? writer-directors josh and jonas pate seem to desire to emulate the coen brothers' masterwork blood simple , or the wachowski brothers' less worthy bound . but , while they have got the plot twists down cold , they need to work on characterization and dialogue . 
