america's sweethearts ( 2001 ) julia roberts , billy crystal , catherine zeta-jones , john cusack , hank azaria , stanley tucci , christopher walken , seth green . screenplay by billy crystal & peter tolan . directed by joe roth . 100 minutes . rated pg-13 , 2 stars ( out of five stars ) review by ed johnson-ott , nuvo newsweekly www . nuvo . net archive reviews at <a href= " http : //reviews . imdb . com/reviewsby ? edward + johnson-ott " >http : //reviews . imdb . com/reviewsby ? edward + johnson-ott</a> to receive reviews by e-mail at no charge , send subscription requests to <a href= " mailto : ejohnsonott@prodigy . net " >ejohnsonott@prodigy . net</a> or e-mail <a href= " mailto : ejohnsonott-subscribe@onelist . com " >ejohnsonott-subscribe@onelist . com</a> with the word " subscribe " in the subject line . " america's sweethearts " has an intriguing premise and a great cast , but it isn't nearly as edgy or funny as it should be . almost all the problems with the project can be traced back to co-script writer billy crystal , who shows the same lack of discipline with the screenplay that he typically displays while co-hosting " comic relief " charity shows with robin williams and whoopi goldberg ( two other paragons of self-indulgence ) . crystal ignores a simple , but crucial , rule : for a screwball comedy to work , the characters must be placed into a rigid social setting , because only in that context will their unorthodox antics be humorous . " america's sweethearts " takes place at a press junket , where decorum must be maintained in front of the reporters . it's a promising set-up , but the screenplay quickly blows off the rules , thus dissipating the tension of the situation . by the end of the film , all the lead performers participate in a huge fight with a room full of journalists looking on , but their outbursts are only mildly amusing because the structure has been destroyed . john cusack and catherine zeta-jones play eddie thomas and gwen harrison , a beloved acting duo whose marriage hit the skids when gwen began seeing hector ( hank azaria ) , a spanish actor with an ego almost as pronounced as his lisp . of the last nine films eddie and gwen made together , six crossed the $100 million mark , but the prospects for their final effort , a space opus titled " time over time , " are far from rosy . while eddie has spent many months in a new age rest clinic fretting over the breakup , gwen's solo films have tanked . to make matter worse , the director of the movie ( christopher walken ) , a " visionary " who purchased the unabomber's cabin and had it moved to his backyard , is withholding the film from the studio , insisting that the first screening be held at the junket . desperate to win over the press , the studio elects to hire lee ( billy crystal ) , a recently fired publicist , to salvage the situation . lee hopes to turn lemons into lemonade by convincing eddie and gwen to pretend to be on the road to reconciliation . he enlists the help of kiki ( julia roberts ) , gwen's sister , personal assistant and whipping girl . what lee doesn't know is that kiki is in love with eddie , a fact that could temper her effectiveness . press junkets are a haven for control freaks . studios fly journalists in from around the world and put them up in a plush hotel , with food and drink always at hand . generally , on the evening of their arrival , writers are bussed to see the featured film , then ferreted straight back to the hotel . the next day , writers go to the studio suites and assemble in groups of five or six for roundtable interviews . every 30 minutes or so , a producer , director , writer or actor is brought into the room for a few minutes of questions , with a publicist hovering in the corner to keep an eye on things . the atmosphere is one of cordial oppression – writers are free to ask what they want , but understand that if the studio dislikes a question , they may not be invited to future junkets . representatives from tv stations face even more restrictions . they get roughly five minutes to interview each member of the cast and crew , with the studio filming the exchanges . the " reporters " are notorious for tossing softball questions as they suck up to the stars , but to play it safe , the studios stand ready to erase the tapes if anything unpleasant occurs . placing two spoiled actors in a setting where image is everything is inspired , but the screenplay undermines the conceit . the junket is moved from the handsome , but highly confining , four seasons hotel to a plush resort near las vegas . for most of the film , the movie stars run around the sprawling grounds , completely safe from the eyes of the press . when they do deal with journalists , the " it is imperative that you be on your best behavior in front of the reporters " premise is de-clawed . gwen and eddie insult each other while the tv cameras roll , they scream at each other in a restaurant filled with the media and , at the screening of the movie , everyone connected with the film goes nuts , all without any repercussions . lee certainly isn't bothered by any of the infantile outbursts ; in fact , he makes arrangements for footage of even more inappropriate behavior to be delivered to the tabloids . is the studio angry about his handling of the combative actors ? hell no – they feel lee is a genius for garnering so much publicity for the movie . all of which underscores how billy crystal and co-writer peter tolan screwed up their own premise : the comedy in " america's sweethearts " is based on barely-in-control people trying to contain themselves in the presence of reporters , except that it doesn't matter because any publicity is good publicity . and thus the very set-up for the film implodes , leaving smoke and dust in place of laughter . so what about the cast ? julia roberts , at her best playing the underdog , is utterly charming here , although i could have lived without flashbacks that exist solely as an excuse to show her in a fat suit ( and not a very convincing one , by the way ) . catherine zeta-jones makes a believable brat and john cusack fleshes out his obsessed character enough to make him vaguely sympathetic . by casting himself as the publicist , billy crystal allows himself to do roughly the same thing he does on " comic relief " - stay on the sidelines of the action while tossing off cornball jokes and snarky remarks . in supporting roles , hank azaria wears out his welcome fast with broad gestures and a spanish accent that speedy gonzales would have deemed " too broad . " seth green is amusing as a toadie , stanley tucci is very good as a ruthless studio head and christopher walken plays the eccentric director with suitable flair , though he has little to work with . come to think of it , " little to work with " is the operative phrase for this movie . as a hollywood satire , " america's sweethearts " is toothless . as a romance , it is at best a minor pleasure . such a good cast , such a waste of their efforts . had it not been taken long ago , a better title for the film would have been " much ado about nothing . " 
