A Portrait of the Artist as a Young Man


by

James Joyce




Chapter 1


Once upon a time and a very good time it was there was a moocow coming
down along the road and this moocow that was coming down along the road
met a nicens little boy named baby tuckoo...

His father told him that story: his father looked at him through a
glass: he had a hairy face.

He was baby tuckoo. The moocow came down the road where Betty Byrne
lived: she sold lemon platt.

    O, the wild rose blossoms
    On the little green place.

He sang that song. That was his song.

    O, the green wothe botheth.

When you wet the bed first it is warm then it gets cold. His mother put
on the oilsheet. That had the queer smell.

His mother had a nicer smell than his father. She played on the piano
the sailor's hornpipe for him to dance. He danced:

    Tralala lala,
    Tralala tralaladdy,
    Tralala lala,
    Tralala lala.

Uncle Charles and Dante clapped. They were older than his father and
mother but uncle Charles was older than Dante.

Dante had two brushes in her press. The brush with the maroon velvet
back was for Michael Davitt and the brush with the green velvet back
was for Parnell. Dante gave him a cachou every time he brought her a
piece of tissue paper.

The Vances lived in number seven. They had a different father and
mother. They were Eileen's father and mother. When they were grown up
he was going to marry Eileen. He hid under the table. His mother said:

--O, Stephen will apologize.

Dante said:

--O, if not, the eagles will come and pull out his eyes.--

    Pull out his eyes,
    Apologize,
    Apologize,
    Pull out his eyes.
    Apologize,
    Pull out his eyes,
    Pull out his eyes,
    Apologize.

* * * * *

The wide playgrounds were swarming with boys. All were shouting and the
prefects urged them on with strong cries. The evening air was pale and
chilly and after every charge and thud of the footballers the greasy
leather orb flew like a heavy bird through the grey light. He kept on
the fringe of his line, out of sight of his prefect, out of the reach
of the rude feet, feigning to run now and then. He felt his body small
and weak amid the throng of the players and his eyes were weak and
watery. Rody Kickham was not like that: he would be captain of the
third line all the fellows said.

Rody Kickham was a decent fellow but Nasty Roche was a stink. Rody
Kickham had greaves in his number and a hamper in the refectory. Nasty
Roche had big hands. He called the Friday pudding dog-in-the-blanket.
And one day he had asked:

--What is your name?

Stephen had answered: Stephen Dedalus.

Then Nasty Roche had said:

--What kind of a name is that?

And when Stephen had not been able to answer Nasty Roche had asked:

--What is your father?

Stephen had answered:

--A gentleman.

Then Nasty Roche had asked:

--Is he a magistrate?

He crept about from point to point on the fringe of his line, making
little runs now and then. But his hands were bluish with cold. He kept
his hands in the side pockets of his belted grey suit. That was a belt
round his pocket. And belt was also to give a fellow a belt. One day a
fellow said to Cantwell:

--I'd give you such a belt in a second.

Cantwell had answered:

--Go and fight your match. Give Cecil Thunder a belt. I'd like to see
you. He'd give you a toe in the rump for yourself.

That was not a nice expression. His mother had told him not to speak
with the rough boys in the college. Nice mother! The first day in the
hall of the castle when she had said goodbye she had put up her veil
double to her nose to kiss him: and her nose and eyes were red. But he
had pretended not to see that she was going to cry. She was a nice
mother but she was not so nice when she cried. And his father had given
him two five-shilling pieces for pocket money. And his father had told
him if he wanted anything to write home to him and, whatever he did,
never to peach on a fellow. Then at the door of the castle the rector
had shaken hands with his father and mother, his soutane fluttering in
the breeze, and the car had driven off with his father and mother on
it. They had cried to him from the car, waving their hands:

--Goodbye, Stephen, goodbye!

--Goodbye, Stephen, goodbye!

He was caught in the whirl of a scrimmage and, fearful of the flashing
eyes and muddy boots, bent down to look through the legs. The fellows
were struggling and groaning and their legs were rubbing and kicking
and stamping. Then Jack Lawton's yellow boots dodged out the ball and
all the other boots and legs ran after. He ran after them a little way
and then stopped. It was useless to run on. Soon they would be going
home for the holidays. After supper in the study hall he would change
the number pasted up inside his desk from seventy-seven to seventy-six.

It would be better to be in the study hall than out there in the cold.
The sky was pale and cold but there were lights in the castle. He
wondered from which window Hamilton Rowan had thrown his hat on the
ha-ha and had there been flowerbeds at that time under the windows. One
day when he had been called to the castle the butler had shown him the
marks of the soldiers' slugs in the wood of the door and had given him
a piece of shortbread that the community ate. It was nice and warm to
see the lights in the castle. It was like something in a book. Perhaps
Leicester Abbey was like that. And there were nice sentences in Doctor
Cornwell's Spelling Book. They were like poetry but they were only
sentences to learn the spelling from.


    Wolsey died in Leicester Abbey
    Where the abbots buried him.
    Canker is a disease of plants,
    Cancer one of animals.


It would be nice to lie on the hearthrug before the fire, leaning his
head upon his hands, and think on those sentences. He shivered as if he
had cold slimy water next his skin. That was mean of Wells to shoulder
him into the square ditch because he would not swop his little snuff
box for Wells's seasoned hacking chestnut, the conqueror of forty. How
cold and slimy the water had been! A fellow had once seen a big rat
jump into the scum. Mother was sitting at the fire with Dante waiting
for Brigid to bring in the tea. She had her feet on the fender and her
jewelly slippers were so hot and they had such a lovely warm smell!
Dante knew a lot of things. She had taught him where the Mozambique
Channel was and what was the longest river in America and what was the
name of the highest mountain in the moon. Father Arnall knew more than
Dante because he was a priest but both his father and uncle Charles
said that Dante was a clever woman and a well-read woman. And when
Dante made that noise after dinner and then put up her hand to her
mouth: that was heartburn.

A voice cried far out on the playground:

--All in!

Then other voices cried from the lower and third lines:

--All in! All in!

The players closed around, flushed and muddy, and he went among them,
glad to go in. Rody Kickham held the ball by its greasy lace. A fellow
asked him to give it one last: but he walked on without even answering
the fellow. Simon Moonan told him not to because the prefect was
looking. The fellow turned to Simon Moonan and said:

--We all know why you speak. You are McGlade's suck.

Suck was a queer word. The fellow called Simon Moonan that name because
Simon Moonan used to tie the prefect's false sleeves behind his back
and the prefect used to let on to be angry. But the sound was ugly.
Once he had washed his hands in the lavatory of the Wicklow Hotel and
his father pulled the stopper up by the chain after and the dirty water
went down through the hole in the basin. And when it had all gone down
slowly the hole in the basin had made a sound like that: suck. Only
louder.

To remember that and the white look of the lavatory made him feel cold
and then hot. There were two cocks that you turned and water came out:
cold and hot. He felt cold and then a little hot: and he could see the
names printed on the cocks. That was a very queer thing.

And the air in the corridor chilled him too. It was queer and wettish.
But soon the gas would be lit and in burning it made a light noise like
a little song. Always the same: and when the fellows stopped talking in
the playroom you could hear it.

It was the hour for sums. Father Arnall wrote a hard sum on the board
and then said:

--Now then, who will win? Go ahead, York! Go ahead, Lancaster!

Stephen tried his best, but the sum was too hard and he felt confused.
The little silk badge with the white rose on it that was pinned on the
breast of his jacket began to flutter. He was no good at sums, but he
tried his best so that York might not lose. Father Arnall's face looked
very black, but he was not in a wax: he was laughing. Then Jack Lawton
cracked his fingers and Father Arnall looked at his copybook and said:

--Right. Bravo Lancaster! The red rose wins. Come on now, York! Forge
ahead!

Jack Lawton looked over from his side. The little silk badge with the
red rose on it looked very rich because he had a blue sailor top on.
Stephen felt his own face red too, thinking of all the bets about who
would get first place in elements, Jack Lawton or he. Some weeks Jack
Lawton got the card for first and some weeks he got the card for first.
His white silk badge fluttered and fluttered as he worked at the next
sum and heard Father Arnall's voice. Then all his eagerness passed away
and he felt his face quite cool. He thought his face must be white
because it felt so cool. He could not get out the answer for the sum
but it did not matter. White roses and red roses: those were beautiful
colours to think of. And the cards for first place and second place and
third place were beautiful colours too: pink and cream and lavender.
Lavender and cream and pink roses were beautiful to think of. Perhaps a
wild rose might be like those colours and he remembered the song about
the wild rose blossoms on the little green place. But you could not
have a green rose. But perhaps somewhere in the world you could.

The bell rang and then the classes began to file out of the rooms and
along the corridors towards the refectory. He sat looking at the two
prints of butter on his plate but could not eat the damp bread. The
tablecloth was damp and limp. But he drank off the hot weak tea which
the clumsy scullion, girt with a white apron, poured into his cup. He
wondered whether the scullion's apron was damp too or whether all white
things were cold and damp. Nasty Roche and Saurin drank cocoa that
their people sent them in tins. They said they could not drink the tea;
that it was hogwash. Their fathers were magistrates, the fellows said.

All the boys seemed to him very strange. They had all fathers and
mothers and different clothes and voices. He longed to be at home and
lay his head on his mother's lap. But he could not: and so he longed
for the play and study and prayers to be over and to be in bed.

He drank another cup of hot tea and Fleming said:

--What's up? Have you a pain or what's up with you?

--I don't know, Stephen said.

--Sick in your breadbasket, Fleming said, because your face looks
white. It will go away.

--O yes, Stephen said.

But he was not sick there. He thought that he was sick in his heart if
you could be sick in that place. Fleming was very decent to ask him. He
wanted to cry. He leaned his elbows on the table and shut and opened
the flaps of his ears. Then he heard the noise of the refectory every
time he opened the flaps of his ears. It made a roar like a train at
night. And when he closed the flaps the roar was shut off like a train
going into a tunnel. That night at Dalkey the train had roared like
that and then, when it went into the tunnel, the roar stopped. He
closed his eyes and the train went on, roaring and then stopping;
roaring again, stopping. It was nice to hear it roar and stop and then
roar out of the tunnel again and then stop.

Then the higher line fellows began to come down along the matting in
the middle of the refectory, Paddy Rath and Jimmy Magee and the
Spaniard who was allowed to smoke cigars and the little Portuguese who
wore the woolly cap. And then the lower line tables and the tables of
the third line. And every single fellow had a different way of walking.

He sat in a corner of the playroom pretending to watch a game of
dominoes and once or twice he was able to hear for an instant the
little song of the gas. The prefect was at the door with some boys and
Simon Moonan was knotting his false sleeves. He was telling them
something about Tullabeg.

Then he went away from the door and Wells came over to Stephen and
said:

--Tell us, Dedalus, do you kiss your mother before you go to bed?

Stephen answered:

--I do.

Wells turned to the other fellows and said:

--O, I say, here's a fellow says he kisses his mother every night
before he goes to bed.

The other fellows stopped their game and turned round, laughing.
Stephen blushed under their eyes and said:

--I do not.

Wells said:

--O, I say, here's a fellow says he doesn't kiss his mother before he
goes to bed.

They all laughed again. Stephen tried to laugh with them. He felt his
whole body hot and confused in a moment. What was the right answer to
the question? He had given two and still Wells laughed. But Wells must
know the right answer for he was in third of grammar. He tried to think
of Wells's mother but he did not dare to raise his eyes to Wells's
face. He did not like Wells's face. It was Wells who had shouldered him
into the square ditch the day before because he would not swop his
little snuff box for Wells's seasoned hacking chestnut, the conqueror
of forty. It was a mean thing to do; all the fellows said it was. And
how cold and slimy the water had been! And a fellow had once seen a big
rat jump plop into the scum.

The cold slime of the ditch covered his whole body; and, when the bell
rang for study and the lines filed out of the playrooms, he felt the
cold air of the corridor and staircase inside his clothes. He still
tried to think what was the right answer. Was it right to kiss his
mother or wrong to kiss his mother? What did that mean, to kiss? You
put your face up like that to say good night and then his mother put
her face down. That was to kiss. His mother put her lips on his cheek;
her lips were soft and they wetted his cheek; and they made a tiny
little noise: kiss. Why did people do that with their two faces?

Sitting in the study hall he opened the lid of his desk and changed the
number pasted up inside from seventy-seven to seventy-six. But the
Christmas vacation was very far away: but one time it would come
because the earth moved round always.

There was a picture of the earth on the first page of his geography: a
big ball in the middle of clouds. Fleming had a box of crayons and one
night during free study he had coloured the earth green and the clouds
maroon. That was like the two brushes in Dante's press, the brush with
the green velvet back for Parnell and the brush with the maroon velvet
back for Michael Davitt. But he had not told Fleming to colour them
those colours. Fleming had done it himself.

He opened the geography to study the lesson; but he could not learn the
names of places in America. Still they were all different places that
had different names. They were all in different countries and the
countries were in continents and the continents were in the world and
the world was in the universe.

He turned to the flyleaf of the geography and read what he had written
there: himself, his name and where he was.


    Stephen Dedalus
    Class of Elements
    Clongowes Wood College
    Sallins
    County Kildare
    Ireland
    Europe
    The World
    The Universe


That was in his writing: and Fleming one night for a cod had written on
the opposite page:


    Stephen Dedalus is my name,
    Ireland is my nation.
    Clongowes is my dwellingplace
    And heaven my expectation.


He read the verses backwards but then they were not poetry. Then he
read the flyleaf from the bottom to the top till he came to his own
name. That was he: and he read down the page again. What was after the
universe?

Nothing. But was there anything round the universe to show where it
stopped before the nothing place began?

It could not be a wall; but there could be a thin thin line there all
round everything. It was very big to think about everything and
everywhere. Only God could do that. He tried to think what a big
thought that must be; but he could only think of God. God was God's
name just as his name was Stephen. DIEU was the French for God and that
was God's name too; and when anyone prayed to God and said DIEU then
God knew at once that it was a French person that was praying. But,
though there were different names for God in all the different
languages in the world and God understood what all the people who
prayed said in their different languages, still God remained always the
same God and God's real name was God.

It made him very tired to think that way. It made him feel his head
very big. He turned over the flyleaf and looked wearily at the green
round earth in the middle of the maroon clouds. He wondered which was
right, to be for the green or for the maroon, because Dante had ripped
the green velvet back off the brush that was for Parnell one day with
her scissors and had told him that Parnell was a bad man. He wondered
if they were arguing at home about that. That was called politics.
There were two sides in it: Dante was on one side and his father and Mr
Casey were on the other side but his mother and uncle Charles were on
no side. Every day there was something in the paper about it.

It pained him that he did not know well what politics meant and that he
did not know where the universe ended. He felt small and weak. When
would he be like the fellows in poetry and rhetoric? They had big
voices and big boots and they studied trigonometry. That was very far
away. First came the vacation and then the next term and then vacation
again and then again another term and then again the vacation. It was
like a train going in and out of tunnels and that was like the noise of
the boys eating in the refectory when you opened and closed the flaps
of the ears. Term, vacation; tunnel, out; noise, stop. How far away it
was! It was better to go to bed to sleep. Only prayers in the chapel
and then bed. He shivered and yawned. It would be lovely in bed after
the sheets got a bit hot. First they were so cold to get into. He
shivered to think how cold they were first. But then they got hot and
then he could sleep. It was lovely to be tired. He yawned again. Night
prayers and then bed: he shivered and wanted to yawn. It would be
lovely in a few minutes. He felt a warm glow creeping up from the cold
shivering sheets, warmer and warmer till he felt warm all over, ever so
warm and yet he shivered a little and still wanted to yawn.

The bell rang for night prayers and he filed out of the study hall
after the others and down the staircase and along the corridors to the
chapel. The corridors were darkly lit and the chapel was darkly lit.
Soon all would be dark and sleeping. There was cold night air in the
chapel and the marbles were the colour the sea was at night. The sea
was cold day and night: but it was colder at night. It was cold and
dark under the seawall beside his father's house. But the kettle would
be on the hob to make punch.

The prefect of the chapel prayed above his head and his memory knew the
responses:


    O Lord open our lips
    And our mouths shall announce Thy praise.
    Incline unto our aid, O God!
    O Lord make haste to help us!


There was a cold night smell in the chapel. But it was a holy smell. It
was not like the smell of the old peasants who knelt at the back of the
chapel at Sunday mass. That was a smell of air and rain and turf and
corduroy. But they were very holy peasants. They breathed behind him on
his neck and sighed as they prayed. They lived in Clane, a fellow said:
there were little cottages there and he had seen a woman standing at
the half-door of a cottage with a child in her arms as the cars had
come past from Sallins. It would be lovely to sleep for one night in
that cottage before the fire of smoking turf, in the dark lit by the
fire, in the warm dark, breathing the smell of the peasants, air and
rain and turf and corduroy. But O, the road there between the trees
was dark! You would be lost in the dark. It made him afraid to think
of how it was.

He heard the voice of the prefect of the chapel saying the last
prayers. He prayed it too against the dark outside under the trees.


  VISIT, WE BESEECH THEE, O LORD, THIS HABITATION AND DRIVE
  AWAY FROM IT ALL THE SNARES OF THE ENEMY. MAY THY HOLY
  ANGELS DWELL HEREIN TO PRESERVE US IN PEACE AND MAY THY
  BLESSINGS BE ALWAYS UPON US THROUGH CHRIST OUR LORD.
  AMEN.


His fingers trembled as he undressed himself in the dormitory. He told
his fingers to hurry up. He had to undress and then kneel and say his
own prayers and be in bed before the gas was lowered so that he might
not go to hell when he died. He rolled his stockings off and put on his
nightshirt quickly and knelt trembling at his bedside and repeated his
prayers quickly, fearing that the gas would go down. He felt his
shoulders shaking as he murmured:

    God bless my father and my mother and spare them to me!
    God bless my little brothers and sisters and spare them to me!
    God bless Dante and Uncle Charles and spare them to me!


He blessed himself and climbed quickly into bed and, tucking the end of
the nightshirt under his feet, curled himself together under the cold
white sheets, shaking and trembling. But he would not go to hell when
he died; and the shaking would stop. A voice bade the boys in the
dormitory good night. He peered out for an instant over the coverlet
and saw the yellow curtains round and before his bed that shut him off
on all sides. The light was lowered quietly.

The prefect's shoes went away. Where? Down the staircase and along the
corridors or to his room at the end? He saw the dark. Was it true about
the black dog that walked there at night with eyes as big as
carriage-lamps? They said it was the ghost of a murderer. A long shiver
of fear flowed over his body. He saw the dark entrance hall of the
castle. Old servants in old dress were in the ironing-room above the
staircase. It was long ago. The old servants were quiet. There was a
fire there, but the hall was still dark. A figure came up the staircase
from the hall. He wore the white cloak of a marshal; his face was pale
and strange; he held his hand pressed to his side. He looked out of
strange eyes at the old servants. They looked at him and saw their
master's face and cloak and knew that he had received his death-wound.
But only the dark was where they looked: only dark silent air. Their
master had received his death-wound on the battlefield of Prague far
away over the sea. He was standing on the field; his hand was pressed
to his side; his face was pale and strange and he wore the white cloak
of a marshal.

O how cold and strange it was to think of that! All the dark was cold
and strange. There were pale strange faces there, great eyes like
carriage-lamps. They were the ghosts of murderers, the figures of
marshals who had received their death-wound on battlefields far away
over the sea. What did they wish to say that their faces were so
strange?


VISIT, WE BESEECH THEE, O LORD, THIS HABITATION AND DRIVE AWAY FROM IT
ALL...


Going home for the holidays! That would be lovely: the fellows had told
him. Getting up on the cars in the early wintry morning outside the
door of the castle. The cars were rolling on the gravel. Cheers for the
rector!

Hurray! Hurray! Hurray!

The cars drove past the chapel and all caps were raised. They drove
merrily along the country roads. The drivers pointed with their whips
to Bodenstown. The fellows cheered. They passed the farmhouse
of the Jolly Farmer. Cheer after cheer after cheer. Through Clane they
drove, cheering and cheered. The peasant women stood at the half-doors,
the men stood here and there. The lovely smell there was in the wintry
air: the smell of Clane: rain and wintry air and turf smouldering and
corduroy.

The train was full of fellows: a long long chocolate train with cream
facings. The guards went to and fro opening, closing, locking,
unlocking the doors. They were men in dark blue and silver; they had
silvery whistles and their keys made a quick music: click, click:
click, click.

And the train raced on over the flat lands and past the Hill of Allen.
The telegraph poles were passing, passing. The train went on and on. It
knew. There were lanterns in the hall of his father's house and ropes
of green branches. There were holly and ivy round the pierglass and
holly and ivy, green and red, twined round the chandeliers. There were
red holly and green ivy round the old portraits on the walls. Holly and
ivy for him and for Christmas.

Lovely...

All the people. Welcome home, Stephen! Noises of welcome. His mother
kissed him. Was that right? His father was a marshal now: higher than a
magistrate. Welcome home, Stephen!

Noises...

There was a noise of curtain-rings running back along the rods, of
water being splashed in the basins. There was a noise of rising and
dressing and washing in the dormitory: a noise of clapping of hands as
the prefect went up and down telling the fellows to look sharp. A pale
sunlight showed the yellow curtains drawn back, the tossed beds. His
bed was very hot and his face and body were very hot.

He got up and sat on the side of his bed. He was weak. He tried to pull
on his stocking. It had a horrid rough feel. The sunlight was queer and
cold.

Fleming said:

--Are you not well?

He did not know; and Fleming said:

--Get back into bed. I'll tell McGlade you're not well.

--He's sick.

--Who is?

--Tell McGlade.

--Get back into bed.

--Is he sick?

A fellow held his arms while he loosened the stocking clinging to his
foot and climbed back into the hot bed.

He crouched down between the sheets, glad of their tepid glow. He heard
the fellows talk among themselves about him as they dressed for mass.
It was a mean thing to do, to shoulder him into the square ditch, they
were saying.

Then their voices ceased; they had gone. A voice at his bed said:

--Dedalus, don't spy on us, sure you won't?

Wells's face was there. He looked at it and saw that Wells was afraid.

--I didn't mean to. Sure you won't?

His father had told him, whatever he did, never to peach on a fellow.
He shook his head and answered no and felt glad.

Wells said:

--I didn't mean to, honour bright. It was only for cod. I'm sorry.

The face and the voice went away. Sorry because he was afraid. Afraid
that it was some disease. Canker was a disease of plants and cancer one
of animals: or another different. That was a long time ago then out on
the playgrounds in the evening light, creeping from point to point on
the fringe of his line, a heavy bird flying low through the grey light.
Leicester Abbey lit up. Wolsey died there. The abbots buried him
themselves.

It was not Wells's face, it was the prefect's. He was not foxing. No,
no: he was sick really. He was not foxing. And he felt the prefect's
hand on his forehead; and he felt his forehead warm and damp against
the prefect's cold damp hand. That was the way a rat felt, slimy and
damp and cold. Every rat had two eyes to look out of. Sleek slimy
coats, little little feet tucked up to jump, black slimy eyes to look
out of. They could understand how to jump. But the minds of rats could
not understand trigonometry. When they were dead they lay on their
sides. Their coats dried then. They were only dead things.

The prefect was there again and it was his voice that was saying that
he was to get up, that Father Minister had said he was to get up and
dress and go to the infirmary. And while he was dressing himself as
quickly as he could the prefect said:

--We must pack off to Brother Michael because we have the
collywobbles!

He was very decent to say that. That was all to make him laugh. But he
could not laugh because his cheeks and lips were all shivery: and then
the prefect had to laugh by himself.

The prefect cried:

--Quick march! Hayfoot! Strawfoot!

They went together down the staircase and along the corridor and past
the bath. As he passed the door he remembered with a vague fear the
warm turf-coloured bogwater, the warm moist air, the noise of plunges,
the smell of the towels, like medicine.

Brother Michael was standing at the door of the infirmary and from the
door of the dark cabinet on his right came a smell like medicine. That
came from the bottles on the shelves. The prefect spoke to Brother
Michael and Brother Michael answered and called the prefect sir. He had
reddish hair mixed with grey and a queer look. It was queer that he
would always be a brother. It was queer too that you could not call him
sir because he was a brother and had a different kind of look. Was he
not holy enough or why could he not catch up on the others?

There were two beds in the room and in one bed there was a fellow: and
when they went in he called out:

--Hello! It's young Dedalus! What's up?

--The sky is up, Brother Michael said.

He was a fellow out of the third of grammar and, while Stephen was
undressing, he asked Brother Michael to bring him a round of buttered
toast.

--Ah, do! he said.

--Butter you up! said Brother Michael. You'll get your walking papers
in the morning when the doctor comes.

--Will I? the fellow said. I'm not well yet.

Brother Michael repeated:

--You'll get your walking papers. I tell you.

He bent down to rake the fire. He had a long back like the long back of
a tramhorse. He shook the poker gravely and nodded his head at the
fellow out of third of grammar.

Then Brother Michael went away and after a while the fellow out of
third of grammar turned in towards the wall and fell asleep.

That was the infirmary. He was sick then. Had they written home to tell
his mother and father? But it would be quicker for one of the priests
to go himself to tell them. Or he would write a letter for the priest
to bring.


    Dear Mother,

    I am sick. I want to go home. Please come and take me home.
    I am in the infirmary.

    Your fond son,
    Stephen


How far away they were! There was cold sunlight outside the window. He
wondered if he would die. You could die just the same on a sunny day.
He might die before his mother came. Then he would have a dead mass in
the chapel like the way the fellows had told him it was when Little had
died. All the fellows would be at the mass, dressed in black, all with
sad faces. Wells too would be there but no fellow would look at him.
The rector would be there in a cope of black and gold and there would
be tall yellow candles on the altar and round the catafalque. And they
would carry the coffin out of the chapel slowly and he would be buried
in the little graveyard of the community off the main avenue of limes.
And Wells would be sorry then for what he had done. And the bell would
toll slowly.

He could hear the tolling. He said over to himself the song that Brigid
had taught him.


    Dingdong! The castle bell!
    Farewell, my mother!
    Bury me in the old churchyard
    Beside my eldest brother.
    My coffin shall be black,
    Six angels at my back,
    Two to sing and two to pray
    And two to carry my soul away.


How beautiful and sad that was! How beautiful the words were where they
said BURY ME IN THE OLD CHURCHYARD! A tremor passed over his body. How
sad and how beautiful! He wanted to cry quietly but not for himself:
for the words, so beautiful and sad, like music. The bell! The bell!
Farewell! O farewell!

The cold sunlight was weaker and Brother Michael was standing at his
bedside with a bowl of beef-tea. He was glad for his mouth was hot and
dry. He could hear them playing in the playgrounds. And the day was
going on in the college just as if he were there.

Then Brother Michael was going away and the fellow out of the third of
grammar told him to be sure and come back and tell him all the news in
the paper. He told Stephen that his name was Athy and that his father
kept a lot of racehorses that were spiffing jumpers and that his father
would give a good tip to Brother Michael any time he wanted it because
Brother Michael was very decent and always told him the news out of the
paper they got every day up in the castle. There was every kind of news
in the paper: accidents, shipwrecks, sports, and politics.

--Now it is all about politics in the papers, he said. Do your people
talk about that too?

--Yes, Stephen said.

--Mine too, he said.

Then he thought for a moment and said:

--You have a queer name, Dedalus, and I have a queer name too, Athy.
My name is the name of a town. Your name is like Latin.

Then he asked:

--Are you good at riddles?

Stephen answered:

--Not very good.

Then he said:

--Can you answer me this one? Why is the county of Kildare like the
leg of a fellow's breeches?

Stephen thought what could be the answer and then said:

--I give it up.

--Because there is a thigh in it, he said. Do you see the joke? Athy
is the town in the county Kildare and a thigh is the other thigh.

--Oh, I see, Stephen said.

--That's an old riddle, he said.

After a moment he said:

--I say!

--What? asked Stephen.

--You know, he said, you can ask that riddle another way.

--Can you? said Stephen.

--The same riddle, he said. Do you know the other way to ask it?

--No, said Stephen.

--Can you not think of the other way? he said.

He looked at Stephen over the bedclothes as he spoke. Then he lay back
on the pillow and said:

--There is another way but I won't tell you what it is.

Why did he not tell it? His father, who kept the racehorses, must be a
magistrate too like Saurin's father and Nasty Roche's father. He
thought of his own father, of how he sang songs while his mother played
and of how he always gave him a shilling when he asked for sixpence and
he felt sorry for him that he was not a magistrate like the other boys'
fathers. Then why was he sent to that place with them? But
his father had told him that he would be no stranger there because his
granduncle had presented an address to the liberator there fifty years
before. You could know the people of that time by their old dress. It
seemed to him a solemn time: and he wondered if that was the time when
the fellows in Clongowes wore blue coats with brass buttons and yellow
waistcoats and caps of rabbitskin and drank beer like grown-up people
and kept greyhounds of their own to course the hares with.

He looked at the window and saw that the daylight had grown weaker.
There would be cloudy grey light over the playgrounds. There was no
noise on the playgrounds. The class must be doing the themes or perhaps
Father Arnall was reading out of the book.

It was queer that they had not given him any medicine. Perhaps Brother
Michael would bring it back when he came. They said you got stinking
stuff to drink when you were in the infirmary. But he felt better now
than before. It would be nice getting better slowly. You could get a
book then. There was a book in the library about Holland. There were
lovely foreign names in it and pictures of strange looking cities and
ships. It made you feel so happy.

How pale the light was at the window! But that was nice. The fire rose
and fell on the wall. It was like waves. Someone had put coal on and he
heard voices. They were talking. It was the noise of the waves. Or the
waves were talking among themselves as they rose and fell.

He saw the sea of waves, long dark waves rising and falling, dark under
the moonless night. A tiny light twinkled at the pierhead where the
ship was entering: and he saw a multitude of people gathered by the
waters' edge to see the ship that was entering their harbour. A tall
man stood on the deck, looking out towards the flat dark land: and by
the light at the pierhead he saw his face, the sorrowful face of
Brother Michael.

He saw him lift his hand towards the people and heard him say in a loud
voice of sorrow over the waters:

--He is dead. We saw him lying upon the catafalque. A wail of sorrow
went up from the people.

--Parnell! Parnell! He is dead!

They fell upon their knees, moaning in sorrow.

And he saw Dante in a maroon velvet dress and with a green velvet
mantle hanging from her shoulders walking proudly and silently past the
people who knelt by the water's edge.


* * * * *


A great fire, banked high and red, flamed in the grate and under the
ivy-twined branches of the chandelier the Christmas table was spread.
They had come home a little late and still dinner was not ready: but it
would be ready in a jiffy his mother had said. They were waiting for
the door to open and for the servants to come in, holding the big
dishes covered with their heavy metal covers.

All were waiting: uncle Charles, who sat far away in the shadow of the
window, Dante and Mr Casey, who sat in the easy-chairs at either side
of the hearth, Stephen, seated on a chair between them, his feet
resting on the toasted boss. Mr Dedalus looked at himself in the
pierglass above the mantelpiece, waxed out his moustache ends and then,
parting his coat-tails, stood with his back to the glowing fire: and
still from time to time he withdrew a hand from his coat-tail to wax
out one of his moustache ends. Mr Casey leaned his head to one side
and, smiling, tapped the gland of his neck with his fingers. And
Stephen smiled too for he knew now that it was not true that Mr Casey
had a purse of silver in his throat. He smiled to think how the silvery
noise which Mr Casey used to make had deceived him. And when he had
tried to open Mr Casey's hand to see if the purse of silver was hidden
there he had seen that the fingers could not be straightened out: and
Mr Casey had told him that he had got those three cramped fingers
making a birthday present for Queen Victoria. Mr Casey tapped the gland
of his neck and smiled at Stephen with sleepy eyes: and Mr Dedalus said
to him:

--Yes. Well now, that's all right. O, we had a good walk, hadn't we,
John? Yes... I wonder if there's any likelihood of dinner this evening.
Yes... O, well now, we got a good breath of ozone round the Head today. Ay,
bedad.

He turned to Dante and said:

--You didn't stir out at all, Mrs Riordan?

Dante frowned and said shortly:

--No.

Mr Dedalus dropped his coat-tails and went over to the sideboard. He
brought forth a great stone jar of whisky from the locker and filled
the decanter slowly, bending now and then to see how much he had poured
in. Then replacing the jar in the locker he poured a little of the
whisky into two glasses, added a little water and came back with them
to the fireplace.

--A thimbleful, John, he said, just to whet your appetite.

Mr Casey took the glass, drank, and placed it near him on the
mantelpiece. Then he said:

--Well, I can't help thinking of our friend Christopher manufacturing...

He broke into a fit of laughter and coughing and added:

--...manufacturing that champagne for those fellows.

Mr Dedalus laughed loudly.

--Is it Christy? he said. There's more cunning in one of those warts
on his bald head than in a pack of jack foxes.

He inclined his head, closed his eyes, and, licking his lips profusely,
began to speak with the voice of the hotel keeper.

--And he has such a soft mouth when he's speaking to you, don't you
know. He's very moist and watery about the dewlaps, God bless him.

Mr Casey was still struggling through his fit of coughing and laughter.
Stephen, seeing and hearing the hotel keeper through his father's face
and voice, laughed.

Mr Dedalus put up his eyeglass and, staring down at him, said quietly
and kindly:

--What are you laughing at, you little puppy, you?

The servants entered and placed the dishes on the table. Mrs Dedalus
followed and the places were arranged.

--Sit over, she said.

Mr Dedalus went to the end of the table and said:

--Now, Mrs Riordan, sit over. John, sit you down, my hearty.

He looked round to where uncle Charles sat and said:

--Now then, sir, there's a bird here waiting for you.

When all had taken their seats he laid his hand on the cover and then
said quickly, withdrawing it:

--Now, Stephen.

Stephen stood up in his place to say the grace before meals:


Bless us, O Lord, and these Thy gifts which through
Thy bounty we are about to receive through Christ our
Lord. Amen.


All blessed themselves and Mr Dedalus with a sigh of pleasure lifted
from the dish the heavy cover pearled around the edge with glistening
drops.

Stephen looked at the plump turkey which had lain, trussed and
skewered, on the kitchen table. He knew that his father had paid a
guinea for it in Dunn's of D'Olier Street and that the man had prodded
it often at the breastbone to show how good it was: and he remembered
the man's voice when he had said:

--Take that one, sir. That's the real Ally Daly.

Why did Mr Barrett in Clongowes call his pandybat a turkey? But
Clongowes was far away: and the warm heavy smell of turkey and ham and
celery rose from the plates and dishes and the great fire was banked
high and red in the grate and the green ivy and red holly made you feel
so happy and when dinner was ended the big plum pudding would be
carried in, studded with peeled almonds and sprigs of holly, with
bluish fire running around it and a little green flag flying from the
top.

It was his first Christmas dinner and he thought of his little brothers
and sisters who were waiting in the nursery, as he had often waited,
till the pudding came. The deep low collar and the Eton jacket made him
feel queer and oldish: and that morning when his mother had brought him
down to the parlour, dressed for mass, his father had cried. That was
because he was thinking of his own father. And uncle Charles had said
so too.

Mr Dedalus covered the dish and began to eat hungrily. Then he said:

--Poor old Christy, he's nearly lopsided now with roguery.

--Simon, said Mrs Dedalus, you haven't given Mrs Riordan any sauce.

Mr Dedalus seized the sauceboat.

--Haven't I? he cried. Mrs Riordan, pity the poor blind. Dante covered
her plate with her hands and said:

--No, thanks.

Mr Dedalus turned to uncle Charles.

--How are you off, sir?

--Right as the mail, Simon.

--You, John?

--I'm all right. Go on yourself.

--Mary? Here, Stephen, here's something to make your hair curl.

He poured sauce freely over Stephen's plate and set the boat again on
the table. Then he asked uncle Charles was it tender. Uncle Charles
could not speak because his mouth was full; but he nodded that it was.

--That was a good answer our friend made to the canon. What? said Mr
Dedalus.

--I didn't think he had that much in him, said Mr Casey.

--I'LL PAY YOUR DUES, FATHER, WHEN YOU CEASE TURNING THE HOUSE OF GOD
INTO A POLLING-BOOTH.

--A nice answer, said Dante, for any man calling himself a catholic to
give to his priest.

--They have only themselves to blame, said Mr Dedalus suavely. If they
took a fool's advice they would confine their attention to religion.

--It is religion, Dante said. They are doing their duty in warning the
people.

--We go to the house of God, Mr Casey said, in all humility to pray to
our Maker and not to hear election addresses.

--It is religion, Dante said again. They are right. They must direct
their flocks.

--And preach politics from the altar, is it? asked Mr Dedalus.

--Certainly, said Dante. It is a question of public morality. A priest
would not be a priest if he did not tell his flock what is right and
what is wrong.

Mrs Dedalus laid down her knife and fork, saying:

--For pity sake and for pity sake let us have no political discussion
on this day of all days in the year.

--Quite right, ma'am, said uncle Charles. Now, Simon, that's quite
enough now. Not another word now.

--Yes, yes, said Mr Dedalus quickly.

He uncovered the dish boldly and said:

--Now then, who's for more turkey?

Nobody answered. Dante said:

--Nice language for any catholic to use!

--Mrs Riordan, I appeal to you, said Mrs Dedalus, to let the matter
drop now.

Dante turned on her and said:

--And am I to sit here and listen to the pastors of my church being
flouted?

--Nobody is saying a word against them, said Mr Dedalus, so long as
they don't meddle in politics.

--The bishops and priests of Ireland have spoken, said Dante, and they
must be obeyed.

--Let them leave politics alone, said Mr Casey, or the people may
leave their church alone.

--You hear? said Dante, turning to Mrs Dedalus.

--Mr Casey! Simon! said Mrs Dedalus, let it end now.

--Too bad! Too bad! said uncle Charles.

--What? cried Mr Dedalus. Were we to desert him at the bidding of the
English people?

--He was no longer worthy to lead, said Dante. He was a public sinner.

--We are all sinners and black sinners, said Mr Casey coldly.

--WOE BE TO THE MAN BY WHOM THE SCANDAL COMETH! said Mrs Riordan. IT
WOULD BE BETTER FOR HIM THAT A MILLSTONE WERE TIED ABOUT HIS NECK AND
THAT HE WERE CAST INTO THE DEPTHS OF THE SEA RATHER THAN THAT HE SHOULD
SCANDALIZE ONE OF THESE, MY LEAST LITTLE ONES. That is the language of
the Holy Ghost.

--And very bad language if you ask me, said Mr Dedalus coolly.

--Simon! Simon! said uncle Charles. The boy.

--Yes, yes, said Mr Dedalus. I meant about the... I was thinking about the
bad language of the railway porter. Well now, that's all right. Here,
Stephen, show me your plate, old chap. Eat away now. Here.

He heaped up the food on Stephen's plate and served uncle Charles and
Mr Casey to large pieces of turkey and splashes of sauce. Mrs Dedalus
was eating little and Dante sat with her hands in her lap. She was red
in the face. Mr Dedalus rooted with the carvers at the end of the dish
and said:

--There's a tasty bit here we call the pope's nose. If any lady or
gentleman...

He held a piece of fowl up on the prong of the carving fork. Nobody
spoke. He put it on his own plate, saying:

--Well, you can't say but you were asked. I think I had better eat it
myself because I'm not well in my health lately.

He winked at Stephen and, replacing the dish-cover, began to eat again.

There was a silence while he ate. Then he said:

--Well now, the day kept up fine after all. There were plenty of
strangers down too.

Nobody spoke. He said again:

--I think there were more strangers down than last Christmas.

He looked round at the others whose faces were bent towards their
plates and, receiving no reply, waited for a moment and said bitterly:

--Well, my Christmas dinner has been spoiled anyhow.

--There could be neither luck nor grace, Dante said, in a house where
there is no respect for the pastors of the church.

Mr Dedalus threw his knife and fork noisily on his plate.

--Respect! he said. Is it for Billy with the lip or for the tub of
guts up in Armagh? Respect!

--Princes of the church, said Mr Casey with slow scorn.

--Lord Leitrim's coachman, yes, said Mr Dedalus.

--They are the Lord's anointed, Dante said. They are an honour to their
country.

--Tub of guts, said Mr Dedalus coarsely. He has a handsome face, mind
you, in repose. You should see that fellow lapping up his bacon and
cabbage of a cold winter's day. O Johnny!

He twisted his features into a grimace of heavy bestiality and made a
lapping noise with his lips.

--Really, Simon, you should not speak that way before Stephen. It's
not right.

--O, he'll remember all this when he grows up, said Dante hotly--the
language he heard against God and religion and priests in his own home.

--Let him remember too, cried Mr Casey to her from across the table,
the language with which the priests and the priests' pawns broke
Parnell's heart and hounded him into his grave. Let him remember that
too when he grows up.

--Sons of bitches! cried Mr Dedalus. When he was down they turned on
him to betray him and rend him like rats in a sewer. Low-lived dogs!
And they look it! By Christ, they look it!

--They behaved rightly, cried Dante. They obeyed their bishops and
their priests. Honour to them!

--Well, it is perfectly dreadful to say that not even for one day in
the year, said Mrs Dedalus, can we be free from these dreadful
disputes!

Uncle Charles raised his hands mildly and said:

--Come now, come now, come now! Can we not have our opinions whatever
they are without this bad temper and this bad language? It is too bad
surely.

Mrs Dedalus spoke to Dante in a low voice but Dante said loudly:

--I will not say nothing. I will defend my church and my religion when
it is insulted and spit on by renegade catholics.

Mr Casey pushed his plate rudely into the middle of the table and,
resting his elbows before him, said in a hoarse voice to his host:

--Tell me, did I tell you that story about a very famous spit?

--You did not, John, said Mr Dedalus.

--Why then, said Mr Casey, it is a most instructive story. It happened
not long ago in the county Wicklow where we are now.

He broke off and, turning towards Dante, said with quiet indignation:

--And I may tell you, ma'am, that I, if you mean me, am no renegade
catholic. I am a catholic as my father was and his father before him
and his father before him again, when we gave up our lives rather than
sell our faith.

--The more shame to you now, Dante said, to speak as you do.

--The story, John, said Mr Dedalus smiling. Let us have the story
anyhow.

--Catholic indeed! repeated Dante ironically. The blackest protestant
in the land would not speak the language I have heard this evening.

Mr Dedalus began to sway his head to and fro, crooning like a country
singer.

--I am no protestant, I tell you again, said Mr Casey, flushing.

Mr Dedalus, still crooning and swaying his head, began to sing in a
grunting nasal tone:


  O, come all you Roman catholics
  That never went to mass.


He took up his knife and fork again in good humour and set to eating,
saying to Mr Casey:

--Let us have the story, John. It will help us to digest.

Stephen looked with affection at Mr Casey's face which stared across
the table over his joined hands. He liked to sit near him at the fire,
looking up at his dark fierce face. But his dark eyes were never fierce
and his slow voice was good to listen to. But why was he then against
the priests? Because Dante must be right then. But he had heard his
father say that she was a spoiled nun and that she had come out of the
convent in the Alleghanies when her brother had got the money from the
savages for the trinkets and the chainies. Perhaps that made her severe
against Parnell. And she did not like him to play with Eileen because
Eileen was a protestant and when she was young she knew children that
used to play with protestants and the protestants used to make fun of
the litany of the Blessed Virgin. TOWER OF IVORY, they used to say,
HOUSE OF GOLD! How could a woman be a tower of ivory or a house of
gold? Who was right then? And he remembered the evening in the
infirmary in Clongowes, the dark waters, the light at the pierhead and
the moan of sorrow from the people when they had heard.

Eileen had long white hands. One evening when playing tig she had put
her hands over his eyes: long and white and thin and cold and soft.
That was ivory: a cold white thing. That was the meaning of TOWER OF
IVORY.

--The story is very short and sweet, Mr Casey said. It was one day
down in Arklow, a cold bitter day, not long before the chief died. May
God have mercy on him!

He closed his eyes wearily and paused. Mr Dedalus took a bone from his
plate and tore some meat from it with his teeth, saying:

--Before he was killed, you mean.

Mr Casey opened his eyes, sighed and went on:

--It was down in Arklow one day. We were down there at a meeting and
after the meeting was over we had to make our way to the railway
station through the crowd. Such booing and baaing, man, you never
heard. They called us all the names in the world. Well there was one
old lady, and a drunken old harridan she was surely, that paid all her
attention to me. She kept dancing along beside me in the mud bawling
and screaming into my face: PRIEST-HUNTER! THE PARIS FUNDS! MR FOX!
KITTY O'SHEA!

--And what did you do, John? asked Mr Dedalus.

--I let her bawl away, said Mr Casey. It was a cold day and to keep up
my heart I had (saving your presence, ma'am) a quid of Tullamore in my
mouth and sure I couldn't say a word in any case because my mouth was
full of tobacco juice.

--Well, John?

--Well. I let her bawl away, to her heart's content, KITTY O'SHEA and
the rest of it till at last she called that lady a name that I won't
sully this Christmas board nor your ears, ma'am, nor my own lips by
repeating.

He paused. Mr Dedalus, lifting his head from the bone, asked:

--And what did you do, John?

--Do! said Mr Casey. She stuck her ugly old face up at me when she
said it and I had my mouth full of tobacco juice. I bent down to her
and PHTH! says I to her like that.

He turned aside and made the act of spitting.

--PHTH! says I to her like that, right into her eye.

He clapped his hand to his eye and gave a hoarse scream of pain.

--O JESUS, MARY AND JOSEPH! says she. I'M BLINDED! I'M BLINDED AND
DROWNDED!

He stopped in a fit of coughing and laughter, repeating:

--I'M BLINDED ENTIRELY.

Mr Dedalus laughed loudly and lay back in his chair while uncle Charles
swayed his head to and fro.

Dante looked terribly angry and repeated while they laughed:

--Very nice! Ha! Very nice!

It was not nice about the spit in the woman's eye.

But what was the name the woman had called Kitty O'Shea that Mr Casey
would not repeat? He thought of Mr Casey walking through the crowds of
people and making speeches from a wagonette. That was what he had been
in prison for and he remembered that one night Sergeant O'Neill had
come to the house and had stood in the hall, talking in a low voice
with his father and chewing nervously at the chinstrap of his cap. And
that night Mr Casey had not gone to Dublin by train but a car had come
to the door and he had heard his father say something about the
Cabinteely road.

He was for Ireland and Parnell and so was his father: and so was Dante
too for one night at the band on the esplanade she had hit a gentleman
on the head with her umbrella because he had taken off his hat when the
band played GOD SAVE THE QUEEN at the end.

Mr Dedalus gave a snort of contempt.

--Ah, John, he said. It is true for them. We are an unfortunate
priest-ridden race and always were and always will be till the end of
the chapter.

Uncle Charles shook his head, saying:

--A bad business! A bad business!

Mr Dedalus repeated:

--A priest-ridden Godforsaken race!

He pointed to the portrait of his grandfather on the wall to his right.

--Do you see that old chap up there, John? he said. He was a good
Irishman when there was no money in the job. He was condemned to death
as a whiteboy. But he had a saying about our clerical friends, that he
would never let one of them put his two feet under his mahogany.

Dante broke in angrily:

--If we are a priest-ridden race we ought to be proud of it! They are the
apple of God's eye. TOUCH THEM NOT, says Christ, FOR THEY ARE THE APPLE
OF MY EYE.

--And can we not love our country then? asked Mr Casey. Are we not to
follow the man that was born to lead us?

--A traitor to his country! replied Dante. A traitor, an adulterer!
The priests were right to abandon him. The priests were always the true
friends of Ireland.

--Were they, faith? said Mr Casey.

He threw his fist on the table and, frowning angrily, protruded one
finger after another.

--Didn't the bishops of Ireland betray us in the time of the union
when Bishop Lanigan presented an address of loyalty to the Marquess
Cornwallis? Didn't the bishops and priests sell the aspirations of
their country in 1829 in return for catholic emancipation? Didn't they
denounce the fenian movement from the pulpit and in the confession box?
And didn't they dishonour the ashes of Terence Bellew MacManus?

His face was glowing with anger and Stephen felt the glow rise to his
own cheek as the spoken words thrilled him. Mr Dedalus uttered a guffaw
of coarse scorn.

--O, by God, he cried, I forgot little old Paul Cullen! Another apple
of God's eye!

Dante bent across the table and cried to Mr Casey:

--Right! Right! They were always right! God and morality and religion
come first.

Mrs Dedalus, seeing her excitement, said to her:

--Mrs Riordan, don't excite yourself answering them.

--God and religion before everything! Dante cried. God and religion
before the world.

Mr Casey raised his clenched fist and brought it down on the table with
a crash.

--Very well then, he shouted hoarsely, if it comes to that, no God for
Ireland!

--John! John! cried Mr Dedalus, seizing his guest by the coat sleeve.

Dante stared across the table, her cheeks shaking. Mr Casey struggled
up from his chair and bent across the table towards her, scraping the
air from before his eyes with one hand as though he were tearing aside
a cobweb.

--No God for Ireland! he cried. We have had too much God In Ireland.
Away with God!

--Blasphemer! Devil! screamed Dante, starting to her feet and almost
spitting in his face.

Uncle Charles and Mr Dedalus pulled Mr Casey back into his chair again,
talking to him from both sides reasonably. He stared before him out of
his dark flaming eyes, repeating:

--Away with God, I say!

Dante shoved her chair violently aside and left the table, upsetting
her napkin-ring which rolled slowly along the carpet and came to rest
against the foot of an easy-chair. Mrs Dedalus rose quickly and
followed her towards the door. At the door Dante turned round violently
and shouted down the room, her cheeks flushed and quivering with rage:

--Devil out of hell! We won! We crushed him to death! Fiend!

The door slammed behind her.

Mr Casey, freeing his arms from his holders, suddenly bowed his head on
his hands with a sob of pain.

--Poor Parnell! he cried loudly. My dead king!

He sobbed loudly and bitterly.

Stephen, raising his terror-stricken face, saw that his father's eyes
were full of tears.


* * * * *


The fellows talked together in little groups.

One fellow said:

--They were caught near the Hill of Lyons.

--Who caught them?

--Mr Gleeson and the minister. They were on a car. The same fellow
added:

--A fellow in the higher line told me.

Fleming asked:

--But why did they run away, tell us?

--I know why, Cecil Thunder said. Because they had fecked cash out of
the rector's room.

--Who fecked it?

--Kickham's brother. And they all went shares in it.

--But that was stealing. How could they have done that?

--A fat lot you know about it, Thunder! Wells said. I know why they
scut.

--Tell us why.

--I was told not to, Wells said.

--O, go on, Wells, all said. You might tell us. We won't let it out.

Stephen bent forward his head to hear. Wells looked round to see if
anyone was coming. Then he said secretly:

--You know the altar wine they keep in the press in the sacristy?

--Yes.

--Well, they drank that and it was found out who did it by the smell.
And that's why they ran away, if you want to know.

And the fellow who had spoken first said:

--Yes, that's what I heard too from the fellow in the higher line.

The fellows all were silent. Stephen stood among them, afraid to speak,
listening. A faint sickness of awe made him feel weak. How could they
have done that? He thought of the dark silent sacristy. There were dark
wooden presses there where the crimped surplices lay quietly folded. It
was not the chapel but still you had to speak under your breath. It was
a holy place. He remembered the summer evening he had been there to be
dressed as boatbearer, the evening of the Procession to the little
altar in the wood. A strange and holy place. The boy that held the
censer had swung it lifted by the middle chain to keep the coals
lighting. That was called charcoal: and it had burned quietly as the
fellow had swung it gently and had given off a weak sour smell. And
then when all were vested he had stood holding out the boat to the
rector and the rector had put a spoonful of incense in it and it had
hissed on the red coals.

The fellows were talking together in little groups here and there on
the playground. The fellows seemed to him to have grown smaller: that
was because a sprinter had knocked him down the day before, a fellow
out of second of grammar. He had been thrown by the fellow's machine
lightly on the cinder path and his spectacles had been broken in three
pieces and some of the grit of the cinders had gone into his mouth.

That was why the fellows seemed to him smaller and farther away and the
goalposts so thin and far and the soft grey sky so high up. But there
was no play on the football grounds for cricket was coming: and some
said that Barnes would be prof and some said it would be Flowers. And
all over the playgrounds they were playing rounders and bowling
twisters and lobs. And from here and from there came the sounds of the
cricket bats through the soft grey air. They said: pick, pack, pock,
puck: little drops of water in a fountain slowly falling in the
brimming bowl.

Athy, who had been silent, said quietly:

--You are all wrong.

All turned towards him eagerly.

--Why?

--Do you know?

--Who told you?

--Tell us, Athy.

Athy pointed across the playground to where Simon Moonan was walking by
himself kicking a stone before him.

--Ask him, he said.

The fellows looked there and then said:

--Why him?

--Is he in it?

Athy lowered his voice and said:

--Do you know why those fellows scut? I will tell you but you must not
let on you know.

--Tell us, Athy. Go on. You might if you know.

He paused for a moment and then said mysteriously:

--They were caught with Simon Moonan and Tusker Boyle in the square one
night.

The fellows looked at him and asked:

--Caught?

--What doing?

Athy said:

--Smugging.

All the fellows were silent: and Athy said:

--And that's why.

Stephen looked at the faces of the fellows but they were all looking
across the playground. He wanted to ask somebody about it. What did
that mean about the smugging in the square? Why did the five fellows
out of the higher line run away for that? It was a joke, he thought.
Simon Moonan had nice clothes and one night he had shown him a ball of
creamy sweets that the fellows of the football fifteen had rolled down
to him along the carpet in the middle of the refectory when he was at
the door. It was the night of the match against the Bective Rangers;
and the ball was made just like a red and green apple only it opened
and it was full of the creamy sweets. And one day Boyle had said that
an elephant had two tuskers instead of two tusks and that was why he
was called Tusker Boyle but some fellows called him Lady Boyle because
he was always at his nails, paring them.

Eileen had long thin cool white hands too because she was a girl. They
were like ivory; only soft. That was the meaning of TOWER OF IVORY but
protestants could not understand it and made fun of it. One day he had
stood beside her looking into the hotel grounds. A waiter was running
up a trail of bunting on the flagstaff and a fox terrier was scampering
to and fro on the sunny lawn. She had put her hand into his pocket
where his hand was and he had felt how cool and thin and soft her hand
was. She had said that pockets were funny things to have: and then all
of a sudden she had broken away and had run laughing down the sloping
curve of the path. Her fair hair had streamed out behind her like gold
in the sun. TOWER OF IVORY. HOUSE OF GOLD. By thinking of things you
could understand them.

But why in the square? You went there when you wanted to do something.
It was all thick slabs of slate and water trickled all day out of tiny
pinholes and there was a queer smell of stale water there. And behind
the door of one of the closets there was a drawing in red pencil of a
bearded man in a Roman dress with a brick in each hand and underneath
was the name of the drawing:


Balbus was building a wall.


Some fellow had drawn it there for a cod. It had a funny face but it
was very like a man with a beard. And on the wall of another closet
there was written in backhand in beautiful writing:


Julius Caesar wrote The Calico Belly.


Perhaps that was why they were there because it was a place where some
fellows wrote things for cod. But all the same it was queer what Athy
said and the way he said it. It was not a cod because they had run
away. He looked with the others across the playground and began to feel
afraid.

At last Fleming said:

--And we are all to be punished for what other fellows did?

--I won't come back, see if I do, Cecil Thunder said. Three days' silence
in the refectory and sending us up for six and eight every minute.

--Yes, said Wells. And old Barrett has a new way of twisting the note
so that you can't open it and fold it again to see how many ferulae you
are to get. I won't come back too.

--Yes, said Cecil Thunder, and the prefect of studies was in second of
grammar this morning.

--Let us get up a rebellion, Fleming said. Will we?

All the fellows were silent. The air was very silent and you could hear
the cricket bats but more slowly than before: pick, pock.

Wells asked:

--What is going to be done to them?

--Simon Moonan and Tusker are going to be flogged, Athy said, and the
fellows in the higher line got their choice of flogging or being
expelled.

--And which are they taking? asked the fellow who had spoken first.

--All are taking expulsion except Corrigan, Athy answered. He's going
to be flogged by Mr Gleeson.

--I know why, Cecil Thunder said. He is right and the other fellows
are wrong because a flogging wears off after a bit but a fellow that
has been expelled from college is known all his life on account of it.
Besides Gleeson won't flog him hard.

--It's best of his play not to, Fleming said.

--I wouldn't like to be Simon Moonan and Tusker Cecil Thunder said.
But I don't believe they will be flogged. Perhaps they will be sent up
for twice nine.

--No, no, said Athy. They'll both get it on the vital spot. Wells
rubbed himself and said in a crying voice:

--Please, sir, let me off!

Athy grinned and turned up the sleeves of his jacket, saying:

    It can't be helped;
    It must be done.
    So down with your breeches
    And out with your bum.

The fellows laughed; but he felt that they were a little afraid. In the
silence of the soft grey air he heard the cricket bats from here and
from there: pock. That was a sound to hear but if you were hit then you
would feel a pain. The pandybat made a sound too but not like that. The
fellows said it was made of whalebone and leather with lead inside: and
he wondered what was the pain like. There were different kinds of
sounds. A long thin cane would have a high whistling sound and he
wondered what was that pain like. It made him shivery to think of it
and cold: and what Athy said too. But what was there to laugh at in it?
It made him shivery: but that was because you always felt like a shiver
when you let down your trousers. It was the same in the bath when you
undressed yourself. He wondered who had to let them down, the master or
the boy himself. O how could they laugh about it that way?

He looked at Athy's rolled-up sleeves and knuckly inky hands. He had
rolled up his sleeves to show how Mr Gleeson would roll up his sleeves.
But Mr Gleeson had round shiny cuffs and clean white wrists and fattish
white hands and the nails of them were long and pointed. Perhaps he
pared them too like Lady Boyle. But they were terribly long and pointed
nails. So long and cruel they were, though the white fattish hands were
not cruel but gentle. And though he trembled with cold and fright to
think of the cruel long nails and of the high whistling sound of the cane
and of the chill you felt at the end of your shirt when you undressed
yourself yet he felt a feeling of queer quiet pleasure inside him to think
of the white fattish hands, clean and strong and gentle. And he thought of
what Cecil Thunder had said: that Mr Gleeson would not flog Corrigan hard.
And Fleming had said he would not because it was best of his play not
to. But that was not why

A voice from far out on the playground cried:

--All in!

And other voices cried:

--All in! All in!

During the writing lesson he sat with his arms folded, listening to the
slow scraping of the pens. Mr Harford went to and fro making little
signs in red pencil and sometimes sitting beside the boy to show him
how to hold his pen. He had tried to spell out the headline for himself
though he knew already what it was for it was the last of the book.
ZEAL WITHOUT PRUDENCE IS LIKE A SHIP ADRIFT. But the lines of the
letters were like fine invisible threads and it was only by closing his
right eye tight and staring out of the left eye that he could make out
the full curves of the capital.

But Mr Harford was very decent and never got into a wax. All the other
masters got into dreadful waxes. But why were they to suffer for what
fellows in the higher line did? Wells had said that they had drunk some
of the altar wine out of the press in the sacristy and that it had been
found out who had done it by the smell. Perhaps they had stolen a
monstrance to run away with and sell it somewhere. That must have been
a terrible sin, to go in there quietly at night, to open the dark press
and steal the flashing gold thing into which God was put on the altar
in the middle of flowers and candles at benediction while the incense
went up in clouds at both sides as the fellow swung the censer and
Dominic Kelly sang the first part by himself in the choir. But God was
not in it of course when they stole it. But still it was a strange and
a great sin even to touch it. He thought of it with deep awe; a
terrible and strange sin: it thrilled him to think of it in the silence
when the pens scraped lightly. But to drink the altar wine out of the
press and be found out by the smell was a sin too: but it was not
terrible and strange. It only made you feel a little sickish on account
of the smell of the wine. Because on the day when he had made his first
holy communion in the chapel he had shut his eyes and opened his mouth
and put out his tongue a little: and when the rector had stooped down
to give him the holy communion he had smelt a faint winy smell off the
rector's breath after the wine of the mass. The word was beautiful:
wine. It made you think of dark purple because the grapes were dark
purple that grew in Greece outside houses like white temples. But the
faint smell of the rector's breath had made him feel a sick feeling on
the morning of his first communion. The day of your first communion was
the happiest day of your life. And once a lot of generals had asked
Napoleon what was the happiest day of his life. They thought he would
say the day he won some great battle or the day he was made an emperor.
But he said:

--Gentlemen, the happiest day of my life was the day on which I made
my first holy communion.

Father Arnall came in and the Latin lesson began and he remained still,
leaning on the desk with his arms folded. Father Arnall gave out the
theme-books and he said that they were scandalous and that they were
all to be written out again with the corrections at once. But the worst
of all was Fleming's theme because the pages were stuck together by a
blot: and Father Arnall held it up by a corner and said it was an
insult to any master to send him up such a theme. Then he asked Jack
Lawton to decline the noun MARE and Jack Lawton stopped at the ablative
singular and could not go on with the plural.

--You should be ashamed of yourself, said Father Arnall sternly. You,
the leader of the class!

Then he asked the next boy and the next and the next. Nobody knew.
Father Arnall became very quiet, more and more quiet as each boy tried
to answer it and could not. But his face was black-looking and
his eyes were staring though his voice was so quiet. Then he asked
Fleming and Fleming said that the word had no plural. Father Arnall
suddenly shut the book and shouted at him:

--Kneel out there in the middle of the class. You are one of the
idlest boys I ever met. Copy out your themes again the rest of you.

Fleming moved heavily out of his place and knelt between the two last
benches. The other boys bent over their theme-books and began to write.
A silence filled the classroom and Stephen, glancing timidly at Father
Arnall's dark face, saw that it was a little red from the wax he was in.

Was that a sin for Father Arnall to be in a wax or was he allowed to
get into a wax when the boys were idle because that made them study
better or was he only letting on to be in a wax? It was because he was
allowed, because a priest would know what a sin was and would not do
it. But if he did it one time by mistake what would he do to go to
confession? Perhaps he would go to confession to the minister. And if
the minister did it he would go to the rector: and the rector to the
provincial: and the provincial to the general of the jesuits. That was
called the order: and he had heard his father say that they were all
clever men. They could all have become high-up people in the world if
they had not become jesuits. And he wondered what Father Arnall and
Paddy Barrett would have become and what Mr McGlade and Mr Gleeson
would have become if they had not become jesuits. It was hard to think
what because you would have to think of them in a different way with
different coloured coats and trousers and with beards and moustaches
and different kinds of hats.

The door opened quietly and closed. A quick whisper ran through the
class: the prefect of studies. There was an instant of dead silence and
then the loud crack of a pandybat on the last desk. Stephen's heart
leapt up in fear.

--Any boys want flogging here, Father Arnall? cried the prefect of
studies. Any lazy idle loafers that want flogging in this class?

He came to the middle of the class and saw Fleming on his knees.

--Hoho! he cried. Who is this boy? Why is he on his knees? What is
your name, boy?

--Fleming, sir.

--Hoho, Fleming! An idler of course. I can see it in your eye. Why is
he on his knees, Father Arnall?

--He wrote a bad Latin theme, Father Arnall said, and he missed all
the questions in grammar.

--Of course he did! cried the prefect of studies, of course he did! A
born idler! I can see it in the corner of his eye.

He banged his pandybat down on the desk and cried:

--Up, Fleming! Up, my boy!

Fleming stood up slowly.

--Hold out! cried the prefect of studies.

Fleming held out his hand. The pandybat came down on it with a loud
smacking sound: one, two, three, four, five, six.

--Other hand!

The pandybat came down again in six loud quick smacks.

--Kneel down! cried the prefect of studies.

Fleming knelt down, squeezing his hands under his armpits, his face
contorted with pain; but Stephen knew how hard his hands were because
Fleming was always rubbing rosin into them. But perhaps he was in great
pain for the noise of the pandybat was terrible. Stephen's heart was
beating and fluttering.

--At your work, all of you! shouted the prefect of studies. We want no
lazy idle loafers here, lazy idle little schemers. At your work, I tell
you. Father Dolan will be in to see you every day. Father Dolan will be
in tomorrow.

He poked one of the boys in the side with his pandybat, saying:

--You, boy! When will Father Dolan be in again?

--Tomorrow, sir, said Tom Furlong's voice.

--Tomorrow and tomorrow and tomorrow, said the prefect of studies.
Make up your minds for that. Every day Father Dolan. Write away. You,
boy, who are you?

Stephen's heart jumped suddenly.

--Dedalus, sir.

--Why are you not writing like the others?

--I...my...

He could not speak with fright.

--Why is he not writing, Father Arnall?

--He broke his glasses, said Father Arnall, and I exempted him from
work.

--Broke? What is this I hear? What is this your name is! said the
prefect of studies.

--Dedalus, sir.

--Out here, Dedalus. Lazy little schemer. I see schemer in your face.
Where did you break your glasses?

Stephen stumbled into the middle of the class, blinded by fear and haste.

--Where did you break your glasses? repeated the prefect of studies.

--The cinder-path, sir.

--Hoho! The cinder-path! cried the prefect of studies. I know that trick.

Stephen lifted his eyes in wonder and saw for a moment Father Dolan's
white-grey not young face, his baldy white-grey head with fluff at the
sides of it, the steel rims of his spectacles and his no-coloured eyes
looking through the glasses. Why did he say he knew that trick?

--Lazy idle little loafer! cried the prefect of studies. Broke my
glasses! An old schoolboy trick! Out with your hand this moment!

Stephen closed his eyes and held out in the air his trembling hand with
the palm upwards. He felt the prefect of studies touch it for a moment
at the fingers to straighten it and then the swish of the sleeve of the
soutane as the pandybat was lifted to strike. A hot burning stinging
tingling blow like the loud crack of a broken stick made his trembling
hand crumple together like a leaf in the fire: and at the sound and the
pain scalding tears were driven into his eyes. His whole body was shaking
with fright, his arm was shaking and his crumpled burning livid hand shook
like a loose leaf in the air. A cry sprang to his lips, a prayer to be let
off. But though the tears scalded his eyes and his limbs quivered with
pain and fright he held back the hot tears and the cry that scalded his
throat.

--Other hand! shouted the prefect of studies.

Stephen drew back his maimed and quivering right arm and held out his
left hand. The soutane sleeve swished again as the pandybat was lifted
and a loud crashing sound and a fierce maddening tingling burning pain
made his hand shrink together with the palms and fingers in a livid
quivering mass. The scalding water burst forth from his eyes and,
burning with shame and agony and fear, he drew back his shaking arm in
terror and burst out into a whine of pain. His body shook with a palsy
of fright and in shame and rage he felt the scalding cry come from his
throat and the scalding tears falling out of his eyes and down his
flaming cheeks.

--Kneel down, cried the prefect of studies.

Stephen knelt down quickly pressing his beaten hands to his sides. To
think of them beaten and swollen with pain all in a moment made him
feel so sorry for them as if they were not his own but someone else's
that he felt sorry for. And as he knelt, calming the last sobs in his
throat and feeling the burning tingling pain pressed into his sides, he
thought of the hands which he had held out in the air with the palms up
and of the firm touch of the prefect of studies when he had steadied
the shaking fingers and of the beaten swollen reddened mass of palm and
fingers that shook helplessly in the air.

--Get at your work, all of you, cried the prefect of studies from the
door. Father Dolan will be in every day to see if any boy, any lazy
idle little loafer wants flogging. Every day. Every day.

The door closed behind him.

The hushed class continued to copy out the themes. Father Arnall rose
from his seat and went among them, helping the boys with gentle words
and telling them the mistakes they had made. His voice was very gentle
and soft. Then he returned to his seat and said to Fleming and Stephen:

--You may return to your places, you two.

Fleming and Stephen rose and, walking to their seats, sat down.
Stephen, scarlet with shame, opened a book quickly with one weak hand
and bent down upon it, his face close to the page.

It was unfair and cruel because the doctor had told him not to read
without glasses and he had written home to his father that morning to
send him a new pair. And Father Arnall had said that he need not study
till the new glasses came. Then to be called a schemer before the class
and to be pandied when he always got the card for first or second and
was the leader of the Yorkists! How could the prefect of studies know
that it was a trick? He felt the touch of the prefect's fingers as they
had steadied his hand and at first he had thought he was going to shake
hands with him because the fingers were soft and firm: but then in an
instant he had heard the swish of the soutane sleeve and the crash. It
was cruel and unfair to make him kneel in the middle of the class then:
and Father Arnall had told them both that they might return to their
places without making any difference between them. He listened to
Father Arnall's low and gentle voice as he corrected the themes.
Perhaps he was sorry now and wanted to be decent. But it was unfair and
cruel. The prefect of studies was a priest but that was cruel and
unfair. And his white-grey face and the no-coloured eyes behind the
steel-rimmed spectacles were cruel looking because he had steadied the
hand first with his firm soft fingers and that was to hit it better and
louder.

--It's a stinking mean thing, that's what it is, said Fleming in the
corridor as the classes were passing out in file to the refectory, to
pandy a fellow for what is not his fault.

--You really broke your glasses by accident, didn't you? Nasty Roche
asked.

Stephen felt his heart filled by Fleming's words and did not answer.

--Of course he did! said Fleming. I wouldn't stand it. I'd go up and
tell the rector on him.

--Yes, said Cecil Thunder eagerly, and I saw him lift the pandy-bat
over his shoulder and he's not allowed to do that.

--Did they hurt you much? Nasty Roche asked.

--Very much, Stephen said.

--I wouldn't stand it, Fleming repeated, from Baldyhead or any other
Baldyhead. It's a stinking mean low trick, that's what it is. I'd go
straight up to the rector and tell him about it after dinner.

--Yes, do. Yes, do, said Cecil Thunder.

--Yes, do. Yes, go up and tell the rector on him, Dedalus, said Nasty
Roche, because he said that he'd come in tomorrow again and pandy you.

--Yes, yes. Tell the rector, all said.

And there were some fellows out of second of grammar listening and one
of them said:

--The senate and the Roman people declared that Dedalus had been
wrongly punished.

It was wrong; it was unfair and cruel; and, as he sat in the refectory,
he suffered time after time in memory the same humiliation until he
began to wonder whether it might not really be that there was something
in his face which made him look like a schemer and he wished he had a
little mirror to see. But there could not be; and it was unjust and
cruel and unfair.

He could not eat the blackish fish fritters they got on Wednesdays in
lent and one of his potatoes had the mark of the spade in it. Yes, he
would do what the fellows had told him. He would go up and tell the
rector that he had been wrongly punished. A thing like that had been
done before by somebody in history, by some great person whose head was
in the books of history. And the rector would declare that he had been
wrongly punished because the senate and the Roman people always
declared that the men who did that had been wrongly punished. Those
were the great men whose names were in Richmal Magnall's Questions.
History was all about those men and what they did and that was what
Peter Parley's Tales about Greece and Rome were all about. Peter Parley
himself was on the first page in a picture. There was a road over a
heath with grass at the side and little bushes: and Peter Parley had a
broad hat like a protestant minister and a big stick and he was walking
fast along the road to Greece and Rome.

It was easy what he had to do. All he had to do was when the dinner was
over and he came out in his turn to go on walking but not out to the
corridor but up the staircase on the right that led to the castle. He
had nothing to do but that: to turn to the right and walk fast up the
staircase and in half a minute he would be in the low dark narrow
corridor that led through the castle to the rector's room. And every
fellow had said that it was unfair, even the fellow out of second of
grammar who had said that about the senate and the Roman people.

What would happen?

He heard the fellows of the higher line stand up at the top of the
refectory and heard their steps as they came down the matting: Paddy
Rath and Jimmy Magee and the Spaniard and the Portuguese and the fifth
was big Corrigan who was going to be flogged by Mr Gleeson. That was
why the prefect of studies had called him a schemer and pandied him for
nothing: and, straining his weak eyes, tired with the tears, he watched
big Corrigan's broad shoulders and big hanging black head passing in the
file. But he had done something and besides Mr Gleeson would not flog him
hard: and he remembered how big Corrigan looked in the bath. He had skin
the same colour as the turf-coloured bogwater in the shallow end of the
bath and when he walked along the side his feet slapped loudly on the wet
tiles and at every step his thighs shook a little because he was fat.

The refectory was half empty and the fellows were still passing out in
file. He could go up the staircase because there was never a priest or
a prefect outside the refectory door. But he could not go. The rector
would side with the prefect of studies and think it was a schoolboy
trick and then the prefect of studies would come in every day the same,
only it would be worse because he would be dreadfully waxy at any
fellow going up to the rector about him. The fellows had told him to go
but they would not go themselves. They had forgotten all about it. No,
it was best to forget all about it and perhaps the prefect of studies
had only said he would come in. No, it was best to hide out of the way
because when you were small and young you could often escape that way.

The fellows at his table stood up. He stood up and passed out among
them in the file. He had to decide. He was coming near the door. If he
went on with the fellows he could never go up to the rector because he
could not leave the playground for that. And if he went and was pandied
all the same all the fellows would make fun and talk about young
Dedalus going up to the rector to tell on the prefect of studies.

He was walking down along the matting and he saw the door before him.
It was impossible: he could not. He thought of the baldy head of the
prefect of studies with the cruel no-coloured eyes looking at him and
he heard the voice of the prefect of studies asking him twice what his
name was. Why could he not remember the name when he was told the first
time? Was he not listening the first time or was it to make fun out of
the name? The great men in the history had names like that and nobody
made fun of them. It was his own name that he should have made fun of
if he wanted to make fun. Dolan: it was like the name of a woman who
washed clothes.

He had reached the door and, turning quickly up to the right, walked up
the stairs and, before he could make up his mind to come back, he had
entered the low dark narrow corridor that led to the castle. And as he
crossed the threshold of the door of the corridor he saw, without
turning his head to look, that all the fellows were looking after him
as they went filing by.

He passed along the narrow dark corridor, passing little doors that
were the doors of the rooms of the community. He peered in front of him
and right and left through the gloom and thought that those must be
portraits. It was dark and silent and his eyes were weak and tired with
tears so that he could not see. But he thought they were the portraits
of the saints and great men of the order who were looking down on him
silently as he passed: saint Ignatius Loyola holding an open book and
pointing to the words AD MAJOREM DEI GLORIAM in it; saint Francis
Xavier pointing to his chest; Lorenzo Ricci with his berretta on his
head like one of the prefects of the lines, the three patrons of holy
youth--saint Stanislaus Kostka, saint Aloysius Gonzago, and Blessed
John Berchmans, all with young faces because they died when they were
young, and Father Peter Kenny sitting in a chair wrapped in a big
cloak.

He came out on the landing above the entrance hall and looked about
him. That was where Hamilton Rowan had passed and the marks of the
soldiers' slugs were there. And it was there that the old servants had
seen the ghost in the white cloak of a marshal.

An old servant was sweeping at the end of the landing. He asked him
where was the rector's room and the old servant pointed to the door at
the far end and looked after him as he went on to it and knocked.

There was no answer. He knocked again more loudly and his heart jumped
when he heard a muffled voice say:

--Come in!

He turned the handle and opened the door and fumbled for the handle of
the green baize door inside. He found it and pushed it open and went in.

He saw the rector sitting at a desk writing. There was a skull on the
desk and a strange solemn smell in the room like the old leather of
chairs.

His heart was beating fast on account of the solemn place he was in and
the silence of the room: and he looked at the skull and at the rector's
kind-looking face.

--Well, my little man, said the rector, what is it?

Stephen swallowed down the thing in his throat and said:

--I broke my glasses, sir.

The rector opened his mouth and said:

--O!

Then he smiled and said:

--Well, if we broke our glasses we must write home for a new pair.

--I wrote home, sir, said Stephen, and Father Arnall said I am not to
study till they come.

--Quite right! said the rector.

Stephen swallowed down the thing again and tried to keep his legs and
his voice from shaking.

--But, sir--

--Yes?

--Father Dolan came in today and pandied me because I was not writing
my theme.

The rector looked at him in silence and he could feel the blood rising
to his face and the tears about to rise to his eyes.

The rector said:

--Your name is Dedalus, isn't it?

--Yes, sir...

--And where did you break your glasses?

--On the cinder-path, sir. A fellow was coming out of the bicycle
house and I fell and they got broken. I don't know the fellow's name.

The rector looked at him again in silence. Then he smiled and said:

--O, well, it was a mistake; I am sure Father Dolan did not know.

--But I told him I broke them, sir, and he pandied me.

--Did you tell him that you had written home for a new pair? the
rector asked.

--No, sir.

--O well then, said the rector, Father Dolan did not understand. You can
say that I excuse you from your lessons for a few days.

Stephen said quickly for fear his trembling would prevent him:

--Yes, sir, but Father Dolan said he will come in tomorrow to pandy me
again for it.

--Very well, the rector said, it is a mistake and I shall speak to
Father Dolan myself. Will that do now?

Stephen felt the tears wetting his eyes and murmured:

--O yes sir, thanks.

The rector held his hand across the side of the desk where the skull
was and Stephen, placing his hand in it for a moment, felt a cool moist
palm.

--Good day now, said the rector, withdrawing his hand and bowing.

--Good day, sir, said Stephen.

He bowed and walked quietly out of the room, closing the doors
carefully and slowly.

But when he had passed the old servant on the landing and was again in
the low narrow dark corridor he began to walk faster and faster. Faster
and faster he hurried on through the gloom excitedly. He bumped his
elbow against the door at the end and, hurrying down the staircase,
walked quickly through the two corridors and out into the air.

He could hear the cries of the fellows on the playgrounds. He broke
into a run and, running quicker and quicker, ran across the cinderpath
and reached the third line playground, panting.

The fellows had seen him running. They closed round him in a ring,
pushing one against another to hear.

--Tell us! Tell us!

--What did he say?

--Did you go in?

--What did he say?

--Tell us! Tell us!

He told them what he had said and what the rector had said and, when he
had told them, all the fellows flung their caps spinning up into the
air and cried:

--Hurroo!

They caught their caps and sent them up again spinning sky-high and
cried again:

--Hurroo! Hurroo!

They made a cradle of their locked hands and hoisted him up among them
and carried him along till he struggled to get free. And when he had
escaped from them they broke away in all directions, flinging their
caps again into the air and whistling as they went spinning up and
crying:

--Hurroo!

And they gave three groans for Baldyhead Dolan and three cheers for
Conmee and they said he was the decentest rector that was ever in
Clongowes.

The cheers died away in the soft grey air. He was alone. He was happy
and free; but he would not be anyway proud with Father Dolan. He would
be very quiet and obedient: and he wished that he could do something
kind for him to show him that he was not proud.

The air was soft and grey and mild and evening was coming. There was
the smell of evening in the air, the smell of the fields in the country
where they digged up turnips to peel them and eat them when they went
out for a walk to Major Barton's, the smell there was in the little
wood beyond the pavilion where the gallnuts were.

The fellows were practising long shies and bowling lobs and slow
twisters. In the soft grey silence he could hear the bump of the balls:
and from here and from there through the quiet air the sound of the
cricket bats: pick, pack, pock, puck: like drops of water in a fountain
falling softly in the brimming bowl.




Chapter 2


Uncle Charles smoked such black twist that at last his nephew suggested
to him to enjoy his morning smoke in a little outhouse at the end of
the garden.

--Very good, Simon. All serene, Simon, said the old man tranquilly.
Anywhere you like. The outhouse will do me nicely: it will be more
salubrious.

--Damn me, said Mr Dedalus frankly, if I know how you can smoke such
villainous awful tobacco. It's like gunpowder, by God.

--It's very nice, Simon, replied the old man. Very cool and
mollifying.

Every morning, therefore, uncle Charles repaired to his outhouse but
not before he had greased and brushed scrupulously his back hair and
brushed and put on his tall hat. While he smoked the brim of his tall
hat and the bowl of his pipe were just visible beyond the jambs of the
outhouse door. His arbour, as he called the reeking outhouse which he
shared with the cat and the garden tools, served him also as a
sounding-box: and every morning he hummed contentedly one of his
favourite songs: O, TWINE ME A BOWER or BLUE EYES AND GOLDEN HAIR or
THE GROVES OF BLARNEY while the grey and blue coils of smoke rose
slowly from his pipe and vanished in the pure air.

During the first part of the summer in Blackrock uncle Charles was
Stephen's constant companion. Uncle Charles was a hale old man with a
well tanned skin, rugged features and white side whiskers. On week days
he did messages between the house in Carysfort Avenue and those shops
in the main street of the town with which the family dealt. Stephen was
glad to go with him on these errands for uncle Charles helped him very
liberally to handfuls of whatever was exposed in open boxes and barrels
outside the counter. He would seize a handful of grapes and sawdust or
three or four American apples and thrust them generously into his
grandnephew's hand while the shopman smiled uneasily; and, on Stephen's
feigning reluctance to take them, he would frown and say:

--Take them, sir. Do you hear me, sir? They're good for your bowels.

When the order list had been booked the two would go on to the park
where an old friend of Stephen's father, Mike Flynn, would be found
seated on a bench, waiting for them. Then would begin Stephen's run
round the park. Mike Flynn would stand at the gate near the railway
station, watch in hand, while Stephen ran round the track in the style
Mike Flynn favoured, his head high lifted, his knees well lifted and
his hands held straight down by his sides. When the morning practice
was over the trainer would make his comments and sometimes illustrate
them by shuffling along for a yard or so comically in an old pair of
blue canvas shoes. A small ring of wonderstruck children and nursemaids
would gather to watch him and linger even when he and uncle Charles had
sat down again and were talking athletics and politics. Though he had
heard his father say that Mike Flynn had put some of the best runners
of modern times through his hands Stephen often glanced at his
trainer's flabby stubble-covered face, as it bent over the long stained
fingers through which he rolled his cigarette, and with pity at the
mild lustreless blue eyes which would look up suddenly from the task
and gaze vaguely into the blue distance while the long swollen fingers
ceased their rolling and grains and fibres of tobacco fell back into
the pouch.

On the way home uncle Charles would often pay a visit to the chapel
and, as the font was above Stephen's reach, the old man would dip his
hand and then sprinkle the water briskly about Stephen's clothes and on
the floor of the porch. While he prayed he knelt on his red
handkerchief and read above his breath from a thumb blackened prayer
book wherein catchwords were printed at the foot of every page. Stephen
knelt at his side respecting, though he did not share, his piety. He
often wondered what his grand-uncle prayed for so seriously. Perhaps he
prayed for the souls in purgatory or for the grace of a happy death or
perhaps he prayed that God might send him back a part of the big
fortune he had squandered in Cork.

On Sundays Stephen with his father and his grand-uncle took their
constitutional. The old man was a nimble walker in spite of his corns
and often ten or twelve miles of the road were covered. The little
village of Stillorgan was the parting of the ways. Either they went to
the left towards the Dublin mountains or along the Goatstown road and
thence into Dundrum, coming home by Sandyford. Trudging along the road
or standing in some grimy wayside public house his elders spoke
constantly of the subjects nearer their hearts, of Irish politics, of
Munster and of the legends of their own family, to all of which Stephen
lent an avid ear. Words which he did not understand he said over and
over to himself till he had learnt them by heart: and through them he
had glimpses of the real world about them. The hour when he too would
take part in the life of that world seemed drawing near and in secret
he began to make ready for the great part which he felt awaited him the
nature of which he only dimly apprehended.

His evenings were his own; and he pored over a ragged translation of
THE COUNT OF MONTE CRISTO. The figure of that dark avenger stood forth
in his mind for whatever he had heard or divined in childhood of the
strange and terrible. At night he built up on the parlour table an
image of the wonderful island cave out of transfers and paper flowers
and coloured tissue paper and strips of the silver and golden paper in
which chocolate is wrapped. When he had broken up this scenery, weary
of its tinsel, there would come to his mind the bright picture of
Marseille, of sunny trellises, and of Mercedes.

Outside Blackrock, on the road that led to the mountains, stood a small
whitewashed house in the garden of which grew many rosebushes: and in
this house, he told himself, another Mercedes lived. Both on the
outward and on the homeward journey he measured distance by this
landmark: and in his imagination he lived through a long train of
adventures, marvellous as those in the book itself, towards the close
of which there appeared an image of himself, grown older and sadder,
standing in a moonlit garden with Mercedes who had so many years before
slighted his love, and with a sadly proud gesture of refusal, saying:

--Madam, I never eat muscatel grapes.

He became the ally of a boy named Aubrey Mills and founded with him a
gang of adventurers in the avenue. Aubrey carried a whistle dangling
from his buttonhole and a bicycle lamp attached to his belt while the
others had short sticks thrust daggerwise through theirs. Stephen, who
had read of Napoleon's plain style of dress, chose to remain unadorned
and thereby heightened for himself the pleasure of taking counsel with
his lieutenant before giving orders. The gang made forays into the
gardens of old maids or went down to the castle and fought a battle on
the shaggy weed-grown rocks, coming home after it weary stragglers with
the stale odours of the foreshore in their nostrils and the rank oils
of the seawrack upon their hands and in their hair.

Aubrey and Stephen had a common milkman and often they drove out in the
milk-car to Carrickmines where the cows were at grass. While the men
were milking the boys would take turns in riding the tractable mare
round the field. But when autumn came the cows were driven home from
the grass: and the first sight of the filthy cowyard at Stradbrook with
its foul green puddles and clots of liquid dung and steaming bran
troughs, sickened Stephen's heart. The cattle which had seemed so
beautiful in the country on sunny days revolted him and he could not
even look at the milk they yielded.

The coming of September did not trouble him this year for he was not to
be sent back to Clongowes. The practice in the park came to an end when
Mike Flynn went into hospital. Aubrey was at school and had only an
hour or two free in the evening. The gang fell asunder and there were
no more nightly forays or battles on the rocks. Stephen sometimes went
round with the car which delivered the evening milk and these chilly
drives blew away his memory of the filth of the cowyard and he felt no
repugnance at seeing the cow hairs and hayseeds on the milkman's coat.
Whenever the car drew up before a house he waited to catch a glimpse of
a well scrubbed kitchen or of a softly lighted hall and to see how the
servant would hold the jug and how she would close the door. He thought
it should be a pleasant life enough, driving along the roads every
evening to deliver milk, if he had warm gloves and a fat bag of
gingernuts in his pocket to eat from. But the same foreknowledge which
had sickened his heart and made his legs sag suddenly as he raced round
the park, the same intuition which had made him glance with mistrust at
his trainer's flabby stubble-covered face as it bent heavily over his long
stained fingers, dissipated any vision of the future. In a vague way he
understood that his father was in trouble and that this was the reason
why he himself had not been sent back to Clongowes. For some time he
had felt the slight change in his house; and those changes in what he
had deemed unchangeable were so many slight shocks to his boyish
conception of the world. The ambition which he felt astir at times in
the darkness of his soul sought no outlet. A dusk like that of the
outer world obscured his mind as he heard the mare's hoofs clattering
along the tramtrack on the Rock Road and the great can swaying and
rattling behind him.

He returned to Mercedes and, as he brooded upon her image, a strange
unrest crept into his blood. Sometimes a fever gathered within him and
led him to rove alone in the evening along the quiet avenue. The peace
of the gardens and the kindly lights in the windows poured a tender
influence into his restless heart. The noise of children at play
annoyed him and their silly voices made him feel, even more keenly than
he had felt at Clongowes, that he was different from others. He did not
want to play. He wanted to meet in the real world the unsubstantial
image which his soul so constantly beheld. He did not know where to
seek it or how, but a premonition which led him on told him that this
image would, without any overt act of his, encounter him. They would
meet quietly as if they had known each other and had made their tryst,
perhaps at one of the gates or in some more secret place. They would be
alone, surrounded by darkness and silence: and in that moment of
supreme tenderness he would be transfigured.

He would fade into something impalpable under her eyes and then in a
moment he would be transfigured. Weakness and timidity and inexperience
would fall from him in that magic moment.


* * * * *


Two great yellow caravans had halted one morning before the door and
men had come tramping into the house to dismantle it. The furniture had
been hustled out through the front garden which was strewn with wisps
of straw and rope ends and into the huge vans at the gate. When all had
been safely stowed the vans had set off noisily down the avenue: and
from the window of the railway carriage, in which he had sat with his
red-eyed mother, Stephen had seen them lumbering along the Merrion
Road.

The parlour fire would not draw that evening and Mr Dedalus rested the
poker against the bars of the grate to attract the flame. Uncle Charles
dozed in a corner of the half furnished uncarpeted room and near him
the family portraits leaned against the wall. The lamp on the table
shed a weak light over the boarded floor, muddied by the feet of the
van-men. Stephen sat on a footstool beside his father listening to a
long and incoherent monologue. He understood little or nothing of it at
first but he became slowly aware that his father had enemies and that
some fight was going to take place. He felt, too, that he was being
enlisted for the fight, that some duty was being laid upon his
shoulders. The sudden flight from the comfort and revery of Blackrock,
the passage through the gloomy foggy city, the thought of the bare
cheerless house in which they were now to live made his heart heavy,
and again an intuition, a foreknowledge of the future came to him. He
understood also why the servants had often whispered together in the
hall and why his father had often stood on the hearthrug with his back
to the fire, talking loudly to uncle Charles who urged him to sit down
and eat his dinner.

--There's a crack of the whip left in me yet, Stephen, old chap, said
Mr Dedalus, poking at the dull fire with fierce energy. We're not dead
yet, sonny. No, by the Lord Jesus (God forgive me) not half dead.

Dublin was a new and complex sensation. Uncle Charles had grown so
witless that he could no longer be sent out on errands and the disorder
in settling in the new house left Stephen freer than he had been in
Blackrock. In the beginning he contented himself with circling timidly
round the neighbouring square or, at most, going half way down one of
the side streets but when he had made a skeleton map of the city in his
mind he followed boldly one of its central lines until he reached the
customhouse. He passed unchallenged among the docks and along the quays
wondering at the multitude of corks that lay bobbing on the surface of
the water in a thick yellow scum, at the crowds of quay porters and the
rumbling carts and the ill-dressed bearded policeman. The vastness and
strangeness of the life suggested to him by the bales of merchandise
stocked along the walls or swung aloft out of the holds of steamers
wakened again in him the unrest which had sent him wandering in the
evening from garden to garden in search of Mercedes. And amid this new
bustling life he might have fancied himself in another Marseille but that
he missed the bright sky and the sum-warmed trellises of the wineshops.
A vague dissatisfaction grew up within him as he looked on the quays and
on the river and on the lowering skies and yet he continued to wander up
and down day after day as if he really sought someone that eluded him.

He went once or twice with his mother to visit their relatives: and
though they passed a jovial array of shops lit up and adorned for
Christmas his mood of embittered silence did not leave him. The causes
of his embitterment were many, remote and near. He was angry with
himself for being young and the prey of restless foolish impulses,
angry also with the change of fortune which was reshaping the world
about him into a vision of squalor and insincerity. Yet his anger lent
nothing to the vision. He chronicled with patience what he saw,
detaching himself from it and tasting its mortifying flavour in secret.

He was sitting on the backless chair in his aunt's kitchen. A lamp with
a reflector hung on the japanned wall of the fireplace and by its light
his aunt was reading the evening paper that lay on her knees. She
looked a long time at a smiling picture that was set in it and said
musingly:

--The beautiful Mabel Hunter!

A ringletted girl stood on tiptoe to peer at the picture and said softly:

--What is she in, mud?

--In a pantomime, love.

The child leaned her ringletted head against her mother's sleeve,
gazing on the picture, and murmured as if fascinated:

--The beautiful Mabel Hunter!

As if fascinated, her eyes rested long upon those demurely taunting
eyes and she murmured devotedly:

--Isn't she an exquisite creature?

And the boy who came in from the street, stamping crookedly under his
stone of coal, heard her words. He dropped his load promptly on the
floor and hurried to her side to see. He mauled the edges of the paper
with his reddened and blackened hands, shouldering her aside and
complaining that he could not see.

He was sitting in the narrow breakfast room high up in the old
dark-windowed house. The firelight flickered on the wall and beyond the
window a spectral dusk was gathering upon the river. Before the fire an
old woman was busy making tea and, as she bustled at the task, she told
in a low voice of what the priest and the doctor had said. She told too
of certain changes they had seen in her of late and of her odd ways and
sayings. He sat listening to the words and following the ways of
adventure that lay open in the coals, arches and vaults and winding
galleries and jagged caverns.

Suddenly he became aware of something in the doorway. A skull appeared
suspended in the gloom of the doorway. A feeble creature like a monkey
was there, drawn thither by the sound of voices at the fire. A whining
voice came from the door asking:

--Is that Josephine?

The old bustling woman answered cheerily from the fireplace:

--No, Ellen, it's Stephen.

--O... O, good evening, Stephen.

He answered the greeting and saw a silly smile break over the face in
the doorway.

--Do you want anything, Ellen? asked the old woman at the fire.

But she did not answer the question and said:

--I thought it was Josephine. I thought you were Josephine, Stephen.

And, repeating this several times, she fell to laughing feebly.

He was sitting in the midst of a children's party at Harold's Cross.
His silent watchful manner had grown upon him and he took little part
in the games. The children, wearing the spoils of their crackers,
danced and romped noisily and, though he tried to share their
merriment, he felt himself a gloomy figure amid the gay cocked hats and
sunbonnets.

But when he had sung his song and withdrawn into a snug corner of the
room he began to taste the joy of his loneliness. The mirth, which in
the beginning of the evening had seemed to him false and trivial, was
like a soothing air to him, passing gaily by his senses, hiding from
other eyes the feverish agitation of his blood while through the
circling of the dancers and amid the music and laughter her glance
travelled to his corner, flattering, taunting, searching, exciting his
heart.

In the hall the children who had stayed latest were putting on their
things: the party was over. She had thrown a shawl about her and, as
they went together towards the tram, sprays of her fresh warm breath
flew gaily above her cowled head and her shoes tapped blithely on the
glassy road.

It was the last tram. The lank brown horses knew it and shook their
bells to the clear night in admonition. The conductor talked with the
driver, both nodding often in the green light of the lamp. On the empty
seats of the tram were scattered a few coloured tickets. No sound of
footsteps came up or down the road. No sound broke the peace of the
night save when the lank brown horses rubbed their noses together and
shook their bells.

They seemed to listen, he on the upper step and she on the lower. She
came up to his step many times and went down to hers again between
their phrases and once or twice stood close beside him for some moments
on the upper step, forgetting to go down, and then went down. His heart
danced upon her movements like a cork upon a tide. He heard what her
eyes said to him from beneath their cowl and knew that in some dim
past, whether in life or revery, he had heard their tale before. He saw
her urge her vanities, her fine dress and sash and long black
stockings, and knew that he had yielded to them a thousand times. Yet a
voice within him spoke above the noise of his dancing heart, asking him
would he take her gift to which he had only to stretch out his hand.
And he remembered the day when he and Eileen had stood looking into the
hotel grounds, watching the waiters running up a trail of bunting on
the flagstaff and the fox terrier scampering to and fro on the sunny
lawn and how, all of a sudden, she had broken out into a peal of
laughter and had run down the sloping curve of the path. Now, as then,
he stood listlessly in his place, seemingly a tranquil watcher of the
scene before him.

--She too wants me to catch hold of her, he thought. That's why she
came with me to the tram. I could easily catch hold of her when she
comes up to my step: nobody is looking. I could hold her and kiss her.

But he did neither: and, when he was sitting alone in the deserted
tram, he tore his ticket into shreds and stared gloomily at the
corrugated footboard.


* * * * *


The next day he sat at his table in the bare upper room for many hours.
Before him lay a new pen, a new bottle of ink and a new emerald
exercise. From force of habit he had written at the top of the
first page the initial letters of the jesuit motto: A.M.D.G. On the
first line of the page appeared the title of the verses he was trying
to write: To E-- C--. He knew it was right to begin so for he had seen
similar titles in the collected poems of Lord Byron. When he had
written this title and drawn an ornamental line underneath he fell into
a daydream and began to draw diagrams on the cover of the book. He saw
himself sitting at his table in Bray the morning after the discussion
at the Christmas dinner table, trying to write a poem about Parnell on
the back of one of his father's second moiety notices. But his brain
had then refused to grapple with the theme and, desisting, he had
covered the page with the names and addresses of certain of his
classmates:

    Roderick Kickham
    John Lawton
    Anthony MacSwiney
    Simon Moonan

Now it seemed as if he would fail again but, by dint of brooding on the
incident, he thought himself into confidence. During this process all
those elements which he deemed common and insignificant fell out of the
scene. There remained no trace of the tram itself nor of the tram-men
nor of the horses: nor did he and she appear vividly. The verses told
only of the night and the balmy breeze and the maiden lustre of the
moon. Some undefined sorrow was hidden in the hearts of the
protagonists as they stood in silence beneath the leafless trees and
when the moment of farewell had come the kiss, which had been withheld
by one, was given by both. After this the letters L. D. S. were written
at the foot of the page, and, having hidden the book, he went into his
mother's bedroom and gazed at his face for a long time in the mirror of
her dressing-table.

But his long spell of leisure and liberty was drawing to its end. One
evening his father came home full of news which kept his tongue busy
all through dinner. Stephen had been awaiting his father's return for
there had been mutton hash that day and he knew that his father would
make him dip his bread in the gravy. But he did not relish the hash for
the mention of Clongowes had coated his palate with a scum of disgust.

--I walked bang into him, said Mr Dedalus for the fourth time, just at
the corner of the square.

--Then I suppose, said Mrs Dedalus, he will be able to arrange it. I
mean about Belvedere.

--Of course he will, said Mr Dedalus. Don't I tell you he's provincial
of the order now?

--I never liked the idea of sending him to the christian brothers
myself, said Mrs Dedalus.

--Christian brothers be damned! said Mr Dedalus. Is it with Paddy
Stink and Micky Mud? No, let him stick to the jesuits in God's name
since he began with them. They'll be of service to him in after years.
Those are the fellows that can get you a position.

--And they're a very rich order, aren't they, Simon?

--Rather. They live well, I tell you. You saw their table at
Clongowes. Fed up, by God, like gamecocks.

Mr Dedalus pushed his plate over to Stephen and bade him finish what
was on it.

--Now then, Stephen, he said, you must put your shoulder to the wheel,
old chap. You've had a fine long holiday.

--O, I'm sure he'll work very hard now, said Mrs Dedalus, especially
when he has Maurice with him.

--O, Holy Paul, I forgot about Maurice, said Mr Dedalus. Here,
Maurice! Come here, you thick-headed ruffian! Do you know I'm going to
send you to a college where they'll teach you to spell c.a.t. cat. And
I'll buy you a nice little penny handkerchief to keep your nose dry.
Won't that be grand fun?

Maurice grinned at his father and then at his brother.

Mr Dedalus screwed his glass into his eye and stared hard at both his
sons. Stephen mumbled his bread without answering his father's gaze.

--By the bye, said Mr Dedalus at length, the rector, or provincial
rather, was telling me that story about you and Father Dolan. You're an
impudent thief, he said.

--O, he didn't, Simon!

--Not he! said Mr Dedalus. But he gave me a great account of the whole
affair. We were chatting, you know, and one word borrowed another. And,
by the way, who do you think he told me will get that job in the
corporation? But I'll tell you that after. Well, as I was saying, we
were chatting away quite friendly and he asked me did our friend here
wear glasses still, and then he told me the whole story.

--And was he annoyed, Simon?

--Annoyed? Not he! MANLY LITTLE CHAP! he said.

Mr Dedalus imitated the mincing nasal tone of the provincial.

Father Dolan and I, when I told them all at dinner about it, Father
Dolan and I had a great laugh over it. YOU BETTER MIND YOURSELF FATHER
DOLAN, said I, OR YOUNG DEDALUS WILL SEND YOU UP FOR TWICE NINE. We had
a famous laugh together over it. Ha! Ha! Ha!

Mr Dedalus turned to his wife and interjected in his natural voice:

--Shows you the spirit in which they take the boys there. O, a jesuit
for your life, for diplomacy!

He reassumed the provincial's voice and repeated:

--I TOLD THEM ALL AT DINNER ABOUT IT AND FATHER DOLAN AND I AND ALL OF
US WE HAD A HEARTY LAUGH TOGETHER OVER IT. HA! HA! HA!


* * * * *


The night of the Whitsuntide play had come and Stephen from the window
of the dressing-room looked out on the small grass-plot across which
lines of Chinese lanterns were stretched. He watched the visitors come
down the steps from the house and pass into the theatre. Stewards in
evening dress, old Belvedereans, loitered in groups about the entrance
to the theatre and ushered in the visitors with ceremony. Under the
sudden glow of a lantern he could recognize the smiling face of a
priest.

The Blessed Sacrament had been removed from the tabernacle and the
first benches had been driven back so as to leave the dais of the altar
and the space before it free. Against the walls stood companies of
barbells and Indian clubs; the dumbbells were piled in one corner: and
in the midst of countless hillocks of gymnasium shoes and sweaters and
singlets in untidy brown parcels there stood the stout leather-jacketed
vaulting horse waiting its turn to be carried up on the stage
and set in the middle of the winning team at the end of the gymnastic
display.

Stephen, though in deference to his reputation for essay writing he had
been elected secretary to the gymnasium, had had no part in the first
section of the programme but in the play which formed the second
section he had the chief part, that of a farcical pedagogue. He had
been cast for it on account of his stature and grave manners for he was
now at the end of his second year at Belvedere and in number two.

A score of the younger boys in white knickers and singlets came
pattering down from the stage, through the vestry and to the chapel.
The vestry and chapel were peopled with eager masters and boys. The
plump bald sergeant major was testing with his foot the springboard of
the vaulting horse. The lean young man in a long overcoat, who was to
give a special display of intricate club swinging, stood near watching
with interest, his silver-coated clubs peeping out of his deep
side-pockets. The hollow rattle of the wooden dumbbells was heard as
another team made ready to go up on the stage: and in another moment the
excited prefect was hustling the boys through the vestry like a flock of
geese, flapping the wings of his soutane nervously and crying to the
laggards to make haste. A little troop of Neapolitan peasants were
practising their steps at the end of the chapel, some circling their arms
above their heads, some swaying their baskets of paper violets and
curtsying. In a dark corner of the chapel at the gospel side of the altar
a stout old lady knelt amid her copious black skirts. When she stood up a
pink-dressed figure, wearing a curly golden wig and an old-fashioned straw
sunbonnet, with black pencilled eyebrows and cheeks delicately rouged and
powdered, was discovered. A low murmur of curiosity ran round the chapel
at the discovery of this girlish figure. One of the prefects, smiling and
nodding his head, approached the dark corner and, having bowed to the
stout old lady, said pleasantly:

--Is this a beautiful young lady or a doll that you have here, Mrs
Tallon?

Then, bending down to peer at the smiling painted face under the leaf
of the bonnet, he exclaimed:

--No! Upon my word I believe it's little Bertie Tallon after all!

Stephen at his post by the window heard the old lady and the priest
laugh together and heard the boys' murmurs of admiration behind him as
they passed forward to see the little boy who had to dance the
sunbonnet dance by himself. A movement of impatience escaped him. He
let the edge of the blind fall and, stepping down from the bench on
which he had been standing, walked out of the chapel.

He passed out of the schoolhouse and halted under the shed that flanked
the garden. From the theatre opposite came the muffled noise of the
audience and sudden brazen clashes of the soldiers' band. The light
spread upwards from the glass roof making the theatre seem a festive
ark, anchored among the hulks of houses, her frail cables of lanterns
looping her to her moorings. A side door of the theatre opened suddenly
and a shaft of light flew across the grass plots. A sudden burst of
music issued from the ark, the prelude of a waltz: and when the side
door closed again the listener could hear the faint rhythm of the
music. The sentiment of the opening bars, their languor and supple
movement, evoked the incommunicable emotion which had been the cause of
all his day's unrest and of his impatient movement of a moment before.
His unrest issued from him like a wave of sound: and on the tide of
flowing music the ark was journeying, trailing her cables of lanterns
in her wake. Then a noise like dwarf artillery broke the movement. It
was the clapping that greeted the entry of the dumbbell team on the
stage.

At the far end of the shed near the street a speck of pink light showed
in the darkness and as he walked towards it he became aware of a faint
aromatic odour. Two boys were standing in the shelter of a doorway,
smoking, and before he reached them he had recognised Heron by his
voice.

--Here comes the noble Dedalus! cried a high throaty voice. Welcome to
our trusty friend!

This welcome ended in a soft peal of mirthless laughter as Heron
salaamed and then began to poke the ground with his cane.

--Here I am, said Stephen, halting and glancing from Heron to his
friend.

The latter was a stranger to him but in the darkness, by the aid of the
glowing cigarette tips, he could make out a pale dandyish face over
which a smile was travelling slowly, a tall overcoated figure and a
hard hat. Heron did not trouble himself about an introduction but said
instead:

--I was just telling my friend Wallis what a lark it would be tonight
if you took off the rector in the part of the schoolmaster. It would be
a ripping good joke.

Heron made a poor attempt to imitate for his friend Wallis the rector's
pedantic bass and then, laughing at his failure, asked Stephen to do
it.

--Go on, Dedalus, he urged, you can take him off rippingly. HE THAT WILL
NOT HEAR THE CHURCHA LET HIM BE TO THEEA AS THE HEATHENA AND THE
PUBLICANA.

The imitation was prevented by a mild expression of anger from Wallis
in whose mouthpiece the cigarette had become too tightly wedged.

--Damn this blankety blank holder, he said, taking it from his mouth
and smiling and frowning upon it tolerantly. It's always getting stuck
like that. Do you use a holder?

--I don't smoke, answered Stephen.

--No, said Heron, Dedalus is a model youth. He doesn't smoke and he
doesn't go to bazaars and he doesn't flirt and he doesn't damn anything
or damn all.

Stephen shook his head and smiled in his rival's flushed and mobile
face, beaked like a bird's. He had often thought it strange that
Vincent Heron had a bird's face as well as a bird's name. A shock of
pale hair lay on the forehead like a ruffled crest: the forehead was
narrow and bony and a thin hooked nose stood out between the close-set
prominent eyes which were light and inexpressive. The rivals were
school friends. They sat together in class, knelt together in the
chapel, talked together after beads over their lunches. As the fellows
in number one were undistinguished dullards, Stephen and Heron had been
during the year the virtual heads of the school. It was they who went
up to the rector together to ask for a free day or to get a fellow off.

--O by the way, said Heron suddenly, I saw your governor going in.

The smile waned on Stephen's face. Any allusion made to his father by a
fellow or by a master put his calm to rout in a moment. He waited in
timorous silence to hear what Heron might say next. Heron, however,
nudged him expressively with his elbow and said:

--You're a sly dog.

--Why so? said Stephen.

--You'd think butter wouldn't melt in your mouth said Heron. But I'm
afraid you're a sly dog.

--Might I ask you what you are talking about? said Stephen urbanely.

--Indeed you might, answered Heron. We saw her, Wallis, didn't we? And
deucedly pretty she is too. And inquisitive! AND WHAT PART DOES STEPHEN
TAKE, MR DEDALUS? AND WILL STEPHEN NOT SING, MR DEDALUS? Your governor
was staring at her through that eyeglass of his for all he was worth so
that I think the old man has found you out too. I wouldn't care a bit,
by Jove. She's ripping, isn't she, Wallis?

--Not half bad, answered Wallis quietly as he placed his holder once
more in a corner of his mouth.

A shaft of momentary anger flew through Stephen's mind at these
indelicate allusions in the hearing of a stranger. For him there was
nothing amusing in a girl's interest and regard. All day he had thought
of nothing but their leave-taking on the steps of the tram at Harold's
Cross, the stream of moody emotions it had made to course through him
and the poem he had written about it. All day he had imagined a new
meeting with her for he knew that she was to come to the play. The old
restless moodiness had again filled his breast as it had done on the
night of the party, but had not found an outlet in verse. The growth
and knowledge of two years of boyhood stood between then and now,
forbidding such an outlet: and all day the stream of gloomy tenderness
within him had started forth and returned upon itself in dark courses
and eddies, wearying him in the end until the pleasantry of the prefect
and the painted little boy had drawn from him a movement of impatience.

--So you may as well admit, Heron went on, that we've fairly found you
out this time. You can't play the saint on me any more, that's one sure
five.

A soft peal of mirthless laughter escaped from his lips and, bending
down as before, he struck Stephen lightly across the calf of the leg
with his cane, as if in jesting reproof.

Stephen's moment of anger had already passed. He was neither flattered
nor confused, but simply wished the banter to end. He scarcely resented
what had seemed to him a silly indelicateness for he knew that the
adventure in his mind stood in no danger from these words: and his face
mirrored his rival's false smile.

--Admit! repeated Heron, striking him again with his cane across the
calf of the leg.

The stroke was playful but not so lightly given as the first one had
been. Stephen felt the skin tingle and glow slightly and almost
painlessly; and, bowing submissively, as if to meet his companion's
jesting mood, began to recite the CONFITEOR. The episode ended well,
for both Heron and Wallis laughed indulgently at the irreverence.

The confession came only from Stephen's lips and, while they spoke the
words, a sudden memory had carried him to another scene called up, as
if by magic, at the moment when he had noted the faint cruel dimples at
the corners of Heron's smiling lips and had felt the familiar stroke of
the cane against his calf and had heard the familiar word of
admonition:

--Admit.

It was towards the close of his first term in the college when he was
in number six. His sensitive nature was still smarting under the lashes
of an undivined and squalid way of life. His soul was still disquieted
and cast down by the dull phenomenon of Dublin. He had emerged from a
two years' spell of revery to find himself in the midst of a new scene,
every event and figure of which affected him intimately, disheartened
him or allured and, whether alluring or disheartening, filled him
always with unrest and bitter thoughts. All the leisure which his
school life left him was passed in the company of subversive writers
whose jibes and violence of speech set up a ferment in his brain before
they passed out of it into his crude writings.

The essay was for him the chief labour of his week and every Tuesday,
as he marched from home to the school, he read his fate in the
incidents of the way, pitting himself against some figure ahead of him
and quickening his pace to outstrip it before a certain goal was
reached or planting his steps scrupulously in the spaces of the
patchwork of the pathway and telling himself that he would be first and
not first in the weekly essay.

On a certain Tuesday the course of his triumphs was rudely broken. Mr
Tate, the English master, pointed his finger at him and said bluntly:

--This fellow has heresy in his essay.

A hush fell on the class. Mr Tate did not break it but dug with his
hand between his thighs while his heavily starched linen creaked about
his neck and wrists. Stephen did not look up. It was a raw spring
morning and his eyes were still smarting and weak. He was conscious of
failure and of detection, of the squalor of his own mind and home, and
felt against his neck the raw edge of his turned and jagged collar.

A short loud laugh from Mr Tate set the class more at ease.

--Perhaps you didn't know that, he said.

--Where? asked Stephen.

Mr Tate withdrew his delving hand and spread out the essay.

--Here. It's about the Creator and the soul. Rrm... rrm... rrm... Ah!
WITHOUT A POSSIBILITY OF EVER APPROACHING NEARER. That's heresy.

Stephen murmured:

--I meant WITHOUT A POSSIBILITY OF EVER REACHING.

It was a submission and Mr Tate, appeased, folded up the essay and
passed it across to him, saying:

--O...Ah! EVER REACHING. That's another story.

But the class was not so soon appeased. Though nobody spoke to him of
the affair after class he could feel about him a vague general
malignant joy.

A few nights after this public chiding he was walking with a letter
along the Drumcondra Road when he heard a voice cry:

--Halt!

He turned and saw three boys of his own class coming towards him in the
dusk. It was Heron who had called out and, as he marched forward
between his two attendants, he cleft the air before him with a thin
cane in time to their steps. Boland, his friend, marched beside him, a
large grin on his face, while Nash came on a few steps behind, blowing
from the pace and wagging his great red head.

As soon as the boys had turned into Clonliffe Road together they began
to speak about books and writers, saying what books they were reading
and how many books there were in their fathers' bookcases at home.
Stephen listened to them in some wonderment for Boland was the dunce
and Nash the idler of the class. In fact, after some talk about their
favourite writers, Nash declared for Captain Marryat who, he said, was
the greatest writer.

--Fudge! said Heron. Ask Dedalus. Who is the greatest writer, Dedalus?

Stephen noted the mockery in the question and said:

--Of prose do you mean?

--Yes.

--Newman, I think.

--Is it Cardinal Newman? asked Boland.

--Yes, answered Stephen.

The grin broadened on Nash's freckled face as he turned to Stephen and
said:

--And do you like Cardinal Newman, Dedalus?

--O, many say that Newman has the best prose style, Heron said to the
other two in explanation, of course he's not a poet.

--And who is the best poet, Heron? asked Boland.

--Lord Tennyson, of course, answered Heron.

--O, yes, Lord Tennyson, said Nash. We have all his poetry at home in a
book.

At this Stephen forgot the silent vows he had been making and burst out:

--Tennyson a poet! Why, he's only a rhymester!

--O, get out! said Heron. Everyone knows that Tennyson is the greatest
poet.

--And who do you think is the greatest poet? asked Boland, nudging his
neighbour.

--Byron, of course, answered Stephen.

Heron gave the lead and all three joined in a scornful laugh.

--What are you laughing at? asked Stephen.

--You, said Heron. Byron the greatest poet! He's only a poet for
uneducated people.

--He must be a fine poet! said Boland.

--You may keep your mouth shut, said Stephen, turning on him boldly.
All you know about poetry is what you wrote up on the slates in the
yard and were going to be sent to the loft for.

Boland, in fact, was said to have written on the slates in the yard a
couplet about a classmate of his who often rode home from the college
on a pony:


  As Tyson was riding into Jerusalem
  He fell and hurt his Alec Kafoozelum.


This thrust put the two lieutenants to silence but Heron went on:

--In any case Byron was a heretic and immoral too.

--I don't care what he was, cried Stephen hotly.

--You don't care whether he was a heretic or not? said Nash.

--What do you know about it? shouted Stephen. You never read a line of
anything in your life except a trans, or Boland either.

--I know that Byron was a bad man, said Boland.

--Here, catch hold of this heretic, Heron called out. In a moment
Stephen was a prisoner.

--Tate made you buck up the other day, Heron went on, about the heresy
in your essay.

--I'll tell him tomorrow, said Boland.

--Will you? said Stephen. You'd be afraid to open your lips.

--Afraid?

--Ay. Afraid of your life.

--Behave yourself! cried Heron, cutting at Stephen's legs with his
cane.

It was the signal for their onset. Nash pinioned his arms behind while
Boland seized a long cabbage stump which was lying in the gutter.
Struggling and kicking under the cuts of the cane and the blows of the
knotty stump Stephen was borne back against a barbed wire fence.

--Admit that Byron was no good.

--No.

--Admit.

--No.

--Admit.

--No. No.

At last after a fury of plunges he wrenched himself free. His
tormentors set off towards Jones's Road, laughing and jeering at him,
while he, half blinded with tears, stumbled on, clenching his fists
madly and sobbing.

While he was still repeating the CONFITEOR amid the indulgent laughter
of his hearers and while the scenes of that malignant episode were
still passing sharply and swiftly before his mind he wondered why he
bore no malice now to those who had tormented him. He had not forgotten
a whit of their cowardice and cruelty but the memory of it called forth
no anger from him. All the descriptions of fierce love and hatred which
he had met in books had seemed to him therefore unreal. Even that night
as he stumbled homewards along Jones's Road he had felt that some power
was divesting him of that sudden-woven anger as easily as a fruit is
divested of its soft ripe peel.

He remained standing with his two companions at the end of the shed
listening idly to their talk or to the bursts of applause in the
theatre. She was sitting there among the others perhaps waiting for him
to appear. He tried to recall her appearance but could not. He could
remember only that she had worn a shawl about her head like a cowl and
that her dark eyes had invited and unnerved him. He wondered had he
been in her thoughts as she had been in his. Then in the dark and
unseen by the other two he rested the tips of the fingers of one hand
upon the palm of the other hand, scarcely touching it lightly. But the
pressure of her fingers had been lighter and steadier: and suddenly the
memory of their touch traversed his brain and body like an invisible
wave.

A boy came towards them, running along under the shed. He was excited
and breathless.

--O, Dedalus, he cried, Doyle is in a great bake about you. You're to
go in at once and get dressed for the play. Hurry up, you better.

--He's coming now, said Heron to the messenger with a haughty drawl,
when he wants to.

The boy turned to Heron and repeated:

--But Doyle is in an awful bake.

--Will you tell Doyle with my best compliments that I damned his eyes?
answered Heron.

--Well, I must go now, said Stephen, who cared little for such points
of honour.

--I wouldn't, said Heron, damn me if I would. That's no way to send
for one of the senior boys. In a bake, indeed! I think it's quite
enough that you're taking a part in his bally old play.

This spirit of quarrelsome comradeship which he had observed lately in
his rival had not seduced Stephen from his habits of quiet obedience.
He mistrusted the turbulence and doubted the sincerity of such
comradeship which seemed to him a sorry anticipation of manhood. The
question of honour here raised was, like all such questions, trivial to
him. While his mind had been pursuing its intangible phantoms and
turning in irresolution from such pursuit he had heard about him the
constant voices of his father and of his masters, urging him to be a
gentleman above all things and urging him to be a good catholic above all
things. These voices had now come to be hollow-sounding in his ears. When
the gymnasium had been opened he had heard another voice urging him to be
strong and manly and healthy and when the movement towards national
revival had begun to be felt in the college yet another voice had bidden
him be true to his country and help to raise up her language and
tradition. In the profane world, as he foresaw, a worldly voice would bid
him raise up his father's fallen state by his labours and, meanwhile, the
voice of his school comrades urged him to be a decent fellow, to shield
others from blame or to beg them off and to do his best to get free days
for the school. And it was the din of all these hollow-sounding voices
that made him halt irresolutely in the pursuit of phantoms. He gave them
ear only for a time but he was happy only when he was far from them,
beyond their call, alone or in the company of phantasmal comrades.

In the vestry a plump fresh-faced jesuit and an elderly man, in shabby
blue clothes, were dabbling in a case of paints and chalks. The boys
who had been painted walked about or stood still awkwardly, touching
their faces in a gingerly fashion with their furtive fingertips. In the
middle of the vestry a young jesuit, who was then on a visit to the
college, stood rocking himself rhythmically from the tips of his toes
to his heels and back again, his hands thrust well forward into his
side-pockets. His small head set off with glossy red curls and his
newly shaven face agreed well with the spotless decency of his soutane
and with his spotless shoes.

As he watched this swaying form and tried to read for himself the
legend of the priest's mocking smile there came into Stephen's memory a
saying which he had heard from his father before he had been sent to
Clongowes, that you could always tell a jesuit by the style of his
clothes. At the same moment he thought he saw a likeness between his
father's mind and that of this smiling well-dressed priest: and he was
aware of some desecration of the priest's office or of the vestry
itself whose silence was now routed by loud talk and joking and its air
pungent with the smells of the gas-jets and the grease.

While his forehead was being wrinkled and his jaws painted black and
blue by the elderly man, he listened distractedly to the voice of the
plump young jesuit which bade him speak up and make his points clearly.
He could hear the band playing THE LILY OF KILLARNEY and knew that in a
few moments the curtain would go up. He felt no stage fright but the
thought of the part he had to play humiliated him. A remembrance of
some of his lines made a sudden flush rise to his painted cheeks. He
saw her serious alluring eyes watching him from among the audience and
their image at once swept away his scruples, leaving his will compact.
Another nature seemed to have been lent him: the infection of the
excitement and youth about him entered into and transformed his moody
mistrustfulness. For one rare moment he seemed to be clothed in the
real apparel of boyhood: and, as he stood in the wings among the other
players, he shared the common mirth amid which the drop scene was
hauled upwards by two able-bodied priests with violent jerks and all awry.

A few moments after he found himself on the stage amid the garish gas
and the dim scenery, acting before the innumerable faces of the void.
It surprised him to see that the play which he had known at rehearsals
for a disjointed lifeless thing had suddenly assumed a life of its own.
It seemed now to play itself, he and his fellow actors aiding it with
their parts. When the curtain fell on the last scene he heard the void
filled with applause and, through a rift in a side scene, saw the
simple body before which he had acted magically deformed, the void of
faces breaking at all points and falling asunder into busy groups.

He left the stage quickly and rid himself of his mummery and passed out
through the chapel into the college garden. Now that the play was over
his nerves cried for some further adventure. He hurried onwards as if
to overtake it. The doors of the theatre were all open and the audience
had emptied out. On the lines which he had fancied the moorings of an
ark a few lanterns swung in the night breeze, flickering cheerlessly.
He mounted the steps from the garden in haste, eager that some prey
should not elude him, and forced his way through the crowd in the hall
and past the two jesuits who stood watching the exodus and bowing and
shaking hands with the visitors. He pushed onward nervously, feigning a
still greater haste and faintly conscious of the smiles and stares and
nudges which his powdered head left in its wake.

When he came out on the steps he saw his family waiting for him at the
first lamp. In a glance he noted that every figure of the group was
familiar and ran down the steps angrily.

--I have to leave a message down in George's Street, he said to his
father quickly. I'll be home after you.

Without waiting for his father's questions he ran across the road and
began to walk at breakneck speed down the hill. He hardly knew where he
was walking. Pride and hope and desire like crushed herbs in his heart
sent up vapours of maddening incense before the eyes of his mind. He
strode down the hill amid the tumult of sudden-risen vapours of wounded
pride and fallen hope and baffled desire. They streamed upwards before
his anguished eyes in dense and maddening fumes and passed away above
him till at last the air was clear and cold again.

A film still veiled his eyes but they burned no longer. A power, akin
to that which had often made anger or resentment fall from him, brought
his steps to rest. He stood still and gazed up at the sombre porch of
the morgue and from that to the dark cobbled laneway at its side. He
saw the word LOTTS on the wall of the lane and breathed slowly the rank
heavy air.

That is horse piss and rotted straw, he thought. It is a good odour to
breathe. It will calm my heart. My heart is quite calm now. I will go
back.


* * * * *


Stephen was once again seated beside his father in the corner of a
railway carriage at Kingsbridge. He was travelling with his father by
the night mail to Cork. As the train steamed out of the station he
recalled his childish wonder of years before and every event of his
first day at Clongowes. But he felt no wonder now. He saw the darkening
lands slipping away past him, the silent telegraph-poles passing his
window swiftly every four seconds, the little glimmering stations,
manned by a few silent sentries, flung by the mail behind her and
twinkling for a moment in the darkness like fiery grains flung
backwards by a runner.

He listened without sympathy to his father's evocation of Cork and of
scenes of his youth, a tale broken by sighs or draughts from his pocket
flask whenever the image of some dead friend appeared in it or whenever
the evoker remembered suddenly the purpose of his actual visit. Stephen
heard but could feel no pity. The images of the dead were all strangers
to him save that of uncle Charles, an image which had lately been
fading out of memory. He knew, however, that his father's property was
going to be sold by auction, and in the manner of his own dispossession
he felt the world give the lie rudely to his phantasy.

At Maryborough he fell asleep. When he awoke the train had passed out
of Mallow and his father was stretched asleep on the other seat. The
cold light of the dawn lay over the country, over the unpeopled fields
and the closed cottages. The terror of sleep fascinated his mind as he
watched the silent country or heard from time to time his father's deep
breath or sudden sleepy movement. The neighbourhood of unseen sleepers
filled him with strange dread, as though they could harm him, and he
prayed that the day might come quickly. His prayer, addressed neither
to God nor saint, began with a shiver, as the chilly morning breeze
crept through the chink of the carriage door to his feet, and ended in
a trail of foolish words which he made to fit the insistent rhythm of
the train; and silently, at intervals of four seconds, the
telegraph-poles held the galloping notes of the music between punctual
bars. This furious music allayed his dread and, leaning against the
windowledge, he let his eyelids close again.

They drove in a jingle across Cork while it was still early morning and
Stephen finished his sleep in a bedroom of the Victoria Hotel. The
bright warm sunlight was streaming through the window and he could hear
the din of traffic. His father was standing before the dressing-table,
examining his hair and face and moustache with great care, craning his
neck across the water-jug and drawing it back sideways to see the better.
While he did so he sang softly to himself with quaint accent and phrasing:


    'Tis youth and folly
    Makes young men marry,
    So here, my love, I'll
    No longer stay.
    What can't be cured, sure,
    Must be injured, sure,
    So I'll go to
    Amerikay.

    My love she's handsome,
    My love she's bony:
    She's like good whisky
    When it is new;
    But when 'tis old
    And growing cold
    It fades and dies like
    The mountain dew.


The consciousness of the warm sunny city outside his window and the
tender tremors with which his father's voice festooned the strange sad
happy air, drove off all the mists of the night's ill humour from
Stephen's brain. He got up quickly to dress and, when the song had
ended, said:

--That's much prettier than any of your other COME-ALL-YOUS.

--Do you think so? asked Mr Dedalus.

--I like it, said Stephen.

--It's a pretty old air, said Mr Dedalus, twirling the points of his
moustache. Ah, but you should have heard Mick Lacy sing it! Poor Mick
Lacy! He had little turns for it, grace notes that he used to put in
that I haven't got. That was the boy who could sing a COME-ALL-YOU, if
you like.

Mr Dedalus had ordered drisheens for breakfast and during the meal he
cross-examined the waiter for local news. For the most part they spoke
at cross purposes when a name was mentioned, the waiter having in mind
the present holder and Mr Dedalus his father or perhaps his
grandfather.

--Well, I hope they haven't moved the Queen's College anyhow, said Mr
Dedalus, for I want to show it to this youngster of mine.

Along the Mardyke the trees were in bloom. They entered the grounds of
the college and were led by the garrulous porter across the quadrangle.
But their progress across the gravel was brought to a halt after every
dozen or so paces by some reply of the porter's.

--Ah, do you tell me so? And is poor Pottlebelly dead?

--Yes, sir. Dead, sir.

During these halts Stephen stood awkwardly behind the two men, weary of
the subject and waiting restlessly for the slow march to begin again.
By the time they had crossed the quadrangle his restlessness had risen
to fever. He wondered how his father, whom he knew for a shrewd
suspicious man, could be duped by the servile manners of the porter;
and the lively southern speech which had entertained him all the
morning now irritated his ears.

They passed into the anatomy theatre where Mr Dedalus, the porter
aiding him, searched the desks for his initials. Stephen remained in
the background, depressed more than ever by the darkness and silence of
the theatre and by the air it wore of jaded and formal study. On the
desk he read the word FOETUS cut several times in the dark stained
wood. The sudden legend startled his blood: he seemed to feel the
absent students of the college about him and to shrink from their
company. A vision of their life, which his father's words had been
powerless to evoke, sprang up before him out of the word cut in the
desk. A broad-shouldered student with a moustache was cutting in the
letters with a jack-knife, seriously. Other students stood or sat near
him laughing at his handiwork. One jogged his elbow. The big student
turned on him, frowning. He was dressed in loose grey clothes and had
tan boots.

Stephen's name was called. He hurried down the steps of the theatre so
as to be as far away from the vision as he could be and, peering
closely at his father's initials, hid his flushed face.

But the word and the vision capered before his eyes as he walked back
across the quadrangle and towards the college gate. It shocked him to
find in the outer world a trace of what he had deemed till then a
brutish and individual malady of his own mind. His monstrous reveries
came thronging into his memory. They too had sprung up before him,
suddenly and furiously, out of mere words. He had soon given in to them
and allowed them to sweep across and abase his intellect, wondering
always where they came from, from what den of monstrous images, and
always weak and humble towards others, restless and sickened of himself
when they had swept over him.

--Ay, bedad! And there's the Groceries sure enough! cried Mr Dedalus.
You often heard me speak of the Groceries, didn't you, Stephen. Many's
the time we went down there when our names had been marked, a crowd of
us, Harry Peard and little Jack Mountain and Bob Dyas and Maurice
Moriarty, the Frenchman, and Tom O'Grady and Mick Lacy that I told you
of this morning and Joey Corbet and poor little good-hearted Johnny
Keevers of the Tantiles.

The leaves of the trees along the Mardyke were astir and whispering in
the sunlight. A team of cricketers passed, agile young men in flannels
and blazers, one of them carrying the long green wicket-bag. In a quiet
bystreet a German band of five players in faded uniforms and with
battered brass instruments was playing to an audience of street arabs
and leisurely messenger boys. A maid in a white cap and apron was
watering a box of plants on a sill which shone like a slab of limestone
in the warm glare. From another window open to the air came the sound
of a piano, scale after scale rising into the treble.

Stephen walked on at his father's side, listening to stories he had
heard before, hearing again the names of the scattered and dead
revellers who had been the companions of his father's youth. And a
faint sickness sighed in his heart.

He recalled his own equivocal position in Belvedere, a free boy, a
leader afraid of his own authority, proud and sensitive and suspicious,
battling against the squalor of his life and against the riot of his
mind. The letters cut in the stained wood of the desk stared upon him,
mocking his bodily weakness and futile enthusiasms and making him
loathe himself for his own mad and filthy orgies. The spittle in his
throat grew bitter and foul to swallow and the faint sickness climbed
to his brain so that for a moment he closed his eyes and walked on in
darkness.

He could still hear his father's voice--

--When you kick out for yourself, Stephen--as I daresay you will one
of these days--remember, whatever you do, to mix with gentlemen. When
I was a young fellow I tell you I enjoyed myself. I mixed with fine
decent fellows. Everyone of us could do something. One fellow had a
good voice, another fellow was a good actor, another could sing a good
comic song, another was a good oarsman or a good racket player, another
could tell a good story and so on. We kept the ball rolling anyhow and
enjoyed ourselves and saw a bit of life and we were none the worse of
it either. But we were all gentlemen, Stephen--at least I hope we were--and
bloody good honest Irishmen too. That's the kind of fellows I want
you to associate with, fellows of the right kidney. I'm talking to
you as a friend, Stephen. I don't believe a son should be afraid of his
father. No, I treat you as your grandfather treated me when I was a
young chap. We were more like brothers than father and son. I'll never
forget the first day he caught me smoking. I was standing at the end of
the South Terrace one day with some maneens like myself and sure we
thought we were grand fellows because we had pipes stuck in the corners
of our mouths. Suddenly the governor passed. He didn't say a word, or
stop even. But the next day, Sunday, we were out for a walk together
and when we were coming home he took out his cigar case and said:--By
the by, Simon, I didn't know you smoked, or something like that.--Of
course I tried to carry it off as best I could.--If you want a good
smoke, he said, try one of these cigars. An American captain made me a
present of them last night in Queenstown.

Stephen heard his father's voice break into a laugh which was almost a
sob.

--He was the handsomest man in Cork at that time, by God he was! The
women used to stand to look after him in the street.

He heard the sob passing loudly down his father's throat and opened his
eyes with a nervous impulse. The sunlight breaking suddenly on his
sight turned the sky and clouds into a fantastic world of sombre masses
with lakelike spaces of dark rosy light. His very brain was sick and
powerless. He could scarcely interpret the letters of the signboards of
the shops. By his monstrous way of life he seemed to have put himself
beyond the limits of reality. Nothing moved him or spoke to him from
the real world unless he heard in it an echo of the infuriated cries
within him. He could respond to no earthly or human appeal, dumb and
insensible to the call of summer and gladness and companionship,
wearied and dejected by his father's voice. He could scarcely recognize
as his own thoughts, and repeated slowly to himself:

--I am Stephen Dedalus. I am walking beside my father whose name is
Simon Dedalus. We are in Cork, in Ireland. Cork is a city. Our room is
in the Victoria Hotel. Victoria and Stephen and Simon. Simon and
Stephen and Victoria. Names.

The memory of his childhood suddenly grew dim. He tried to call forth
some of its vivid moments but could not. He recalled only names. Dante,
Parnell, Clane, Clongowes. A little boy had been taught geography by an
old woman who kept two brushes in her wardrobe. Then he had been sent
away from home to a college, he had made his first communion and eaten
slim jim out of his cricket cap and watched the firelight leaping and
dancing on the wall of a little bedroom in the infirmary and dreamed of
being dead, of mass being said for him by the rector in a black and
gold cope, of being buried then in the little graveyard of the
community off the main avenue of limes. But he had not died then.
Parnell had died. There had been no mass for the dead in the chapel and
no procession. He had not died but he had faded out like a film in the
sun. He had been lost or had wandered out of existence for he no longer
existed. How strange to think of him passing out of existence in such a
way, not by death but by fading out in the sun or by being lost and
forgotten somewhere in the universe! It was strange to see his small
body appear again for a moment: a little boy in a grey belted suit. His
hands were in his side-pockets and his trousers were tucked in at the
knees by elastic bands.

On the evening of the day on which the property was sold Stephen
followed his father meekly about the city from bar to bar. To the
sellers in the market, to the barmen and barmaids, to the beggars who
importuned him for a lob Mr Dedalus told the same tale--that he was an
old Corkonian, that he had been trying for thirty years to get rid of
his Cork accent up in Dublin and that Peter Pickackafax beside him was
his eldest son but that he was only a Dublin jackeen.

They had set out early in the morning from Newcombe's coffee-house,
where Mr Dedalus's cup had rattled noisily against its saucer, and
Stephen had tried to cover that shameful sign of his father's drinking
bout of the night before by moving his chair and coughing. One
humiliation had succeeded another--the false smiles of the market
sellers, the curvetings and oglings of the barmaids with whom his
father flirted, the compliments and encouraging words of his father's
friends. They had told him that he had a great look of his grandfather
and Mr Dedalus had agreed that he was an ugly likeness. They had
unearthed traces of a Cork accent in his speech and made him admit that
the Lee was a much finer river than the Liffey. One of them, in order
to put his Latin to the proof, had made him translate short passages
from Dilectus and asked him whether it was correct to say: TEMPORA
MUTANTUR NOS ET MUTAMUR IN ILLIS or TEMPORA MUTANTUR ET NOS MUTAMUR IN
ILLIS. Another, a brisk old man, whom Mr Dedalus called Johnny Cashman,
had covered him with confusion by asking him to say which were
prettier, the Dublin girls or the Cork girls.

--He's not that way built, said Mr Dedalus. Leave him alone. He's a
level-headed thinking boy who doesn't bother his head about that kind
of nonsense.

--Then he's not his father's son, said the little old man.

--I don't know, I'm sure, said Mr Dedalus, smiling complacently.

--Your father, said the little old man to Stephen, was the boldest flirt
in the City of Cork in his day. Do you know that?

Stephen looked down and studied the tiled floor of the bar into which
they had drifted.

--Now don't be putting ideas into his head, said Mr Dedalus. Leave him
to his Maker.

--Yerra, sure I wouldn't put any ideas into his head. I'm old enough
to be his grandfather. And I am a grandfather, said the little old man
to Stephen. Do you know that?

--Are you? asked Stephen.

--Bedad I am, said the little old man. I have two bouncing
grandchildren out at Sunday's Well. Now, then! What age do you think I
am? And I remember seeing your grandfather in his red coat riding out
to hounds. That was before you were born.

--Ay, or thought of, said Mr Dedalus.

--Bedad I did, repeated the little old man. And, more than that, I can
remember even your great-grandfather, old John Stephen Dedalus, and a
fierce old fire-eater he was. Now, then! There's a memory for you!

--That's three generations--four generations, said another of the
company. Why, Johnny Cashman, you must be nearing the century.

--Well, I'll tell you the truth, said the little old man. I'm just
twenty-seven years of age.

--We're as old as we feel, Johnny, said Mr Dedalus. And just finish
what you have there and we'll have another. Here, Tim or Tom or
whatever your name is, give us the same again here. By God, I don't
feel more than eighteen myself. There's that son of mine there not half
my age and I'm a better man than he is any day of the week.

--Draw it mild now, Dedalus. I think it's time for you to take a back
seat, said the gentleman who had spoken before.

--No, by God! asserted Mr Dedalus. I'll sing a tenor song against him
or I'll vault a five-barred gate against him or I'll run with him after
the hounds across the country as I did thirty years ago along with the
Kerry Boy and the best man for it.

--But he'll beat you here, said the little old man, tapping his
forehead and raising his glass to drain it.

--Well, I hope he'll be as good a man as his father. That's all I can
say, said Mr Dedalus.

--If he is, he'll do, said the little old man.

--And thanks be to God, Johnny, said Mr Dedalus, that we lived so long
and did so little harm.

--But did so much good, Simon, said the little old man gravely. Thanks
be to God we lived so long and did so much good.

Stephen watched the three glasses being raised from the counter as his
father and his two cronies drank to the memory of their past. An abyss
of fortune or of temperament sundered him from them. His mind seemed
older than theirs: it shone coldly on their strifes and happiness and
regrets like a moon upon a younger earth. No life or youth stirred in
him as it had stirred in them. He had known neither the pleasure of
companionship with others nor the vigour of rude male health nor filial
piety. Nothing stirred within his soul but a cold and cruel and
loveless lust. His childhood was dead or lost and with it his soul
capable of simple joys and he was drifting amid life like the barren
shell of the moon.


  Art thou pale for weariness
  Of climbing heaven and gazing on the earth,
  Wandering companionless...?


He repeated to himself the lines of Shelley's fragment. Its alternation
of sad human ineffectiveness with vast inhuman cycles of activity
chilled him and he forgot his own human and ineffectual grieving.


* * * * *


Stephen's mother and his brother and one of his cousins waited at the
corner of quiet Foster Place while he and his father went up the steps
and along the colonnade where the Highland sentry was parading. When
they had passed into the great hall and stood at the counter Stephen
drew forth his orders on the governor of the bank of Ireland for thirty
and three pounds; and these sums, the moneys of his exhibition and
essay prize, were paid over to him rapidly by the teller in notes and
in coin respectively. He bestowed them in his pockets with feigned
composure and suffered the friendly teller, to whom his father chatted,
to take his hand across the broad counter and wish him a brilliant
career in after life. He was impatient of their voices and could not
keep his feet at rest. But the teller still deferred the serving of
others to say he was living in changed times and that there was nothing
like giving a boy the best education that money could buy. Mr Dedalus
lingered in the hall gazing about him and up at the roof and telling
Stephen, who urged him to come out, that they were standing in the
house of commons of the old Irish parliament.

--God help us! he said piously, to think of the men of those times,
Stephen, Hely Hutchinson and Flood and Henry Grattan and Charles Kendal
Bushe, and the noblemen we have now, leaders of the Irish people at
home and abroad. Why, by God, they wouldn't be seen dead in a ten-acre
field with them. No, Stephen, old chap, I'm sorry to say that they are
only as I roved out one fine May morning in the merry month of sweet
July.

A keen October wind was blowing round the bank. The three figures
standing at the edge of the muddy path had pinched cheeks and watery
eyes. Stephen looked at his thinly clad mother and remembered that a
few days before he had seen a mantle priced at twenty guineas in the
windows of Barnardo's.

--Well that's done, said Mr Dedalus.

--We had better go to dinner, said Stephen. Where?

--Dinner? said Mr Dedalus. Well, I suppose we had better, what?

--Some place that's not too dear, said Mrs Dedalus.

--Underdone's?

--Yes. Some quiet place.

--Come along, said Stephen quickly. It doesn't matter about the
dearness.

He walked on before them with short nervous steps, smiling. They tried
to keep up with him, smiling also at his eagerness.

--Take it easy like a good young fellow, said his father. We're not
out for the half mile, are we?

For a swift season of merrymaking the money of his prizes ran through
Stephen's fingers. Great parcels of groceries and delicacies and dried
fruits arrived from the city. Every day he drew up a bill of fare for
the family and every night led a party of three or four to the theatre
to see INGOMAR or THE LADY OF LYONS. In his coat pockets he carried
squares of Vienna chocolate for his guests while his trousers' pocket
bulged with masses of silver and copper coins. He bought presents for
everyone, overhauled his room, wrote out resolutions, marshalled his
books up and down their shelves, pored upon all kinds of price lists,
drew up a form of commonwealth for the household by which every member
of it held some office, opened a loan bank for his family and pressed
loans on willing borrowers so that he might have the pleasure of making
out receipts and reckoning the interests on the sums lent. When he
could do no more he drove up and down the city in trams. Then the
season of pleasure came to an end. The pot of pink enamel paint gave out
and the wainscot of his bedroom remained with its unfinished and
ill-plastered coat.

His household returned to its usual way of life. His mother had no
further occasion to upbraid him for squandering his money. He too
returned to his old life at school and all his novel enterprises fell
to pieces. The commonwealth fell, the loan bank closed its coffers and
its books on a sensible loss, the rules of life which he had drawn
about himself fell into desuetude.

How foolish his aim had been! He had tried to build a break-water of
order and elegance against the sordid tide of life without him and to
dam up, by rules of conduct and active interest and new filial
relations, the powerful recurrence of the tides within him. Useless.
From without as from within the waters had flowed over his barriers:
their tides began once more to jostle fiercely above the crumbled mole.

He saw clearly too his own futile isolation. He had not gone one step
nearer the lives he had sought to approach nor bridged the restless
shame and rancour that had divided him from mother and brother and
sister. He felt that he was hardly of the one blood with them but stood
to them rather in the mystical kinship of fosterage, fosterchild and
fosterbrother.

He turned to appease the fierce longings of his heart before which
everything else was idle and alien. He cared little that he was in
mortal sin, that his life had grown to be a tissue of subterfuge and
falsehood. Beside the savage desire within him to realize the
enormities which he brooded on nothing was sacred. He bore cynically
with the shameful details of his secret riots in which he exulted to
defile with patience whatever image had attracted his eyes. By day and
by night he moved among distorted images of the outer world. A figure
that had seemed to him by day demure and innocent came towards him by
night through the winding darkness of sleep, her face transfigured by a
lecherous cunning, her eyes bright with brutish joy. Only the morning
pained him with its dim memory of dark orgiastic riot, its keen and
humiliating sense of transgression.

He returned to his wanderings. The veiled autumnal evenings led him
from street to street as they had led him years before along the quiet
avenues of Blackrock. But no vision of trim front gardens or of kindly
lights in the windows poured a tender influence upon him now. Only at
times, in the pauses of his desire, when the luxury that was wasting
him gave room to a softer languor, the image of Mercedes traversed the
background of his memory. He saw again the small white house and the
garden of rose-bushes on the road that led to the mountains and he
remembered the sadly proud gesture of refusal which he was to make
there, standing with her in the moonlit garden after years of
estrangement and adventure. At those moments the soft speeches of
Claude Melnotte rose to his lips and eased his unrest. A tender
premonition touched him of the tryst he had then looked forward to and,
in spite of the horrible reality which lay between his hope of then and
now, of the holy encounter he had then imagined at which weakness and
timidity and inexperience were to fall from him.

Such moments passed and the wasting fires of lust sprang up again. The
verses passed from his lips and the inarticulate cries and the unspoken
brutal words rushed forth from his brain to force a passage. His blood
was in revolt. He wandered up and down the dark slimy streets peering
into the gloom of lanes and doorways, listening eagerly for any sound.
He moaned to himself like some baffled prowling beast. He wanted to sin
with another of his kind, to force another being to sin with him and to
exult with her in sin. He felt some dark presence moving irresistibly
upon him from the darkness, a presence subtle and murmurous as a flood
filling him wholly with itself. Its murmur besieged his ears like the
murmur of some multitude in sleep; its subtle streams penetrated his
being. His hands clenched convulsively and his teeth set together as he
suffered the agony of its penetration. He stretched out his arms in the
street to hold fast the frail swooning form that eluded him and incited
him: and the cry that he had strangled for so long in his throat issued
from his lips. It broke from him like a wail of despair from a hell of
sufferers and died in a wail of furious entreaty, a cry for an
iniquitous abandonment, a cry which was but the echo of an obscene
scrawl which he had read on the oozing wall of a urinal.

He had wandered into a maze of narrow and dirty streets. From the foul
laneways he heard bursts of hoarse riot and wrangling and the drawling
of drunken singers. He walked onward, dismayed, wondering whether he
had strayed into the quarter of the Jews. Women and girls dressed in
long vivid gowns traversed the street from house to house. They were
leisurely and perfumed. A trembling seized him and his eyes grew dim.
The yellow gas-flames arose before his troubled vision against the
vapoury sky, burning as if before an altar. Before the doors and in the
lighted halls groups were gathered arrayed as for some rite. He was in
another world: he had awakened from a slumber of centuries.

He stood still in the middle of the roadway, his heart clamouring
against his bosom in a tumult. A young woman dressed in a long pink
gown laid her hand on his arm to detain him and gazed into his face.
She said gaily:

--Good night, Willie dear!

Her room was warm and lightsome. A huge doll sat with her legs apart in
the copious easy-chair beside the bed. He tried to bid his tongue speak
that he might seem at ease, watching her as she undid her gown, noting
the proud conscious movements of her perfumed head.

As he stood silent in the middle of the room she came over to him and
embraced him gaily and gravely. Her round arms held him firmly to her
and he, seeing her face lifted to him in serious calm and feeling the
warm calm rise and fall of her breast, all but burst into hysterical
weeping. Tears of joy and relief shone in his delighted eyes and his
lips parted though they would not speak.

She passed her tinkling hand through his hair, calling him a little
rascal.

--Give me a kiss, she said.

His lips would not bend to kiss her. He wanted to be held firmly in her
arms, to be caressed slowly, slowly, slowly. In her arms he felt that
he had suddenly become strong and fearless and sure of himself. But his
lips would not bend to kiss her.

With a sudden movement she bowed his head and joined her lips to his
and he read the meaning of her movements in her frank uplifted eyes. It
was too much for him. He closed his eyes, surrendering himself to her,
body and mind, conscious of nothing in the world but the dark pressure
of her softly parting lips. They pressed upon his brain as upon his
lips as though they were the vehicle of a vague speech; and between
them he felt an unknown and timid pressure, darker than the swoon of
sin, softer than sound or odour.




Chapter 3


The swift December dusk had come tumbling clownishly after its dull day
and, as he stared through the dull square of the window of the
schoolroom, he felt his belly crave for its food. He hoped there would
be stew for dinner, turnips and carrots and bruised potatoes and fat
mutton pieces to be ladled out in thick peppered flour-fattened sauce.
Stuff it into you, his belly counselled him.

It would be a gloomy secret night. After early nightfall the yellow
lamps would light up, here and there, the squalid quarter of the
brothels. He would follow a devious course up and down the streets,
circling always nearer and nearer in a tremor of fear and joy, until
his feet led him suddenly round a dark corner. The whores would be just
coming out of their houses making ready for the night, yawning lazily
after their sleep and settling the hairpins in their clusters of hair.
He would pass by them calmly waiting for a sudden movement of his own
will or a sudden call to his sin-loving soul from their soft perfumed
flesh. Yet as he prowled in quest of that call, his senses, stultified
only by his desire, would note keenly all that wounded or shamed them;
his eyes, a ring of porter froth on a clothless table or a photograph
of two soldiers standing to attention or a gaudy playbill; his ears,
the drawling jargon of greeting:

--Hello, Bertie, any good in your mind?

--Is that you, pigeon?

--Number ten. Fresh Nelly is waiting on you.

--Good night, husband! Coming in to have a short time?

The equation on the page of his scribbler began to spread out a
widening tail, eyed and starred like a peacock's; and, when the eyes
and stars of its indices had been eliminated, began slowly to fold
itself together again. The indices appearing and disappearing were eyes
opening and closing; the eyes opening and closing were stars being born
and being quenched. The vast cycle of starry life bore his weary mind
outward to its verge and inward to its centre, a distant music
accompanying him outward and inward. What music? The music came nearer
and he recalled the words, the words of Shelley's fragment upon the
moon wandering companionless, pale for weariness. The stars began to
crumble and a cloud of fine stardust fell through space.

The dull light fell more faintly upon the page whereon another equation
began to unfold itself slowly and to spread abroad its widening tail.
It was his own soul going forth to experience, unfolding itself sin by
sin, spreading abroad the bale-fire of its burning stars and folding
back upon itself, fading slowly, quenching its own lights and fires.
They were quenched: and the cold darkness filled chaos.

A cold lucid indifference reigned in his soul. At his first violent sin
he had felt a wave of vitality pass out of him and had feared to find
his body or his soul maimed by the excess. Instead the vital wave had
carried him on its bosom out of himself and back again when it receded:
and no part of body or soul had been maimed but a dark peace had been
established between them. The chaos in which his ardour extinguished
itself was a cold indifferent knowledge of himself. He had sinned
mortally not once but many times and he knew that, while he stood in
﻿ULYSSES

by James Joyce




-- I --

Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of
lather on which a mirror and a razor lay crossed. A yellow dressinggown,
ungirdled, was sustained gently behind him on the mild morning air. He
held the bowl aloft and intoned:

--_Introibo ad altare Dei_.

Halted, he peered down the dark winding stairs and called out coarsely:

--Come up, Kinch! Come up, you fearful jesuit!

Solemnly he came forward and mounted the round gunrest. He faced about
and blessed gravely thrice the tower, the surrounding land and the
awaking mountains. Then, catching sight of Stephen Dedalus, he bent
towards him and made rapid crosses in the air, gurgling in his throat
and shaking his head. Stephen Dedalus, displeased and sleepy, leaned
his arms on the top of the staircase and looked coldly at the shaking
gurgling face that blessed him, equine in its length, and at the light
untonsured hair, grained and hued like pale oak.

Buck Mulligan peeped an instant under the mirror and then covered the
bowl smartly.

--Back to barracks! he said sternly.

He added in a preacher's tone:

--For this, O dearly beloved, is the genuine Christine: body and soul
and blood and ouns. Slow music, please. Shut your eyes, gents. One
moment. A little trouble about those white corpuscles. Silence, all.

He peered sideways up and gave a long slow whistle of call, then paused
awhile in rapt attention, his even white teeth glistening here and there
with gold points. Chrysostomos. Two strong shrill whistles answered
through the calm.

--Thanks, old chap, he cried briskly. That will do nicely. Switch off
the current, will you?

He skipped off the gunrest and looked gravely at his watcher, gathering
about his legs the loose folds of his gown. The plump shadowed face and
sullen oval jowl recalled a prelate, patron of arts in the middle ages.
A pleasant smile broke quietly over his lips.

--The mockery of it! he said gaily. Your absurd name, an ancient Greek!

He pointed his finger in friendly jest and went over to the parapet,
laughing to himself. Stephen Dedalus stepped up, followed him wearily
halfway and sat down on the edge of the gunrest, watching him still as
he propped his mirror on the parapet, dipped the brush in the bowl and
lathered cheeks and neck.

Buck Mulligan's gay voice went on.

--My name is absurd too: Malachi Mulligan, two dactyls. But it has a
Hellenic ring, hasn't it? Tripping and sunny like the buck himself.
We must go to Athens. Will you come if I can get the aunt to fork out
twenty quid?

He laid the brush aside and, laughing with delight, cried:

--Will he come? The jejune jesuit!

Ceasing, he began to shave with care.

--Tell me, Mulligan, Stephen said quietly.

--Yes, my love?

--How long is Haines going to stay in this tower?

Buck Mulligan showed a shaven cheek over his right shoulder.

--God, isn't he dreadful? he said frankly. A ponderous Saxon. He thinks
you're not a gentleman. God, these bloody English! Bursting with money
and indigestion. Because he comes from Oxford. You know, Dedalus, you
have the real Oxford manner. He can't make you out. O, my name for you
is the best: Kinch, the knife-blade.

He shaved warily over his chin.

--He was raving all night about a black panther, Stephen said. Where is
his guncase?

--A woful lunatic! Mulligan said. Were you in a funk?

--I was, Stephen said with energy and growing fear. Out here in the dark
with a man I don't know raving and moaning to himself about shooting a
black panther. You saved men from drowning. I'm not a hero, however. If
he stays on here I am off.

Buck Mulligan frowned at the lather on his razorblade. He hopped down
from his perch and began to search his trouser pockets hastily.

--Scutter! he cried thickly.

He came over to the gunrest and, thrusting a hand into Stephen's upper
pocket, said:

--Lend us a loan of your noserag to wipe my razor.

Stephen suffered him to pull out and hold up on show by its corner a
dirty crumpled handkerchief. Buck Mulligan wiped the razorblade neatly.
Then, gazing over the handkerchief, he said:

--The bard's noserag! A new art colour for our Irish poets: snotgreen.
You can almost taste it, can't you?

He mounted to the parapet again and gazed out over Dublin bay, his fair
oakpale hair stirring slightly.

--God! he said quietly. Isn't the sea what Algy calls it: a grey
sweet mother? The snotgreen sea. The scrotumtightening sea. _Epi oinopa
ponton_. Ah, Dedalus, the Greeks! I must teach you. You must read them
in the original. _Thalatta! Thalatta_! She is our great sweet mother.
Come and look.

Stephen stood up and went over to the parapet. Leaning on it he looked
down on the water and on the mailboat clearing the harbourmouth of
Kingstown.

--Our mighty mother! Buck Mulligan said.

He turned abruptly his grey searching eyes from the sea to Stephen's
face.

--The aunt thinks you killed your mother, he said. That's why she won't
let me have anything to do with you.

--Someone killed her, Stephen said gloomily.

--You could have knelt down, damn it, Kinch, when your dying mother
asked you, Buck Mulligan said. I'm hyperborean as much as you. But to
think of your mother begging you with her last breath to kneel down and
pray for her. And you refused. There is something sinister in you...

He broke off and lathered again lightly his farther cheek. A tolerant
smile curled his lips.

--But a lovely mummer! he murmured to himself. Kinch, the loveliest
mummer of them all!

He shaved evenly and with care, in silence, seriously.

Stephen, an elbow rested on the jagged granite, leaned his palm against
his brow and gazed at the fraying edge of his shiny black coat-sleeve.
Pain, that was not yet the pain of love, fretted his heart. Silently, in
a dream she had come to him after her death, her wasted body within its
loose brown graveclothes giving off an odour of wax and rosewood, her
breath, that had bent upon him, mute, reproachful, a faint odour of
wetted ashes. Across the threadbare cuffedge he saw the sea hailed as a
great sweet mother by the wellfed voice beside him. The ring of bay
and skyline held a dull green mass of liquid. A bowl of white china had
stood beside her deathbed holding the green sluggish bile which she had
torn up from her rotting liver by fits of loud groaning vomiting.

Buck Mulligan wiped again his razorblade.

--Ah, poor dogsbody! he said in a kind voice. I must give you a shirt
and a few noserags. How are the secondhand breeks?

--They fit well enough, Stephen answered.

Buck Mulligan attacked the hollow beneath his underlip.

--The mockery of it, he said contentedly. Secondleg they should be. God
knows what poxy bowsy left them off. I have a lovely pair with a hair
stripe, grey. You'll look spiffing in them. I'm not joking, Kinch. You
look damn well when you're dressed.

--Thanks, Stephen said. I can't wear them if they are grey.

--He can't wear them, Buck Mulligan told his face in the mirror.
Etiquette is etiquette. He kills his mother but he can't wear grey
trousers.

He folded his razor neatly and with stroking palps of fingers felt the
smooth skin.

Stephen turned his gaze from the sea and to the plump face with its
smokeblue mobile eyes.

--That fellow I was with in the Ship last night, said Buck Mulligan,
says you have g.p.i. He's up in Dottyville with Connolly Norman. General
paralysis of the insane!

He swept the mirror a half circle in the air to flash the tidings abroad
in sunlight now radiant on the sea. His curling shaven lips laughed and
the edges of his white glittering teeth. Laughter seized all his strong
wellknit trunk.

--Look at yourself, he said, you dreadful bard!

Stephen bent forward and peered at the mirror held out to him, cleft by
a crooked crack. Hair on end. As he and others see me. Who chose this
face for me? This dogsbody to rid of vermin. It asks me too.

--I pinched it out of the skivvy's room, Buck Mulligan said. It does her
all right. The aunt always keeps plainlooking servants for Malachi. Lead
him not into temptation. And her name is Ursula.

Laughing again, he brought the mirror away from Stephen's peering eyes.

--The rage of Caliban at not seeing his face in a mirror, he said. If
Wilde were only alive to see you!

Drawing back and pointing, Stephen said with bitterness:

--It is a symbol of Irish art. The cracked looking-glass of a servant.

Buck Mulligan suddenly linked his arm in Stephen's and walked with him
round the tower, his razor and mirror clacking in the pocket where he
had thrust them.

--It's not fair to tease you like that, Kinch, is it? he said kindly.
God knows you have more spirit than any of them.

Parried again. He fears the lancet of my art as I fear that of his. The
cold steelpen.

--Cracked lookingglass of a servant! Tell that to the oxy chap
downstairs and touch him for a guinea. He's stinking with money and
thinks you're not a gentleman. His old fellow made his tin by selling
jalap to Zulus or some bloody swindle or other. God, Kinch, if you and I
could only work together we might do something for the island. Hellenise
it.

Cranly's arm. His arm.

--And to think of your having to beg from these swine. I'm the only one
that knows what you are. Why don't you trust me more? What have you
up your nose against me? Is it Haines? If he makes any noise here I'll
bring down Seymour and we'll give him a ragging worse than they gave
Clive Kempthorpe.

Young shouts of moneyed voices in Clive Kempthorpe's rooms. Palefaces:
they hold their ribs with laughter, one clasping another. O, I shall
expire! Break the news to her gently, Aubrey! I shall die! With slit
ribbons of his shirt whipping the air he hops and hobbles round the
table, with trousers down at heels, chased by Ades of Magdalen with the
tailor's shears. A scared calf's face gilded with marmalade. I don't
want to be debagged! Don't you play the giddy ox with me!

Shouts from the open window startling evening in the quadrangle. A deaf
gardener, aproned, masked with Matthew Arnold's face, pushes his mower
on the sombre lawn watching narrowly the dancing motes of grasshalms.

To ourselves... new paganism... omphalos.

--Let him stay, Stephen said. There's nothing wrong with him except at
night.

--Then what is it? Buck Mulligan asked impatiently. Cough it up. I'm
quite frank with you. What have you against me now?

They halted, looking towards the blunt cape of Bray Head that lay on the
water like the snout of a sleeping whale. Stephen freed his arm quietly.

--Do you wish me to tell you? he asked.

--Yes, what is it? Buck Mulligan answered. I don't remember anything.

He looked in Stephen's face as he spoke. A light wind passed his brow,
fanning softly his fair uncombed hair and stirring silver points of
anxiety in his eyes.

Stephen, depressed by his own voice, said:

--Do you remember the first day I went to your house after my mother's
death?

Buck Mulligan frowned quickly and said:

--What? Where? I can't remember anything. I remember only ideas and
sensations. Why? What happened in the name of God?

--You were making tea, Stephen said, and went across the landing to
get more hot water. Your mother and some visitor came out of the
drawingroom. She asked you who was in your room.

--Yes? Buck Mulligan said. What did I say? I forget.

--You said, Stephen answered, _O, it's only Dedalus whose mother is
beastly dead._

A flush which made him seem younger and more engaging rose to Buck
Mulligan's cheek.

--Did I say that? he asked. Well? What harm is that?

He shook his constraint from him nervously.

--And what is death, he asked, your mother's or yours or my own? You
saw only your mother die. I see them pop off every day in the Mater and
Richmond and cut up into tripes in the dissectingroom. It's a beastly
thing and nothing else. It simply doesn't matter. You wouldn't kneel
down to pray for your mother on her deathbed when she asked you. Why?
Because you have the cursed jesuit strain in you, only it's injected the
wrong way. To me it's all a mockery and beastly. Her cerebral lobes
are not functioning. She calls the doctor sir Peter Teazle and picks
buttercups off the quilt. Humour her till it's over. You crossed her
last wish in death and yet you sulk with me because I don't whinge like
some hired mute from Lalouette's. Absurd! I suppose I did say it. I
didn't mean to offend the memory of your mother.

He had spoken himself into boldness. Stephen, shielding the gaping
wounds which the words had left in his heart, said very coldly:

--I am not thinking of the offence to my mother.

--Of what then? Buck Mulligan asked.

--Of the offence to me, Stephen answered.

Buck Mulligan swung round on his heel.

--O, an impossible person! he exclaimed.

He walked off quickly round the parapet. Stephen stood at his post,
gazing over the calm sea towards the headland. Sea and headland now grew
dim. Pulses were beating in his eyes, veiling their sight, and he felt
the fever of his cheeks.

A voice within the tower called loudly:

--Are you up there, Mulligan?

--I'm coming, Buck Mulligan answered.

He turned towards Stephen and said:

--Look at the sea. What does it care about offences? Chuck Loyola,
Kinch, and come on down. The Sassenach wants his morning rashers.

His head halted again for a moment at the top of the staircase, level
with the roof:

--Don't mope over it all day, he said. I'm inconsequent. Give up the
moody brooding.

His head vanished but the drone of his descending voice boomed out of
the stairhead:

     _And no more turn aside and brood
     Upon love's bitter mystery
     For Fergus rules the brazen cars._


Woodshadows floated silently by through the morning peace from the
stairhead seaward where he gazed. Inshore and farther out the mirror of
water whitened, spurned by lightshod hurrying feet. White breast of
the dim sea. The twining stresses, two by two. A hand plucking the
harpstrings, merging their twining chords. Wavewhite wedded words
shimmering on the dim tide.

A cloud began to cover the sun slowly, wholly, shadowing the bay in
deeper green. It lay beneath him, a bowl of bitter waters. Fergus' song:
I sang it alone in the house, holding down the long dark chords. Her
door was open: she wanted to hear my music. Silent with awe and pity
I went to her bedside. She was crying in her wretched bed. For those
words, Stephen: love's bitter mystery.

Where now?

Her secrets: old featherfans, tasselled dancecards, powdered with musk,
a gaud of amber beads in her locked drawer. A birdcage hung in the sunny
window of her house when she was a girl. She heard old Royce sing in the
pantomime of Turko the Terrible and laughed with others when he sang:

     _I am the boy
     That can enjoy
     Invisibility._


Phantasmal mirth, folded away: muskperfumed.

_And no more turn aside and brood._


Folded away in the memory of nature with her toys. Memories beset his
brooding brain. Her glass of water from the kitchen tap when she had
approached the sacrament. A cored apple, filled with brown sugar,
roasting for her at the hob on a dark autumn evening. Her shapely
fingernails reddened by the blood of squashed lice from the children's
shirts.

In a dream, silently, she had come to him, her wasted body within its
loose graveclothes giving off an odour of wax and rosewood, her breath,
bent over him with mute secret words, a faint odour of wetted ashes.

Her glazing eyes, staring out of death, to shake and bend my soul. On me
alone. The ghostcandle to light her agony. Ghostly light on the tortured
face. Her hoarse loud breath rattling in horror, while all prayed on
their knees. Her eyes on me to strike me down. _Liliata rutilantium te
confessorum turma circumdet: iubilantium te virginum chorus excipiat._

Ghoul! Chewer of corpses!

No, mother! Let me be and let me live.

--Kinch ahoy!

Buck Mulligan's voice sang from within the tower. It came nearer up the
staircase, calling again. Stephen, still trembling at his soul's cry,
heard warm running sunlight and in the air behind him friendly words.

--Dedalus, come down, like a good mosey. Breakfast is ready. Haines is
apologising for waking us last night. It's all right.

--I'm coming, Stephen said, turning.

--Do, for Jesus' sake, Buck Mulligan said. For my sake and for all our
sakes.

His head disappeared and reappeared.

--I told him your symbol of Irish art. He says it's very clever. Touch
him for a quid, will you? A guinea, I mean.

--I get paid this morning, Stephen said.

--The school kip? Buck Mulligan said. How much? Four quid? Lend us one.

--If you want it, Stephen said.

--Four shining sovereigns, Buck Mulligan cried with delight. We'll
have a glorious drunk to astonish the druidy druids. Four omnipotent
sovereigns.

He flung up his hands and tramped down the stone stairs, singing out of
tune with a Cockney accent:

     _O, won't we have a merry time,
     Drinking whisky, beer and wine!
     On coronation,
     Coronation day!
     O, won't we have a merry time
     On coronation day!_


Warm sunshine merrying over the sea. The nickel shavingbowl shone,
forgotten, on the parapet. Why should I bring it down? Or leave it there
all day, forgotten friendship?

He went over to it, held it in his hands awhile, feeling its coolness,
smelling the clammy slaver of the lather in which the brush was stuck.
So I carried the boat of incense then at Clongowes. I am another now and
yet the same. A servant too. A server of a servant.

In the gloomy domed livingroom of the tower Buck Mulligan's gowned form
moved briskly to and fro about the hearth, hiding and revealing its
yellow glow. Two shafts of soft daylight fell across the flagged floor
from the high barbacans: and at the meeting of their rays a cloud of
coalsmoke and fumes of fried grease floated, turning.

--We'll be choked, Buck Mulligan said. Haines, open that door, will you?

Stephen laid the shavingbowl on the locker. A tall figure rose from the
hammock where it had been sitting, went to the doorway and pulled open
the inner doors.

--Have you the key? a voice asked.

--Dedalus has it, Buck Mulligan said. Janey Mack, I'm choked!

He howled, without looking up from the fire:

--Kinch!

--It's in the lock, Stephen said, coming forward.

The key scraped round harshly twice and, when the heavy door had been
set ajar, welcome light and bright air entered. Haines stood at the
doorway, looking out. Stephen haled his upended valise to the table and
sat down to wait. Buck Mulligan tossed the fry on to the dish beside
him. Then he carried the dish and a large teapot over to the table, set
them down heavily and sighed with relief.

--I'm melting, he said, as the candle remarked when... But, hush! Not a
word more on that subject! Kinch, wake up! Bread, butter, honey. Haines,
come in. The grub is ready. Bless us, O Lord, and these thy gifts.
Where's the sugar? O, jay, there's no milk.

Stephen fetched the loaf and the pot of honey and the buttercooler from
the locker. Buck Mulligan sat down in a sudden pet.

--What sort of a kip is this? he said. I told her to come after eight.

--We can drink it black, Stephen said thirstily. There's a lemon in the
locker.

--O, damn you and your Paris fads! Buck Mulligan said. I want Sandycove
milk.

Haines came in from the doorway and said quietly:

--That woman is coming up with the milk.

--The blessings of God on you! Buck Mulligan cried, jumping up from his
chair. Sit down. Pour out the tea there. The sugar is in the bag. Here,
I can't go fumbling at the damned eggs.

He hacked through the fry on the dish and slapped it out on three
plates, saying:

--_In nomine Patris et Filii et Spiritus Sancti._

Haines sat down to pour out the tea.

--I'm giving you two lumps each, he said. But, I say, Mulligan, you do
make strong tea, don't you?

Buck Mulligan, hewing thick slices from the loaf, said in an old woman's
wheedling voice:

--When I makes tea I makes tea, as old mother Grogan said. And when I
makes water I makes water.

--By Jove, it is tea, Haines said.

Buck Mulligan went on hewing and wheedling:

--_So I do, Mrs Cahill,_ says she. _Begob, ma'am,_ says Mrs Cahill, _God
send you don't make them in the one pot._

He lunged towards his messmates in turn a thick slice of bread, impaled
on his knife.

--That's folk, he said very earnestly, for your book, Haines. Five
lines of text and ten pages of notes about the folk and the fishgods of
Dundrum. Printed by the weird sisters in the year of the big wind.

He turned to Stephen and asked in a fine puzzled voice, lifting his
brows:

--Can you recall, brother, is mother Grogan's tea and water pot spoken
of in the Mabinogion or is it in the Upanishads?

--I doubt it, said Stephen gravely.

--Do you now? Buck Mulligan said in the same tone. Your reasons, pray?

--I fancy, Stephen said as he ate, it did not exist in or out of the
Mabinogion. Mother Grogan was, one imagines, a kinswoman of Mary Ann.

Buck Mulligan's face smiled with delight.

--Charming! he said in a finical sweet voice, showing his white teeth
and blinking his eyes pleasantly. Do you think she was? Quite charming!

Then, suddenly overclouding all his features, he growled in a hoarsened
rasping voice as he hewed again vigorously at the loaf:

     _--For old Mary Ann
     She doesn't care a damn.
     But, hising up her petticoats..._


He crammed his mouth with fry and munched and droned.

The doorway was darkened by an entering form.

--The milk, sir!

--Come in, ma'am, Mulligan said. Kinch, get the jug.

An old woman came forward and stood by Stephen's elbow.

--That's a lovely morning, sir, she said. Glory be to God.

--To whom? Mulligan said, glancing at her. Ah, to be sure!

Stephen reached back and took the milkjug from the locker.

--The islanders, Mulligan said to Haines casually, speak frequently of
the collector of prepuces.

--How much, sir? asked the old woman.

--A quart, Stephen said.

He watched her pour into the measure and thence into the jug rich white
milk, not hers. Old shrunken paps. She poured again a measureful and
a tilly. Old and secret she had entered from a morning world, maybe
a messenger. She praised the goodness of the milk, pouring it out.
Crouching by a patient cow at daybreak in the lush field, a witch on her
toadstool, her wrinkled fingers quick at the squirting dugs. They lowed
about her whom they knew, dewsilky cattle. Silk of the kine and poor old
woman, names given her in old times. A wandering crone, lowly form of
an immortal serving her conqueror and her gay betrayer, their common
cuckquean, a messenger from the secret morning. To serve or to upbraid,
whether he could not tell: but scorned to beg her favour.

--It is indeed, ma'am, Buck Mulligan said, pouring milk into their cups.

--Taste it, sir, she said.

He drank at her bidding.

--If we could live on good food like that, he said to her somewhat
loudly, we wouldn't have the country full of rotten teeth and rotten
guts. Living in a bogswamp, eating cheap food and the streets paved with
dust, horsedung and consumptives' spits.

--Are you a medical student, sir? the old woman asked.

--I am, ma'am, Buck Mulligan answered.

--Look at that now, she said.

Stephen listened in scornful silence. She bows her old head to a voice
that speaks to her loudly, her bonesetter, her medicineman: me she
slights. To the voice that will shrive and oil for the grave all there
is of her but her woman's unclean loins, of man's flesh made not in
God's likeness, the serpent's prey. And to the loud voice that now bids
her be silent with wondering unsteady eyes.

--Do you understand what he says? Stephen asked her.

--Is it French you are talking, sir? the old woman said to Haines.

Haines spoke to her again a longer speech, confidently.

--Irish, Buck Mulligan said. Is there Gaelic on you?

--I thought it was Irish, she said, by the sound of it. Are you from the
west, sir?

--I am an Englishman, Haines answered.

--He's English, Buck Mulligan said, and he thinks we ought to speak
Irish in Ireland.

--Sure we ought to, the old woman said, and I'm ashamed I don't speak
the language myself. I'm told it's a grand language by them that knows.

--Grand is no name for it, said Buck Mulligan. Wonderful entirely. Fill
us out some more tea, Kinch. Would you like a cup, ma'am?

--No, thank you, sir, the old woman said, slipping the ring of the
milkcan on her forearm and about to go.

Haines said to her:

--Have you your bill? We had better pay her, Mulligan, hadn't we?

Stephen filled again the three cups.

--Bill, sir? she said, halting. Well, it's seven mornings a pint at
twopence is seven twos is a shilling and twopence over and these three
mornings a quart at fourpence is three quarts is a shilling. That's a
shilling and one and two is two and two, sir.

Buck Mulligan sighed and, having filled his mouth with a crust thickly
buttered on both sides, stretched forth his legs and began to search his
trouser pockets.

--Pay up and look pleasant, Haines said to him, smiling.

Stephen filled a third cup, a spoonful of tea colouring faintly the
thick rich milk. Buck Mulligan brought up a florin, twisted it round in
his fingers and cried:

--A miracle!

He passed it along the table towards the old woman, saying:

--Ask nothing more of me, sweet. All I can give you I give.

Stephen laid the coin in her uneager hand.

--We'll owe twopence, he said.

--Time enough, sir, she said, taking the coin. Time enough. Good
morning, sir.

She curtseyed and went out, followed by Buck Mulligan's tender chant:

     _--Heart of my heart, were it more,
     More would be laid at your feet._


He turned to Stephen and said:

--Seriously, Dedalus. I'm stony. Hurry out to your school kip and bring
us back some money. Today the bards must drink and junket. Ireland
expects that every man this day will do his duty.

--That reminds me, Haines said, rising, that I have to visit your
national library today.

--Our swim first, Buck Mulligan said.

He turned to Stephen and asked blandly:

--Is this the day for your monthly wash, Kinch?

Then he said to Haines:

--The unclean bard makes a point of washing once a month.

--All Ireland is washed by the gulfstream, Stephen said as he let honey
trickle over a slice of the loaf.

Haines from the corner where he was knotting easily a scarf about the
loose collar of his tennis shirt spoke:

--I intend to make a collection of your sayings if you will let me.

Speaking to me. They wash and tub and scrub. Agenbite of inwit.
Conscience. Yet here's a spot.

--That one about the cracked lookingglass of a servant being the symbol
of Irish art is deuced good.

Buck Mulligan kicked Stephen's foot under the table and said with warmth
of tone:

--Wait till you hear him on Hamlet, Haines.

--Well, I mean it, Haines said, still speaking to Stephen. I was just
thinking of it when that poor old creature came in.

--Would I make any money by it? Stephen asked.

Haines laughed and, as he took his soft grey hat from the holdfast of
the hammock, said:

--I don't know, I'm sure.

He strolled out to the doorway. Buck Mulligan bent across to Stephen and
said with coarse vigour:

--You put your hoof in it now. What did you say that for?

--Well? Stephen said. The problem is to get money. From whom? From the
milkwoman or from him. It's a toss up, I think.

--I blow him out about you, Buck Mulligan said, and then you come along
with your lousy leer and your gloomy jesuit jibes.

--I see little hope, Stephen said, from her or from him.

Buck Mulligan sighed tragically and laid his hand on Stephen's arm.

--From me, Kinch, he said.

In a suddenly changed tone he added:

--To tell you the God's truth I think you're right. Damn all else they
are good for. Why don't you play them as I do? To hell with them all.
Let us get out of the kip.

He stood up, gravely ungirdled and disrobed himself of his gown, saying
resignedly:

--Mulligan is stripped of his garments.

He emptied his pockets on to the table.

--There's your snotrag, he said.

And putting on his stiff collar and rebellious tie he spoke to them,
chiding them, and to his dangling watchchain. His hands plunged and
rummaged in his trunk while he called for a clean handkerchief. God,
we'll simply have to dress the character. I want puce gloves and
green boots. Contradiction. Do I contradict myself? Very well then, I
contradict myself. Mercurial Malachi. A limp black missile flew out of
his talking hands.

--And there's your Latin quarter hat, he said.

Stephen picked it up and put it on. Haines called to them from the
doorway:

--Are you coming, you fellows?

--I'm ready, Buck Mulligan answered, going towards the door. Come out,
Kinch. You have eaten all we left, I suppose. Resigned he passed out
with grave words and gait, saying, wellnigh with sorrow:

--And going forth he met Butterly.

Stephen, taking his ashplant from its leaningplace, followed them out
and, as they went down the ladder, pulled to the slow iron door and
locked it. He put the huge key in his inner pocket.

At the foot of the ladder Buck Mulligan asked:

--Did you bring the key?

--I have it, Stephen said, preceding them.

He walked on. Behind him he heard Buck Mulligan club with his heavy
bathtowel the leader shoots of ferns or grasses.

--Down, sir! How dare you, sir!

Haines asked:

--Do you pay rent for this tower?

--Twelve quid, Buck Mulligan said.

--To the secretary of state for war, Stephen added over his shoulder.

They halted while Haines surveyed the tower and said at last:

--Rather bleak in wintertime, I should say. Martello you call it?

--Billy Pitt had them built, Buck Mulligan said, when the French were on
the sea. But ours is the _omphalos_.

--What is your idea of Hamlet? Haines asked Stephen.

--No, no, Buck Mulligan shouted in pain. I'm not equal to Thomas Aquinas
and the fiftyfive reasons he has made out to prop it up. Wait till I
have a few pints in me first.

He turned to Stephen, saying, as he pulled down neatly the peaks of his
primrose waistcoat:

--You couldn't manage it under three pints, Kinch, could you?

--It has waited so long, Stephen said listlessly, it can wait longer.

--You pique my curiosity, Haines said amiably. Is it some paradox?

--Pooh! Buck Mulligan said. We have grown out of Wilde and paradoxes.
It's quite simple. He proves by algebra that Hamlet's grandson is
Shakespeare's grandfather and that he himself is the ghost of his own
father.

--What? Haines said, beginning to point at Stephen. He himself?

Buck Mulligan slung his towel stolewise round his neck and, bending in
loose laughter, said to Stephen's ear:

--O, shade of Kinch the elder! Japhet in search of a father!

--We're always tired in the morning, Stephen said to Haines. And it is
rather long to tell.

Buck Mulligan, walking forward again, raised his hands.

--The sacred pint alone can unbind the tongue of Dedalus, he said.

--I mean to say, Haines explained to Stephen as they followed, this
tower and these cliffs here remind me somehow of Elsinore. _That beetles
o'er his base into the sea,_ isn't it?

Buck Mulligan turned suddenly for an instant towards Stephen but did
not speak. In the bright silent instant Stephen saw his own image in
cheap dusty mourning between their gay attires.

--It's a wonderful tale, Haines said, bringing them to halt again.

Eyes, pale as the sea the wind had freshened, paler, firm and prudent.
The seas' ruler, he gazed southward over the bay, empty save for the
smokeplume of the mailboat vague on the bright skyline and a sail
tacking by the Muglins.

--I read a theological interpretation of it somewhere, he said bemused.
The Father and the Son idea. The Son striving to be atoned with the
Father.

Buck Mulligan at once put on a blithe broadly smiling face. He looked
at them, his wellshaped mouth open happily, his eyes, from which he had
suddenly withdrawn all shrewd sense, blinking with mad gaiety. He moved
a doll's head to and fro, the brims of his Panama hat quivering, and
began to chant in a quiet happy foolish voice:

     _--I'm the queerest young fellow that ever you heard.
     My mother's a jew, my father's a bird.
     With Joseph the joiner I cannot agree.
     So here's to disciples and Calvary._


He held up a forefinger of warning.

     _--If anyone thinks that I amn't divine
     He'll get no free drinks when I'm making the wine
     But have to drink water and wish it were plain
     That i make when the wine becomes water again._


He tugged swiftly at Stephen's ashplant in farewell and, running forward
to a brow of the cliff, fluttered his hands at his sides like fins or
wings of one about to rise in the air, and chanted:

     _--Goodbye, now, goodbye! Write down all I said
     And tell Tom, Dick and Harry I rose from the dead.
     What's bred in the bone cannot fail me to fly
     And Olivet's breezy... Goodbye, now, goodbye!_


He capered before them down towards the fortyfoot hole, fluttering his
winglike hands, leaping nimbly, Mercury's hat quivering in the fresh
wind that bore back to them his brief birdsweet cries.

Haines, who had been laughing guardedly, walked on beside Stephen and
said:

--We oughtn't to laugh, I suppose. He's rather blasphemous. I'm not a
believer myself, that is to say. Still his gaiety takes the harm out of
it somehow, doesn't it? What did he call it? Joseph the Joiner?

--The ballad of joking Jesus, Stephen answered.

--O, Haines said, you have heard it before?

--Three times a day, after meals, Stephen said drily.

--You're not a believer, are you? Haines asked. I mean, a believer in
the narrow sense of the word. Creation from nothing and miracles and a
personal God.

--There's only one sense of the word, it seems to me, Stephen said.

Haines stopped to take out a smooth silver case in which twinkled a
green stone. He sprang it open with his thumb and offered it.

--Thank you, Stephen said, taking a cigarette.

Haines helped himself and snapped the case to. He put it back in his
sidepocket and took from his waistcoatpocket a nickel tinderbox, sprang
it open too, and, having lit his cigarette, held the flaming spunk
towards Stephen in the shell of his hands.

--Yes, of course, he said, as they went on again. Either you believe
or you don't, isn't it? Personally I couldn't stomach that idea of a
personal God. You don't stand for that, I suppose?

--You behold in me, Stephen said with grim displeasure, a horrible
example of free thought.

He walked on, waiting to be spoken to, trailing his ashplant by his
side. Its ferrule followed lightly on the path, squealing at his heels.
My familiar, after me, calling, Steeeeeeeeeeeephen! A wavering line
along the path. They will walk on it tonight, coming here in the dark.
He wants that key. It is mine. I paid the rent. Now I eat his salt
bread. Give him the key too. All. He will ask for it. That was in his
eyes.

--After all, Haines began...

Stephen turned and saw that the cold gaze which had measured him was not
all unkind.

--After all, I should think you are able to free yourself. You are your
own master, it seems to me.

--I am a servant of two masters, Stephen said, an English and an
Italian.

--Italian? Haines said.

A crazy queen, old and jealous. Kneel down before me.

--And a third, Stephen said, there is who wants me for odd jobs.

--Italian? Haines said again. What do you mean?

--The imperial British state, Stephen answered, his colour rising, and
the holy Roman catholic and apostolic church.

Haines detached from his underlip some fibres of tobacco before he
spoke.

--I can quite understand that, he said calmly. An Irishman must think
like that, I daresay. We feel in England that we have treated you rather
unfairly. It seems history is to blame.

The proud potent titles clanged over Stephen's memory the triumph
of their brazen bells: _et unam sanctam catholicam et apostolicam
ecclesiam:_ the slow growth and change of rite and dogma like his own
rare thoughts, a chemistry of stars. Symbol of the apostles in the
mass for pope Marcellus, the voices blended, singing alone loud in
affirmation: and behind their chant the vigilant angel of the church
militant disarmed and menaced her heresiarchs. A horde of heresies
fleeing with mitres awry: Photius and the brood of mockers of
whom Mulligan was one, and Arius, warring his life long upon the
consubstantiality of the Son with the Father, and Valentine, spurning
Christ's terrene body, and the subtle African heresiarch Sabellius who
held that the Father was Himself His own Son. Words Mulligan had spoken
a moment since in mockery to the stranger. Idle mockery. The void
awaits surely all them that weave the wind: a menace, a disarming and a
worsting from those embattled angels of the church, Michael's host,
who defend her ever in the hour of conflict with their lances and their
shields.

Hear, hear! Prolonged applause. _Zut! Nom de Dieu!_

--Of course I'm a Britisher, Haines's voice said, and I feel as one. I
don't want to see my country fall into the hands of German jews either.
That's our national problem, I'm afraid, just now.

Two men stood at the verge of the cliff, watching: businessman, boatman.

--She's making for Bullock harbour.

The boatman nodded towards the north of the bay with some disdain.

--There's five fathoms out there, he said. It'll be swept up that way
when the tide comes in about one. It's nine days today.

The man that was drowned. A sail veering about the blank bay waiting
for a swollen bundle to bob up, roll over to the sun a puffy face,
saltwhite. Here I am.

They followed the winding path down to the creek. Buck Mulligan stood on
a stone, in shirtsleeves, his unclipped tie rippling over his shoulder.
A young man clinging to a spur of rock near him, moved slowly frogwise
his green legs in the deep jelly of the water.

--Is the brother with you, Malachi?

--Down in Westmeath. With the Bannons.

--Still there? I got a card from Bannon. Says he found a sweet young
thing down there. Photo girl he calls her.

--Snapshot, eh? Brief exposure.

Buck Mulligan sat down to unlace his boots. An elderly man shot up near
the spur of rock a blowing red face. He scrambled up by the stones,
water glistening on his pate and on its garland of grey hair, water
rilling over his chest and paunch and spilling jets out of his black
sagging loincloth.

Buck Mulligan made way for him to scramble past and, glancing at Haines
and Stephen, crossed himself piously with his thumbnail at brow and lips
and breastbone.

--Seymour's back in town, the young man said, grasping again his spur of
rock. Chucked medicine and going in for the army.

--Ah, go to God! Buck Mulligan said.

--Going over next week to stew. You know that red Carlisle girl, Lily?

--Yes.

--Spooning with him last night on the pier. The father is rotto with
money.

--Is she up the pole?

--Better ask Seymour that.

--Seymour a bleeding officer! Buck Mulligan said.

He nodded to himself as he drew off his trousers and stood up, saying
tritely:

--Redheaded women buck like goats.

He broke off in alarm, feeling his side under his flapping shirt.

--My twelfth rib is gone, he cried. I'm the _Uebermensch._ Toothless
Kinch and I, the supermen.

He struggled out of his shirt and flung it behind him to where his
clothes lay.

--Are you going in here, Malachi?

--Yes. Make room in the bed.

The young man shoved himself backward through the water and reached
the middle of the creek in two long clean strokes. Haines sat down on a
stone, smoking.

--Are you not coming in? Buck Mulligan asked.

--Later on, Haines said. Not on my breakfast.

Stephen turned away.

--I'm going, Mulligan, he said.

--Give us that key, Kinch, Buck Mulligan said, to keep my chemise flat.

Stephen handed him the key. Buck Mulligan laid it across his heaped
clothes.

--And twopence, he said, for a pint. Throw it there.

Stephen threw two pennies on the soft heap. Dressing, undressing. Buck
Mulligan erect, with joined hands before him, said solemnly:

--He who stealeth from the poor lendeth to the Lord. Thus spake
Zarathustra.

His plump body plunged.

--We'll see you again, Haines said, turning as Stephen walked up the
path and smiling at wild Irish.

Horn of a bull, hoof of a horse, smile of a Saxon.

--The Ship, Buck Mulligan cried. Half twelve.

--Good, Stephen said.

He walked along the upwardcurving path.

     _Liliata rutilantium.
     Turma circumdet.
     Iubilantium te virginum._


The priest's grey nimbus in a niche where he dressed discreetly. I will
not sleep here tonight. Home also I cannot go.

A voice, sweettoned and sustained, called to him from the sea. Turning
the curve he waved his hand. It called again. A sleek brown head, a
seal's, far out on the water, round.

Usurper.



--You, Cochrane, what city sent for him?

--Tarentum, sir.

--Very good. Well?

--There was a battle, sir.

--Very good. Where?

The boy's blank face asked the blank window.

Fabled by the daughters of memory. And yet it was in some way if not as
memory fabled it. A phrase, then, of impatience, thud of Blake's wings
of excess. I hear the ruin of all space, shattered glass and toppling
masonry, and time one livid final flame. What's left us then?

--I forget the place, sir. 279 B. C.

--Asculum, Stephen said, glancing at the name and date in the
gorescarred book.

--Yes, sir. And he said: _Another victory like that and we are done
for._

That phrase the world had remembered. A dull ease of the mind. From
a hill above a corpsestrewn plain a general speaking to his officers,
leaned upon his spear. Any general to any officers. They lend ear.

--You, Armstrong, Stephen said. What was the end of Pyrrhus?

--End of Pyrrhus, sir?

--I know, sir. Ask me, sir, Comyn said.

--Wait. You, Armstrong. Do you know anything about Pyrrhus?

A bag of figrolls lay snugly in Armstrong's satchel. He curled them
between his palms at whiles and swallowed them softly. Crumbs adhered to
the tissue of his lips. A sweetened boy's breath. Welloff people, proud
that their eldest son was in the navy. Vico road, Dalkey.

--Pyrrhus, sir? Pyrrhus, a pier.

All laughed. Mirthless high malicious laughter. Armstrong looked round
at his classmates, silly glee in profile. In a moment they will laugh
more loudly, aware of my lack of rule and of the fees their papas pay.

--Tell me now, Stephen said, poking the boy's shoulder with the book,
what is a pier.

--A pier, sir, Armstrong said. A thing out in the water. A kind of a
bridge. Kingstown pier, sir.

Some laughed again: mirthless but with meaning. Two in the back bench
whispered. Yes. They knew: had never learned nor ever been innocent.
All. With envy he watched their faces: Edith, Ethel, Gerty, Lily. Their
likes: their breaths, too, sweetened with tea and jam, their bracelets
tittering in the struggle.

--Kingstown pier, Stephen said. Yes, a disappointed bridge.

The words troubled their gaze.

--How, sir? Comyn asked. A bridge is across a river.

For Haines's chapbook. No-one here to hear. Tonight deftly amid wild
drink and talk, to pierce the polished mail of his mind. What then? A
jester at the court of his master, indulged and disesteemed, winning a
clement master's praise. Why had they chosen all that part? Not wholly
for the smooth caress. For them too history was a tale like any other
too often heard, their land a pawnshop.

Had Pyrrhus not fallen by a beldam's hand in Argos or Julius Caesar not
been knifed to death. They are not to be thought away. Time has
branded them and fettered they are lodged in the room of the infinite
possibilities they have ousted. But can those have been possible seeing
that they never were? Or was that only possible which came to pass?
Weave, weaver of the wind.

--Tell us a story, sir.

--O, do, sir. A ghoststory.

--Where do you begin in this? Stephen asked, opening another book.

-_-Weep no more,_ Comyn said.

--Go on then, Talbot.

--And the story, sir?

--After, Stephen said. Go on, Talbot.

A swarthy boy opened a book and propped it nimbly under the breastwork
of his satchel. He recited jerks of verse with odd glances at the text:

     _--Weep no more, woful shepherds, weep no more
     For Lycidas, your sorrow, is not dead,
     Sunk though he be beneath the watery floor..._


It must be a movement then, an actuality of the possible as possible.
Aristotle's phrase formed itself within the gabbled verses and floated
out into the studious silence of the library of Saint Genevieve where he
had read, sheltered from the sin of Paris, night by night. By his elbow
a delicate Siamese conned a handbook of strategy. Fed and feeding brains
about me: under glowlamps, impaled, with faintly beating feelers: and
in my mind's darkness a sloth of the underworld, reluctant, shy of
brightness, shifting her dragon scaly folds. Thought is the thought of
thought. Tranquil brightness. The soul is in a manner all that is: the
soul is the form of forms. Tranquility sudden, vast, candescent: form of
forms.

Talbot repeated:

     _--Through the dear might of Him that walked the waves,
     Through the dear might..._


--Turn over, Stephen said quietly. I don't see anything.

--What, sir? Talbot asked simply, bending forward.

His hand turned the page over. He leaned back and went on again, having
just remembered. Of him that walked the waves. Here also over these
craven hearts his shadow lies and on the scoffer's heart and lips and
on mine. It lies upon their eager faces who offered him a coin of the
tribute. To Caesar what is Caesar's, to God what is God's. A long
look from dark eyes, a riddling sentence to be woven and woven on the
church's looms. Ay.

     _Riddle me, riddle me, randy ro.
     My father gave me seeds to sow._


Talbot slid his closed book into his satchel.

--Have I heard all? Stephen asked.

--Yes, sir. Hockey at ten, sir.

--Half day, sir. Thursday.

--Who can answer a riddle? Stephen asked.

They bundled their books away, pencils clacking, pages rustling.
Crowding together they strapped and buckled their satchels, all gabbling
gaily:

--A riddle, sir? Ask me, sir.

--O, ask me, sir.

--A hard one, sir.

--This is the riddle, Stephen said:

     _The cock crew,
     The sky was blue:
     The bells in heaven
     Were striking eleven.
     'Tis time for this poor soul
     To go to heaven._


What is that?

--What, sir?

--Again, sir. We didn't hear.

Their eyes grew bigger as the lines were repeated. After a silence
Cochrane said:

--What is it, sir? We give it up.

Stephen, his throat itching, answered:

--The fox burying his grandmother under a hollybush.

He stood up and gave a shout of nervous laughter to which their cries
echoed dismay.

A stick struck the door and a voice in the corridor called:

--Hockey!

They broke asunder, sidling out of their benches, leaping them. Quickly
they were gone and from the lumberroom came the rattle of sticks and
clamour of their boots and tongues.

Sargent who alone had lingered came forward slowly, showing an open
copybook. His thick hair and scraggy neck gave witness of unreadiness
and through his misty glasses weak eyes looked up pleading. On his
cheek, dull and bloodless, a soft stain of ink lay, dateshaped, recent
and damp as a snail's bed.

He held out his copybook. The word _Sums_ was written on the headline.
Beneath were sloping figures and at the foot a crooked signature with
blind loops and a blot. Cyril Sargent: his name and seal.

--Mr Deasy told me to write them out all again, he said, and show them
to you, sir.

Stephen touched the edges of the book. Futility.

--Do you understand how to do them now? he asked.

--Numbers eleven to fifteen, Sargent answered. Mr Deasy said I was to
copy them off the board, sir.

--Can you do them yourself? Stephen asked.

--No, sir.

Ugly and futile: lean neck and thick hair and a stain of ink, a snail's
bed. Yet someone had loved him, borne him in her arms and in her heart.
But for her the race of the world would have trampled him underfoot,
a squashed boneless snail. She had loved his weak watery blood drained
from her own. Was that then real? The only true thing in life? His
mother's prostrate body the fiery Columbanus in holy zeal bestrode.
She was no more: the trembling skeleton of a twig burnt in the fire,
an odour of rosewood and wetted ashes. She had saved him from being
trampled underfoot and had gone, scarcely having been. A poor soul
gone to heaven: and on a heath beneath winking stars a fox, red reek
of rapine in his fur, with merciless bright eyes scraped in the earth,
listened, scraped up the earth, listened, scraped and scraped.

Sitting at his side Stephen solved out the problem. He proves by algebra
that Shakespeare's ghost is Hamlet's grandfather. Sargent peered askance
through his slanted glasses. Hockeysticks rattled in the lumberroom: the
hollow knock of a ball and calls from the field.

Across the page the symbols moved in grave morrice, in the mummery of
their letters, wearing quaint caps of squares and cubes. Give hands,
traverse, bow to partner: so: imps of fancy of the Moors. Gone too from
the world, Averroes and Moses Maimonides, dark men in mien and movement,
flashing in their mocking mirrors the obscure soul of the world, a
darkness shining in brightness which brightness could not comprehend.

--Do you understand now? Can you work the second for yourself?

--Yes, sir.

In long shaky strokes Sargent copied the data. Waiting always for a word
of help his hand moved faithfully the unsteady symbols, a faint hue of
shame flickering behind his dull skin. _Amor matris:_ subjective and
objective genitive. With her weak blood and wheysour milk she had fed
him and hid from sight of others his swaddling bands.

Like him was I, these sloping shoulders, this gracelessness. My
childhood bends beside me. Too far for me to lay a hand there once or
lightly. Mine is far and his secret as our eyes. Secrets, silent, stony
sit in the dark palaces of both our hearts: secrets weary of their
tyranny: tyrants, willing to be dethroned.

The sum was done.

--It is very simple, Stephen said as he stood up.

--Yes, sir. Thanks, Sargent answered.

He dried the page with a sheet of thin blottingpaper and carried his
copybook back to his bench.

--You had better get your stick and go out to the others, Stephen said
as he followed towards the door the boy's graceless form.

--Yes, sir.

In the corridor his name was heard, called from the playfield.

--Sargent!

--Run on, Stephen said. Mr Deasy is calling you.

He stood in the porch and watched the laggard hurry towards the scrappy
field where sharp voices were in strife. They were sorted in teams and
Mr Deasy came away stepping over wisps of grass with gaitered feet. When
he had reached the schoolhouse voices again contending called to him. He
turned his angry white moustache.

--What is it now? he cried continually without listening.

--Cochrane and Halliday are on the same side, sir, Stephen said.

--Will you wait in my study for a moment, Mr Deasy said, till I restore
order here.

And as he stepped fussily back across the field his old man's voice
cried sternly:

--What is the matter? What is it now?

Their sharp voices cried about him on all sides: their many forms closed
round him, the garish sunshine bleaching the honey of his illdyed head.

Stale smoky air hung in the study with the smell of drab abraded leather
of its chairs. As on the first day he bargained with me here. As it was
in the beginning, is now. On the sideboard the tray of Stuart coins,
base treasure of a bog: and ever shall be. And snug in their spooncase
of purple plush, faded, the twelve apostles having preached to all the
gentiles: world without end.

A hasty step over the stone porch and in the corridor. Blowing out his
rare moustache Mr Deasy halted at the table.

--First, our little financial settlement, he said.

He brought out of his coat a pocketbook bound by a leather thong. It
slapped open and he took from it two notes, one of joined halves, and
laid them carefully on the table.

--Two, he said, strapping and stowing his pocketbook away.

And now his strongroom for the gold. Stephen's embarrassed hand moved
over the shells heaped in the cold stone mortar: whelks and money
cowries and leopard shells: and this, whorled as an emir's turban, and
this, the scallop of saint James. An old pilgrim's hoard, dead treasure,
hollow shells.

A sovereign fell, bright and new, on the soft pile of the tablecloth.

--Three, Mr Deasy said, turning his little savingsbox about in his hand.
These are handy things to have. See. This is for sovereigns. This is for
shillings. Sixpences, halfcrowns. And here crowns. See.

He shot from it two crowns and two shillings.

--Three twelve, he said. I think you'll find that's right.

--Thank you, sir, Stephen said, gathering the money together with shy
haste and putting it all in a pocket of his trousers.

--No thanks at all, Mr Deasy said. You have earned it.

Stephen's hand, free again, went back to the hollow shells. Symbols too
of beauty and of power. A lump in my pocket: symbols soiled by greed and
misery.

--Don't carry it like that, Mr Deasy said. You'll pull it out somewhere
and lose it. You just buy one of these machines. You'll find them very
handy.

Answer something.

--Mine would be often empty, Stephen said.

The same room and hour, the same wisdom: and I the same. Three times
now. Three nooses round me here. Well? I can break them in this instant
if I will.

--Because you don't save, Mr Deasy said, pointing his finger. You don't
know yet what money is. Money is power. When you have lived as long as I
have. I know, I know. If youth but knew. But what does Shakespeare say?
_Put but money in thy purse._

--Iago, Stephen murmured.

He lifted his gaze from the idle shells to the old man's stare.

--He knew what money was, Mr Deasy said. He made money. A poet, yes, but
an Englishman too. Do you know what is the pride of the English? Do you
know what is the proudest word you will ever hear from an Englishman's
mouth?

The seas' ruler. His seacold eyes looked on the empty bay: it seems
history is to blame: on me and on my words, unhating.

--That on his empire, Stephen said, the sun never sets.

--Ba! Mr Deasy cried. That's not English. A French Celt said that. He
tapped his savingsbox against his thumbnail.

--I will tell you, he said solemnly, what is his proudest boast. _I paid
my way._

Good man, good man.

_--I paid my way. I never borrowed a shilling in my life._ Can you feel
that? _I owe nothing._ Can you?

Mulligan, nine pounds, three pairs of socks, one pair brogues, ties.
Curran, ten guineas. McCann, one guinea. Fred Ryan, two shillings.
Temple, two lunches. Russell, one guinea, Cousins, ten shillings, Bob
Reynolds, half a guinea, Koehler, three guineas, Mrs MacKernan, five
weeks' board. The lump I have is useless.

--For the moment, no, Stephen answered.

Mr Deasy laughed with rich delight, putting back his savingsbox.

--I knew you couldn't, he said joyously. But one day you must feel it.
We are a generous people but we must also be just.

--I fear those big words, Stephen said, which make us so unhappy.

Mr Deasy stared sternly for some moments over the mantelpiece at the
shapely bulk of a man in tartan filibegs: Albert Edward, prince of
Wales.

--You think me an old fogey and an old tory, his thoughtful voice said.
I saw three generations since O'Connell's time. I remember the famine in
'46. Do you know that the orange lodges agitated for repeal of the
union twenty years before O'Connell did or before the prelates of your
communion denounced him as a demagogue? You fenians forget some things.

Glorious, pious and immortal memory. The lodge of Diamond in Armagh the
splendid behung with corpses of papishes. Hoarse, masked and armed, the
planters' covenant. The black north and true blue bible. Croppies lie
down.

Stephen sketched a brief gesture.

--I have rebel blood in me too, Mr Deasy said. On the spindle side. But
I am descended from sir John Blackwood who voted for the union. We are
all Irish, all kings' sons.

--Alas, Stephen said.

--_Per vias rectas_, Mr Deasy said firmly, was his motto. He voted for
it and put on his topboots to ride to Dublin from the Ards of Down to do
so.

     _Lal the ral the ra
     The rocky road to Dublin._


A gruff squire on horseback with shiny topboots. Soft day, sir John!
Soft day, your honour!... Day!... Day!... Two topboots jog dangling
on to Dublin. Lal the ral the ra. Lal the ral the raddy.

--That reminds me, Mr Deasy said. You can do me a favour, Mr Dedalus,
with some of your literary friends. I have a letter here for the press.
Sit down a moment. I have just to copy the end.

He went to the desk near the window, pulled in his chair twice and read
off some words from the sheet on the drum of his typewriter.

--Sit down. Excuse me, he said over his shoulder, _the dictates of
common sense._ Just a moment.

He peered from under his shaggy brows at the manuscript by his elbow
and, muttering, began to prod the stiff buttons of the keyboard slowly,
sometimes blowing as he screwed up the drum to erase an error.

Stephen seated himself noiselessly before the princely presence. Framed
around the walls images of vanished horses stood in homage, their meek
heads poised in air: lord Hastings' Repulse, the duke of Westminster's
Shotover, the duke of Beaufort's Ceylon, _prix de Paris_, 1866. Elfin
riders sat them, watchful of a sign. He saw their speeds, backing king's
colours, and shouted with the shouts of vanished crowds.

--Full stop, Mr Deasy bade his keys. But prompt ventilation of this
allimportant question...

Where Cranly led me to get rich quick, hunting his winners among the
mudsplashed brakes, amid the bawls of bookies on their pitches and reek
of the canteen, over the motley slush. Fair Rebel! Fair Rebel! Even
money the favourite: ten to one the field. Dicers and thimbleriggers
we hurried by after the hoofs, the vying caps and jackets and past
the meatfaced woman, a butcher's dame, nuzzling thirstily her clove of
orange.

Shouts rang shrill from the boys' playfield and a whirring whistle.

Again: a goal. I am among them, among their battling bodies in a medley,
the joust of life. You mean that knockkneed mother's darling who seems
to be slightly crawsick? Jousts. Time shocked rebounds, shock by shock.
Jousts, slush and uproar of battles, the frozen deathspew of the slain,
a shout of spearspikes baited with men's bloodied guts.

--Now then, Mr Deasy said, rising.

He came to the table, pinning together his sheets. Stephen stood up.

--I have put the matter into a nutshell, Mr Deasy said. It's about
the foot and mouth disease. Just look through it. There can be no two
opinions on the matter.

May I trespass on your valuable space. That doctrine of _laissez faire_
which so often in our history. Our cattle trade. The way of all our old
industries. Liverpool ring which jockeyed the Galway harbour scheme.
European conflagration. Grain supplies through the narrow waters of
the channel. The pluterperfect imperturbability of the department of
agriculture. Pardoned a classical allusion. Cassandra. By a woman who
was no better than she should be. To come to the point at issue.

--I don't mince words, do I? Mr Deasy asked as Stephen read on.

Foot and mouth disease. Known as Koch's preparation. Serum and virus.
Percentage of salted horses. Rinderpest. Emperor's horses at Murzsteg,
lower Austria. Veterinary surgeons. Mr Henry Blackwood Price. Courteous
offer a fair trial. Dictates of common sense. Allimportant question. In
every sense of the word take the bull by the horns. Thanking you for the
hospitality of your columns.

--I want that to be printed and read, Mr Deasy said. You will see at the
next outbreak they will put an embargo on Irish cattle. And it can
be cured. It is cured. My cousin, Blackwood Price, writes to me it is
regularly treated and cured in Austria by cattledoctors there. They
offer to come over here. I am trying to work up influence with
the department. Now I'm going to try publicity. I am surrounded by
difficulties, by... intrigues by... backstairs influence by...

He raised his forefinger and beat the air oldly before his voice spoke.

--Mark my words, Mr Dedalus, he said. England is in the hands of the
jews. In all the highest places: her finance, her press. And they are
the signs of a nation's decay. Wherever they gather they eat up the
nation's vital strength. I have seen it coming these years. As sure
as we are standing here the jew merchants are already at their work of
destruction. Old England is dying.

He stepped swiftly off, his eyes coming to blue life as they passed a
broad sunbeam. He faced about and back again.

--Dying, he said again, if not dead by now.

     _The harlot's cry from street to street
     Shall weave old England's windingsheet._


His eyes open wide in vision stared sternly across the sunbeam in which
he halted.

--A merchant, Stephen said, is one who buys cheap and sells dear, jew or
gentile, is he not?

--They sinned against the light, Mr Deasy said gravely. And you can see
the darkness in their eyes. And that is why they are wanderers on the
earth to this day.

On the steps of the Paris stock exchange the goldskinned men quoting
prices on their gemmed fingers. Gabble of geese. They swarmed loud,
uncouth about the temple, their heads thickplotting under maladroit silk
hats. Not theirs: these clothes, this speech, these gestures. Their full
slow eyes belied the words, the gestures eager and unoffending, but
knew the rancours massed about them and knew their zeal was vain. Vain
patience to heap and hoard. Time surely would scatter all. A hoard
heaped by the roadside: plundered and passing on. Their eyes knew their
years of wandering and, patient, knew the dishonours of their flesh.

--Who has not? Stephen said.

--What do you mean? Mr Deasy asked.

He came forward a pace and stood by the table. His underjaw fell
sideways open uncertainly. Is this old wisdom? He waits to hear from me.

--History, Stephen said, is a nightmare from which I am trying to awake.

From the playfield the boys raised a shout. A whirring whistle: goal.
What if that nightmare gave you a back kick?

--The ways of the Creator are not our ways, Mr Deasy said. All human
history moves towards one great goal, the manifestation of God.

Stephen jerked his thumb towards the window, saying:

--That is God.

Hooray! Ay! Whrrwhee!

--What? Mr Deasy asked.

--A shout in the street, Stephen answered, shrugging his shoulders.

Mr Deasy looked down and held for awhile the wings of his nose tweaked
between his fingers. Looking up again he set them free.

--I am happier than you are, he said. We have committed many errors and
many sins. A woman brought sin into the world. For a woman who was no
better than she should be, Helen, the runaway wife of Menelaus, ten
years the Greeks made war on Troy. A faithless wife first brought the
strangers to our shore here, MacMurrough's wife and her leman, O'Rourke,
prince of Breffni. A woman too brought Parnell low. Many errors, many
failures but not the one sin. I am a struggler now at the end of my
days. But I will fight for the right till the end.

     _For Ulster will fight
     And Ulster will be right._


Stephen raised the sheets in his hand.

--Well, sir, he began...

--I foresee, Mr Deasy said, that you will not remain here very long
at this work. You were not born to be a teacher, I think. Perhaps I am
wrong.

--A learner rather, Stephen said.

And here what will you learn more?

Mr Deasy shook his head.

--Who knows? he said. To learn one must be humble. But life is the great
teacher.

Stephen rustled the sheets again.

--As regards these, he began.

--Yes, Mr Deasy said. You have two copies there. If you can have them
published at once.

_ Telegraph. Irish Homestead._

--I will try, Stephen said, and let you know tomorrow. I know two
editors slightly.

--That will do, Mr Deasy said briskly. I wrote last night to Mr Field,
M.P. There is a meeting of the cattletraders' association today at the
City Arms hotel. I asked him to lay my letter before the meeting. You
see if you can get it into your two papers. What are they?

_--The Evening Telegraph..._

--That will do, Mr Deasy said. There is no time to lose. Now I have to
answer that letter from my cousin.

--Good morning, sir, Stephen said, putting the sheets in his pocket.
Thank you.

--Not at all, Mr Deasy said as he searched the papers on his desk. I
like to break a lance with you, old as I am.

--Good morning, sir, Stephen said again, bowing to his bent back.

He went out by the open porch and down the gravel path under the trees,
hearing the cries of voices and crack of sticks from the playfield.
The lions couchant on the pillars as he passed out through the gate:
toothless terrors. Still I will help him in his fight. Mulligan will dub
me a new name: the bullockbefriending bard.

--Mr Dedalus!

Running after me. No more letters, I hope.

--Just one moment.

--Yes, sir, Stephen said, turning back at the gate.

Mr Deasy halted, breathing hard and swallowing his breath.

--I just wanted to say, he said. Ireland, they say, has the honour of
being the only country which never persecuted the jews. Do you know
that? No. And do you know why?

He frowned sternly on the bright air.

--Why, sir? Stephen asked, beginning to smile.

--Because she never let them in, Mr Deasy said solemnly.

A coughball of laughter leaped from his throat dragging after it a
rattling chain of phlegm. He turned back quickly, coughing, laughing,
his lifted arms waving to the air.

--She never let them in, he cried again through his laughter as he
stamped on gaitered feet over the gravel of the path. That's why.

On his wise shoulders through the checkerwork of leaves the sun flung
spangles, dancing coins.


Ineluctable modality of the visible: at least that if no more, thought
through my eyes. Signatures of all things I am here to read, seaspawn
and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver,
rust: coloured signs. Limits of the diaphane. But he adds: in bodies.
Then he was aware of them bodies before of them coloured. How? By
knocking his sconce against them, sure. Go easy. Bald he was and a
millionaire, _maestro di color che sanno_. Limit of the diaphane in. Why
in? Diaphane, adiaphane. If you can put your five fingers through it it
is a gate, if not a door. Shut your eyes and see.


Stephen closed his eyes to hear his boots crush crackling wrack and
shells. You are walking through it howsomever. I am, a stride at a time.
A very short space of time through very short times of space. Five, six:
the _nacheinander_. Exactly: and that is the ineluctable modality of the
audible. Open your eyes. No. Jesus! If I fell over a cliff that beetles
o'er his base, fell through the _nebeneinander_ ineluctably! I am
getting on nicely in the dark. My ash sword hangs at my side. Tap with
it: they do. My two feet in his boots are at the ends of his legs,
_nebeneinander_. Sounds solid: made by the mallet of _Los Demiurgos_.
Am I walking into eternity along Sandymount strand? Crush, crack, crick,
crick. Wild sea money. Dominie Deasy kens them a'. Won't you come to
Sandymount, Madeline the mare?


Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: _deline the mare_.

Open your eyes now. I will. One moment. Has all vanished since? If I
open and am for ever in the black adiaphane. _Basta_! I will see if I
can see.

See now. There all the time without you: and ever shall be, world
without end.

They came down the steps from Leahy's terrace prudently, _Frauenzimmer_:
and down the shelving shore flabbily, their splayed feet sinking in
the silted sand. Like me, like Algy, coming down to our mighty mother.
Number one swung lourdily her midwife's bag, the other's gamp poked in
the beach. From the liberties, out for the day. Mrs Florence MacCabe,
relict of the late Patk MacCabe, deeply lamented, of Bride Street. One
of her sisterhood lugged me squealing into life. Creation from nothing.
What has she in the bag? A misbirth with a trailing navelcord, hushed
in ruddy wool. The cords of all link back, strandentwining cable of
all flesh. That is why mystic monks. Will you be as gods? Gaze in your
omphalos. Hello! Kinch here. Put me on to Edenville. Aleph, alpha:
nought, nought, one.

Spouse and helpmate of Adam Kadmon: Heva, naked Eve. She had no navel.
Gaze. Belly without blemish, bulging big, a buckler of taut vellum,
no, whiteheaped corn, orient and immortal, standing from everlasting to
everlasting. Womb of sin.

Wombed in sin darkness I was too, made not begotten. By them, the man
with my voice and my eyes and a ghostwoman with ashes on her breath.
They clasped and sundered, did the coupler's will. From before the ages
He willed me and now may not will me away or ever. A _lex eterna_ stays
about Him. Is that then the divine substance wherein Father and Son are
consubstantial? Where is poor dear Arius to try conclusions? Warring
his life long upon the contransmagnificandjewbangtantiality. Illstarred
heresiarch' In a Greek watercloset he breathed his last: euthanasia.
With beaded mitre and with crozier, stalled upon his throne, widower of
a widowed see, with upstiffed omophorion, with clotted hinderparts.

Airs romped round him, nipping and eager airs. They are coming, waves.
The whitemaned seahorses, champing, brightwindbridled, the steeds of
Mananaan.

I mustn't forget his letter for the press. And after? The Ship, half
twelve. By the way go easy with that money like a good young imbecile.

Yes, I must.

His pace slackened. Here. Am I going to aunt Sara's or not? My
consubstantial father's voice. Did you see anything of your artist
brother Stephen lately? No? Sure he's not down in Strasburg terrace with
his aunt Sally? Couldn't he fly a bit higher than that, eh? And and and
and tell us, Stephen, how is uncle Si? O, weeping God, the things I
married into! De boys up in de hayloft. The drunken little costdrawer
and his brother, the cornet player. Highly respectable gondoliers! And
skeweyed Walter sirring his father, no less! Sir. Yes, sir. No, sir.
Jesus wept: and no wonder, by Christ!

I pull the wheezy bell of their shuttered cottage: and wait. They take
me for a dun, peer out from a coign of vantage.

--It's Stephen, sir.

--Let him in. Let Stephen in.

A bolt drawn back and Walter welcomes me.

--We thought you were someone else.

In his broad bed nuncle Richie, pillowed and blanketed, extends over the
hillock of his knees a sturdy forearm. Cleanchested. He has washed the
upper moiety.

--Morrow, nephew.

He lays aside the lapboard whereon he drafts his bills of costs for
the eyes of master Goff and master Shapland Tandy, filing consents and
common searches and a writ of _Duces Tecum_. A bogoak frame over his
bald head: Wilde's _Requiescat_. The drone of his misleading whistle
brings Walter back.

--Yes, sir?

--Malt for Richie and Stephen, tell mother. Where is she?

--Bathing Crissie, sir.

Papa's little bedpal. Lump of love.

--No, uncle Richie...

--Call me Richie. Damn your lithia water. It lowers. Whusky!

--Uncle Richie, really...

--Sit down or by the law Harry I'll knock you down.

Walter squints vainly for a chair.

--He has nothing to sit down on, sir.

--He has nowhere to put it, you mug. Bring in our chippendale chair.
Would you like a bite of something? None of your damned lawdeedaw airs
here. The rich of a rasher fried with a herring? Sure? So much the
better. We have nothing in the house but backache pills.

_All'erta_!

He drones bars of Ferrando's _aria di sortita_. The grandest number,
Stephen, in the whole opera. Listen.

His tuneful whistle sounds again, finely shaded, with rushes of the air,
his fists bigdrumming on his padded knees.

This wind is sweeter.

Houses of decay, mine, his and all. You told the Clongowes gentry you
had an uncle a judge and an uncle a general in the army. Come out of
them, Stephen. Beauty is not there. Nor in the stagnant bay of Marsh's
library where you read the fading prophecies of Joachim Abbas. For whom?
The hundredheaded rabble of the cathedral close. A hater of his kind
ran from them to the wood of madness, his mane foaming in the moon,
his eyeballs stars. Houyhnhnm, horsenostrilled. The oval equine
faces, Temple, Buck Mulligan, Foxy Campbell, Lanternjaws. Abbas
father,--furious dean, what offence laid fire to their brains? Paff!
_Descende, calve, ut ne amplius decalveris_. A garland of grey hair
on his comminated head see him me clambering down to the footpace
(_descende_!), clutching a monstrance, basiliskeyed. Get down, baldpoll!
A choir gives back menace and echo, assisting about the altar's horns,
the snorted Latin of jackpriests moving burly in their albs, tonsured
and oiled and gelded, fat with the fat of kidneys of wheat.

And at the same instant perhaps a priest round the corner is elevating
it. Dringdring! And two streets off another locking it into a pyx.
Dringadring! And in a ladychapel another taking housel all to his own
cheek. Dringdring! Down, up, forward, back. Dan Occam thought of that,
invincible doctor. A misty English morning the imp hypostasis tickled
his brain. Bringing his host down and kneeling he heard twine with his
second bell the first bell in the transept (he is lifting his) and,
rising, heard (now I am lifting) their two bells (he is kneeling) twang
in diphthong.

Cousin Stephen, you will never be a saint. Isle of saints. You were
awfully holy, weren't you? You prayed to the Blessed Virgin that you
might not have a red nose. You prayed to the devil in Serpentine avenue
that the fubsy widow in front might lift her clothes still more from the
wet street. _O si, certo_! Sell your soul for that, do, dyed rags pinned
round a squaw. More tell me, more still!! On the top of the Howth tram
alone crying to the rain: Naked women! _naked women_! What about that,
eh?

What about what? What else were they invented for?

Reading two pages apiece of seven books every night, eh? I was young.
You bowed to yourself in the mirror, stepping forward to applause
earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one
saw: tell no-one. Books you were going to write with letters for titles.
Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful. O
yes, W. Remember your epiphanies written on green oval leaves, deeply
deep, copies to be sent if you died to all the great libraries of the
world, including Alexandria? Someone was to read them there after a few
thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very
like a whale. When one reads these strange pages of one long gone one
feels that one is at one with one who once...

The grainy sand had gone from under his feet. His boots trod again
a damp crackling mast, razorshells, squeaking pebbles, that on the
unnumbered pebbles beats, wood sieved by the shipworm, lost Armada.
Unwholesome sandflats waited to suck his treading soles, breathing
upward sewage breath, a pocket of seaweed smouldered in seafire under a
midden of man's ashes. He coasted them, walking warily. A porterbottle
stood up, stogged to its waist, in the cakey sand dough. A sentinel:
isle of dreadful thirst. Broken hoops on the shore; at the land a maze
of dark cunning nets; farther away chalkscrawled backdoors and on the
higher beach a dryingline with two crucified shirts. Ringsend: wigwams
of brown steersmen and master mariners. Human shells.

He halted. I have passed the way to aunt Sara's. Am I not going there?
Seems not. No-one about. He turned northeast and crossed the firmer sand
towards the Pigeonhouse.

_--Qui vous a mis dans cette fichue position?_

_--c'est le pigeon, Joseph._

Patrice, home on furlough, lapped warm milk with me in the bar MacMahon.
Son of the wild goose, Kevin Egan of Paris. My father's a bird, he
lapped the sweet _lait chaud_ with pink young tongue, plump bunny's
face. Lap, _lapin._ He hopes to win in the _gros lots_. About the nature
of women he read in Michelet. But he must send me _La Vie de Jesus_ by
M. Leo Taxil. Lent it to his friend.

_--C'est tordant, vous savez. Moi, je suis socialiste. Je ne crois pas
en l'existence de Dieu. Faut pas le dire a mon p-re._

_--Il croit?_

_--Mon pere, oui._

_Schluss_. He laps.

My Latin quarter hat. God, we simply must dress the character. I want
puce gloves. You were a student, weren't you? Of what in the other
devil's name? Paysayenn. P. C. N., you know: _physiques, chimiques et
naturelles_. Aha. Eating your groatsworth of _mou en civet_, fleshpots
of Egypt, elbowed by belching cabmen. Just say in the most natural
tone: when I was in Paris; _boul' Mich'_, I used to. Yes, used to
carry punched tickets to prove an alibi if they arrested you for murder
somewhere. Justice. On the night of the seventeenth of February 1904 the
prisoner was seen by two witnesses. Other fellow did it: other me.
Hat, tie, overcoat, nose. _Lui, c'est moi_. You seem to have enjoyed
yourself.

Proudly walking. Whom were you trying to walk like? Forget: a
dispossessed. With mother's money order, eight shillings, the banging
door of the post office slammed in your face by the usher. Hunger
toothache. _Encore deux minutes_. Look clock. Must get. _Ferme_. Hired
dog! Shoot him to bloody bits with a bang shotgun, bits man spattered
walls all brass buttons. Bits all khrrrrklak in place clack back. Not
hurt? O, that's all right. Shake hands. See what I meant, see? O, that's
all right. Shake a shake. O, that's all only all right.

You were going to do wonders, what? Missionary to Europe after fiery
Columbanus. Fiacre and Scotus on their creepystools in heaven spilt from
their pintpots, loudlatinlaughing: _Euge! Euge_! Pretending to speak
broken English as you dragged your valise, porter threepence, across
the slimy pier at Newhaven. _Comment?_ Rich booty you brought back; _Le
Tutu_, five tattered numbers of _Pantalon Blanc et Culotte Rouge_; a
blue French telegram, curiosity to show:

--Mother dying come home father.

The aunt thinks you killed your mother. That's why she won't.

     _Then here's a health to Mulligan's aunt
     And I'll tell you the reason why.
     She always kept things decent in
     The Hannigan famileye._


His feet marched in sudden proud rhythm over the sand furrows, along by
the boulders of the south wall. He stared at them proudly, piled stone
mammoth skulls. Gold light on sea, on sand, on boulders. The sun is
there, the slender trees, the lemon houses.

Paris rawly waking, crude sunlight on her lemon streets. Moist pith of
farls of bread, the froggreen wormwood, her matin incense, court
the air. Belluomo rises from the bed of his wife's lover's wife, the
kerchiefed housewife is astir, a saucer of acetic acid in her hand. In
Rodot's Yvonne and Madeleine newmake their tumbled beauties, shattering
with gold teeth _chaussons_ of pastry, their mouths yellowed with the
_pus_ of _flan breton_. Faces of Paris men go by, their wellpleased
pleasers, curled conquistadores.

Noon slumbers. Kevin Egan rolls gunpowder cigarettes through fingers
smeared with printer's ink, sipping his green fairy as Patrice his
white. About us gobblers fork spiced beans down their gullets. _Un demi
setier!_ A jet of coffee steam from the burnished caldron. She serves me
at his beck. _Il est irlandais. Hollandais? Non fromage. Deux irlandais,
nous, Irlande, vous savez ah, oui!_ She thought you wanted a cheese
_hollandais_. Your postprandial, do you know that word? Postprandial.
There was a fellow I knew once in Barcelona, queer fellow, used to call
it his postprandial. Well: _slainte_! Around the slabbed tables the
tangle of wined breaths and grumbling gorges. His breath hangs over our
saucestained plates, the green fairy's fang thrusting between his lips.
Of Ireland, the Dalcassians, of hopes, conspiracies, of Arthur Griffith
now, A E, pimander, good shepherd of men. To yoke me as his yokefellow,
our crimes our common cause. You're your father's son. I know the voice.
His fustian shirt, sanguineflowered, trembles its Spanish tassels at
his secrets. M. Drumont, famous journalist, Drumont, know what he called
queen Victoria? Old hag with the yellow teeth. _Vieille ogresse_
with the _dents jaunes_. Maud Gonne, beautiful woman, _La Patrie_, M.
Millevoye, Felix Faure, know how he died? Licentious men. The froeken,
_bonne a tout faire_, who rubs male nakedness in the bath at Upsala.
_Moi faire_, she said, _Tous les messieurs_. Not this _Monsieur_, I
said. Most licentious custom. Bath a most private thing. I wouldn't let
my brother, not even my own brother, most lascivious thing. Green eyes,
I see you. Fang, I feel. Lascivious people.

The blue fuse burns deadly between hands and burns clear. Loose
tobaccoshreds catch fire: a flame and acrid smoke light our corner. Raw
facebones under his peep of day boy's hat. How the head centre got away,
authentic version. Got up as a young bride, man, veil, orangeblossoms,
drove out the road to Malahide. Did, faith. Of lost leaders, the
betrayed, wild escapes. Disguises, clutched at, gone, not here.

Spurned lover. I was a strapping young gossoon at that time, I tell you.
I'll show you my likeness one day. I was, faith. Lover, for her love he
prowled with colonel Richard Burke, tanist of his sept, under the walls
of Clerkenwell and, crouching, saw a flame of vengeance hurl them upward
in the fog. Shattered glass and toppling masonry. In gay Paree he hides,
Egan of Paris, unsought by any save by me. Making his day's stations,
the dingy printingcase, his three taverns, the Montmartre lair he sleeps
short night in, rue de la Goutte-d'Or, damascened with flyblown faces of
the gone. Loveless, landless, wifeless. She is quite nicey comfy
without her outcast man, madame in rue Git-le-Coeur, canary and two
buck lodgers. Peachy cheeks, a zebra skirt, frisky as a young thing's.
Spurned and undespairing. Tell Pat you saw me, won't you? I wanted to
get poor Pat a job one time. _Mon fils_, soldier of France. I taught him
to sing _The boys of Kilkenny are stout roaring blades_. Know that old
lay? I taught Patrice that. Old Kilkenny: saint Canice, Strongbow's
castle on the Nore. Goes like this. O, O. He takes me, Napper Tandy, by
the hand.

     _O, O THE BOYS OF
     KILKENNY..._


Weak wasting hand on mine. They have forgotten Kevin Egan, not he them.
Remembering thee, O Sion.

He had come nearer the edge of the sea and wet sand slapped his boots.
The new air greeted him, harping in wild nerves, wind of wild air of
seeds of brightness. Here, I am not walking out to the Kish lightship,
am I? He stood suddenly, his feet beginning to sink slowly in the
quaking soil. Turn back.

Turning, he scanned the shore south, his feet sinking again slowly
in new sockets. The cold domed room of the tower waits. Through the
barbacans the shafts of light are moving ever, slowly ever as my
feet are sinking, creeping duskward over the dial floor. Blue dusk,
nightfall, deep blue night. In the darkness of the dome they wait,
their pushedback chairs, my obelisk valise, around a board of abandoned
platters. Who to clear it? He has the key. I will not sleep there when
this night comes. A shut door of a silent tower, entombing their--blind
bodies, the panthersahib and his pointer. Call: no answer. He lifted his
feet up from the suck and turned back by the mole of boulders. Take
all, keep all. My soul walks with me, form of forms. So in the moon's
midwatches I pace the path above the rocks, in sable silvered, hearing
Elsinore's tempting flood.

The flood is following me. I can watch it flow past from here. Get back
then by the Poolbeg road to the strand there. He climbed over the sedge
and eely oarweeds and sat on a stool of rock, resting his ashplant in a
grike.

A bloated carcass of a dog lay lolled on bladderwrack. Before him the
gunwale of a boat, sunk in sand. _Un coche ensablé_ Louis Veuillot
called Gautier's prose. These heavy sands are language tide and wind
have silted here. And these, the stoneheaps of dead builders, a warren
of weasel rats. Hide gold there. Try it. You have some. Sands and
stones. Heavy of the past. Sir Lout's toys. Mind you don't get one
bang on the ear. I'm the bloody well gigant rolls all them bloody well
boulders, bones for my steppingstones. Feefawfum. I zmellz de bloodz odz
an Iridzman.

A point, live dog, grew into sight running across the sweep of sand.
Lord, is he going to attack me? Respect his liberty. You will not
be master of others or their slave. I have my stick. Sit tight. From
farther away, walking shoreward across from the crested tide, figures,
two. The two maries. They have tucked it safe mong the bulrushes.
Peekaboo. I see you. No, the dog. He is running back to them. Who?

Galleys of the Lochlanns ran here to beach, in quest of prey, their
bloodbeaked prows riding low on a molten pewter surf. Dane vikings,
torcs of tomahawks aglitter on their breasts when Malachi wore the
collar of gold. A school of turlehide whales stranded in hot noon,
spouting, hobbling in the shallows. Then from the starving cagework city
a horde of jerkined dwarfs, my people, with flayers' knives, running,
scaling, hacking in green blubbery whalemeat. Famine, plague and
slaughters. Their blood is in me, their lusts my waves. I moved among
them on the frozen Liffey, that I, a changeling, among the spluttering
resin fires. I spoke to no-one: none to me.

The dog's bark ran towards him, stopped, ran back. Dog of my enemy. I
just simply stood pale, silent, bayed about. _Terribilia meditans_. A
primrose doublet, fortune's knave, smiled on my fear. For that are you
pining, the bark of their applause? Pretenders: live their lives. The
Bruce's brother, Thomas Fitzgerald, silken knight, Perkin Warbeck,
York's false scion, in breeches of silk of whiterose ivory, wonder of
a day, and Lambert Simnel, with a tail of nans and sutlers, a scullion
crowned. All kings' sons. Paradise of pretenders then and now. He saved
men from drowning and you shake at a cur's yelping. But the courtiers
who mocked Guido in Or san Michele were in their own house. House of...
We don't want any of your medieval abstrusiosities. Would you do what he
did? A boat would be near, a lifebuoy. _Natürlich_, put there for you.
Would you or would you not? The man that was drowned nine days ago off
Maiden's rock. They are waiting for him now. The truth, spit it out. I
would want to. I would try. I am not a strong swimmer. Water cold soft.
When I put my face into it in the basin at Clongowes. Can't see! Who's
behind me? Out quickly, quickly! Do you see the tide flowing quickly in
on all sides, sheeting the lows of sand quickly, shellcocoacoloured? If
I had land under my feet. I want his life still to be his, mine to be
mine. A drowning man. His human eyes scream to me out of horror of his
death. I... With him together down... I could not save her. Waters:
bitter death: lost.

A woman and a man. I see her skirties. Pinned up, I bet.

Their dog ambled about a bank of dwindling sand, trotting, sniffing on
all sides. Looking for something lost in a past life. Suddenly he made
off like a bounding hare, ears flung back, chasing the shadow of a
lowskimming gull. The man's shrieked whistle struck his limp ears. He
turned, bounded back, came nearer, trotted on twinkling shanks. On a
field tenney a buck, trippant, proper, unattired. At the lacefringe of
the tide he halted with stiff forehoofs, seawardpointed ears. His
snout lifted barked at the wavenoise, herds of seamorse. They serpented
towards his feet, curling, unfurling many crests, every ninth, breaking,
plashing, from far, from farther out, waves and waves.

Cocklepickers. They waded a little way in the water and, stooping,
soused their bags and, lifting them again, waded out. The dog yelped
running to them, reared up and pawed them, dropping on all fours, again
reared up at them with mute bearish fawning. Unheeded he kept by them as
they came towards the drier sand, a rag of wolf's tongue redpanting from
his jaws. His speckled body ambled ahead of them and then loped off at a
calf's gallop. The carcass lay on his path. He stopped, sniffed, stalked
round it, brother, nosing closer, went round it, sniffling rapidly like
a dog all over the dead dog's bedraggled fell. Dogskull, dogsniff, eyes
on the ground, moves to one great goal. Ah, poor dogsbody! Here lies
poor dogsbody's body.

--Tatters! Out of that, you mongrel!

The cry brought him skulking back to his master and a blunt bootless
kick sent him unscathed across a spit of sand, crouched in flight. He
slunk back in a curve. Doesn't see me. Along by the edge of the mole he
lolloped, dawdled, smelt a rock and from under a cocked hindleg pissed
against it. He trotted forward and, lifting again his hindleg, pissed
quick short at an unsmelt rock. The simple pleasures of the poor. His
hindpaws then scattered the sand: then his forepaws dabbled and delved.
Something he buried there, his grandmother. He rooted in the sand,
dabbling, delving and stopped to listen to the air, scraped up the sand
again with a fury of his claws, soon ceasing, a pard, a panther, got in
spousebreach, vulturing the dead.

After he woke me last night same dream or was it? Wait. Open hallway.
Street of harlots. Remember. Haroun al Raschid. I am almosting it. That
man led me, spoke. I was not afraid. The melon he had he held against my
face. Smiled: creamfruit smell. That was the rule, said. In. Come. Red
carpet spread. You will see who.

Shouldering their bags they trudged, the red Egyptians. His blued feet
out of turnedup trousers slapped the clammy sand, a dull brick muffler
strangling his unshaven neck. With woman steps she followed: the
ruffian and his strolling mort. Spoils slung at her back. Loose sand and
shellgrit crusted her bare feet. About her windraw face hair trailed.
Behind her lord, his helpmate, bing awast to Romeville. When night hides
her body's flaws calling under her brown shawl from an archway
where dogs have mired. Her fancyman is treating two Royal Dublins in
O'Loughlin's of Blackpitts. Buss her, wap in rogues' rum lingo, for, O,
my dimber wapping dell! A shefiend's whiteness under her rancid rags.
Fumbally's lane that night: the tanyard smells.

     _White thy fambles, red thy gan
     And thy quarrons dainty is.
     Couch a hogshead with me then.
     In the darkmans clip and kiss._


Morose delectation Aquinas tunbelly calls this, _frate porcospino_.
Unfallen Adam rode and not rutted. Call away let him: _thy quarrons
dainty is_. Language no whit worse than his. Monkwords, marybeads jabber
on their girdles: roguewords, tough nuggets patter in their pockets.

Passing now.

A side eye at my Hamlet hat. If I were suddenly naked here as I sit? I
am not. Across the sands of all the world, followed by the sun's flaming
sword, to the west, trekking to evening lands. She trudges, schlepps,
trains, drags, trascines her load. A tide westering, moondrawn, in
her wake. Tides, myriadislanded, within her, blood not mine, _oinopa
ponton_, a winedark sea. Behold the handmaid of the moon. In sleep
the wet sign calls her hour, bids her rise. Bridebed, childbed, bed of
death, ghostcandled. _Omnis caro ad te veniet_. He comes, pale vampire,
through storm his eyes, his bat sails bloodying the sea, mouth to her
mouth's kiss.

Here. Put a pin in that chap, will you? My tablets. Mouth to her kiss.

No. Must be two of em. Glue em well. Mouth to her mouth's kiss.

His lips lipped and mouthed fleshless lips of air: mouth to her moomb.
Oomb, allwombing tomb. His mouth moulded issuing breath, unspeeched:
ooeeehah: roar of cataractic planets, globed, blazing, roaring
wayawayawayawayaway. Paper. The banknotes, blast them. Old Deasy's
letter. Here. Thanking you for the hospitality tear the blank end off.
Turning his back to the sun he bent over far to a table of rock and
scribbled words. That's twice I forgot to take slips from the library
counter.

His shadow lay over the rocks as he bent, ending. Why not endless till
the farthest star? Darkly they are there behind this light, darkness
shining in the brightness, delta of Cassiopeia, worlds. Me sits there
with his augur's rod of ash, in borrowed sandals, by day beside a livid
sea, unbeheld, in violet night walking beneath a reign of uncouth stars.
I throw this ended shadow from me, manshape ineluctable, call it back.
Endless, would it be mine, form of my form? Who watches me here? Who
ever anywhere will read these written words? Signs on a white field.
Somewhere to someone in your flutiest voice. The good bishop of Cloyne
took the veil of the temple out of his shovel hat: veil of space with
coloured emblems hatched on its field. Hold hard. Coloured on a flat:
yes, that's right. Flat I see, then think distance, near, far, flat
I see, east, back. Ah, see now! Falls back suddenly, frozen in
stereoscope. Click does the trick. You find my words dark. Darkness is
in our souls do you not think? Flutier. Our souls, shamewounded by our
sins, cling to us yet more, a woman to her lover clinging, the more the
more.

She trusts me, her hand gentle, the longlashed eyes. Now where the blue
hell am I bringing her beyond the veil? Into the ineluctable modality of
the ineluctable visuality. She, she, she. What she? The virgin at Hodges
Figgis' window on Monday looking in for one of the alphabet books you
were going to write. Keen glance you gave her. Wrist through the
braided jesse of her sunshade. She lives in Leeson park with a grief
and kickshaws, a lady of letters. Talk that to someone else, Stevie: a
pickmeup. Bet she wears those curse of God stays suspenders and
yellow stockings, darned with lumpy wool. Talk about apple dumplings,
_piuttosto_. Where are your wits?

Touch me. Soft eyes. Soft soft soft hand. I am lonely here. O, touch me
soon, now. What is that word known to all men? I am quiet here alone.
Sad too. Touch, touch me.

He lay back at full stretch over the sharp rocks, cramming the scribbled
note and pencil into a pock his hat. His hat down on his eyes. That is
Kevin Egan's movement I made, nodding for his nap, sabbath sleep. _Et
vidit Deus. Et erant valde bona_. Alo! _Bonjour_. Welcome as the flowers
in May. Under its leaf he watched through peacocktwittering lashes the
southing sun. I am caught in this burning scene. Pan's hour, the faunal
noon. Among gumheavy serpentplants, milkoozing fruits, where on the
tawny waters leaves lie wide. Pain is far.

     _And no more turn aside and brood._

His gaze brooded on his broadtoed boots, a buck's castoffs,
_nebeneinander_. He counted the creases of rucked leather wherein
another's foot had nested warm. The foot that beat the ground in
tripudium, foot I dislove. But you were delighted when Esther Osvalt's
shoe went on you: girl I knew in Paris. _Tiens, quel petit pied!_
Staunch friend, a brother soul: Wilde's love that dare not speak its
name. His arm: Cranly's arm. He now will leave me. And the blame? As I
am. As I am. All or not at all.

In long lassoes from the Cock lake the water flowed full, covering
greengoldenly lagoons of sand, rising, flowing. My ashplant will float
away. I shall wait. No, they will pass on, passing, chafing against the
low rocks, swirling, passing. Better get this job over quick. Listen: a
fourworded wavespeech: seesoo, hrss, rsseeiss, ooos. Vehement breath of
waters amid seasnakes, rearing horses, rocks. In cups of rocks it slops:
flop, slop, slap: bounded in barrels. And, spent, its speech ceases. It
flows purling, widely flowing, floating foampool, flower unfurling.

Under the upswelling tide he saw the writhing weeds lift languidly and
sway reluctant arms, hising up their petticoats, in whispering water
swaying and upturning coy silver fronds. Day by day: night by night:
lifted, flooded and let fall. Lord, they are weary; and, whispered to,
they sigh. Saint Ambrose heard it, sigh of leaves and waves, waiting,
awaiting the fullness of their times, _diebus ac noctibus iniurias
patiens ingemiscit_. To no end gathered; vainly then released,
forthflowing, wending back: loom of the moon. Weary too in sight of
lovers, lascivious men, a naked woman shining in her courts, she draws a
toil of waters.

Five fathoms out there. Full fathom five thy father lies. At one, he
said. Found drowned. High water at Dublin bar. Driving before it a loose
drift of rubble, fanshoals of fishes, silly shells. A corpse rising
saltwhite from the undertow, bobbing a pace a pace a porpoise landward.
There he is. Hook it quick. Pull. Sunk though he be beneath the watery
floor. We have him. Easy now.

Bag of corpsegas sopping in foul brine. A quiver of minnows, fat of a
spongy titbit, flash through the slits of his buttoned trouserfly.
God becomes man becomes fish becomes barnacle goose becomes featherbed
mountain. Dead breaths I living breathe, tread dead dust, devour a
urinous offal from all dead. Hauled stark over the gunwale he breathes
upward the stench of his green grave, his leprous nosehole snoring to
the sun.

A seachange this, brown eyes saltblue. Seadeath, mildest of all deaths
known to man. Old Father Ocean. _Prix de paris_: beware of imitations.
Just you give it a fair trial. We enjoyed ourselves immensely.

Come. I thirst. Clouding over. No black clouds anywhere, are there?
Thunderstorm. Allbright he falls, proud lightning of the intellect,
_Lucifer, dico, qui nescit occasum_. No. My cockle hat and staff and
hismy sandal shoon. Where? To evening lands. Evening will find itself.

He took the hilt of his ashplant, lunging with it softly, dallying
still. Yes, evening will find itself in me, without me. All days make
their end. By the way next when is it Tuesday will be the longest
day. Of all the glad new year, mother, the rum tum tiddledy tum. Lawn
Tennyson, gentleman poet. _Già_. For the old hag with the yellow teeth.
And Monsieur Drumont, gentleman journalist. _Già_. My teeth are very
bad. Why, I wonder. Feel. That one is going too. Shells. Ought I go to a
dentist, I wonder, with that money? That one. This. Toothless Kinch, the
superman. Why is that, I wonder, or does it mean something perhaps?

My handkerchief. He threw it. I remember. Did I not take it up?

His hand groped vainly in his pockets. No, I didn't. Better buy one.

He laid the dry snot picked from his nostril on a ledge of rock,
carefully. For the rest let look who will.

Behind. Perhaps there is someone.

He turned his face over a shoulder, rere regardant. Moving through the
air high spars of a threemaster, her sails brailed up on the crosstrees,
homing, upstream, silently moving, a silent ship. +




-- II --

Mr Leopold Bloom ate with relish the inner organs of beasts and fowls.
He liked thick giblet soup, nutty gizzards, a stuffed roast heart,
liverslices fried with crustcrumbs, fried hencods' roes. Most of all
he liked grilled mutton kidneys which gave to his palate a fine tang of
faintly scented urine.

Kidneys were in his mind as he moved about the kitchen softly, righting
her breakfast things on the humpy tray. Gelid light and air were in the
kitchen but out of doors gentle summer morning everywhere. Made him feel
a bit peckish.

The coals were reddening.

Another slice of bread and butter: three, four: right. She didn't like
her plate full. Right. He turned from the tray, lifted the kettle off
the hob and set it sideways on the fire. It sat there, dull and squat,
its spout stuck out. Cup of tea soon. Good. Mouth dry. The cat walked
stiffly round a leg of the table with tail on high.

--Mkgnao!

--O, there you are, Mr Bloom said, turning from the fire.

The cat mewed in answer and stalked again stiffly round a leg of the
table, mewing. Just how she stalks over my writingtable. Prr. Scratch my
head. Prr.

Mr Bloom watched curiously, kindly the lithe black form. Clean to see:
the gloss of her sleek hide, the white button under the butt of her
tail, the green flashing eyes. He bent down to her, his hands on his
knees.

--Milk for the pussens, he said.

--Mrkgnao! the cat cried.

They call them stupid. They understand what we say better than we
understand them. She understands all she wants to. Vindictive too.
Cruel. Her nature. Curious mice never squeal. Seem to like it. Wonder
what I look like to her. Height of a tower? No, she can jump me.

--Afraid of the chickens she is, he said mockingly. Afraid of the
chookchooks. I never saw such a stupid pussens as the pussens.

Cruel. Her nature. Curious mice never squeal. Seem to like it.

--Mrkrgnao! the cat said loudly.

She blinked up out of her avid shameclosing eyes, mewing plaintively
and long, showing him her milkwhite teeth. He watched the dark eyeslits
narrowing with greed till her eyes were green stones. Then he went to
the dresser, took the jug Hanlon's milkman had just filled for him,
poured warmbubbled milk on a saucer and set it slowly on the floor.

--Gurrhr! she cried, running to lap.

He watched the bristles shining wirily in the weak light as she tipped
three times and licked lightly. Wonder is it true if you clip them they
can't mouse after. Why? They shine in the dark, perhaps, the tips. Or
kind of feelers in the dark, perhaps.

He listened to her licking lap. Ham and eggs, no. No good eggs with this
drouth. Want pure fresh water. Thursday: not a good day either for a
mutton kidney at Buckley's. Fried with butter, a shake of pepper. Better
a pork kidney at Dlugacz's. While the kettle is boiling. She lapped
slower, then licking the saucer clean. Why are their tongues so rough?
To lap better, all porous holes. Nothing she can eat? He glanced round
him. No.

On quietly creaky boots he went up the staircase to the hall, paused by
the bedroom door. She might like something tasty. Thin bread and butter
she likes in the morning. Still perhaps: once in a way.

He said softly in the bare hall:

--I'm going round the corner. Be back in a minute.

And when he had heard his voice say it he added:

--You don't want anything for breakfast?

A sleepy soft grunt answered:

--Mn.

No. She didn't want anything. He heard then a warm heavy sigh, softer,
as she turned over and the loose brass quoits of the bedstead jingled.
Must get those settled really. Pity. All the way from Gibraltar.
Forgotten any little Spanish she knew. Wonder what her father gave for
it. Old style. Ah yes! of course. Bought it at the governor's auction.
Got a short knock. Hard as nails at a bargain, old Tweedy. Yes, sir. At
Plevna that was. I rose from the ranks, sir, and I'm proud of it.
Still he had brains enough to make that corner in stamps. Now that was
farseeing.

His hand took his hat from the peg over his initialled heavy overcoat
and his lost property office secondhand waterproof. Stamps: stickyback
pictures. Daresay lots of officers are in the swim too. Course they do.
The sweated legend in the crown of his hat told him mutely: Plasto's
high grade ha. He peeped quickly inside the leather headband. White slip
of paper. Quite safe.

On the doorstep he felt in his hip pocket for the latchkey. Not there.
In the trousers I left off. Must get it. Potato I have. Creaky wardrobe.
No use disturbing her. She turned over sleepily that time. He pulled
the halldoor to after him very quietly, more, till the footleaf dropped
gently over the threshold, a limp lid. Looked shut. All right till I
come back anyhow.

He crossed to the bright side, avoiding the loose cellarflap of number
seventyfive. The sun was nearing the steeple of George's church. Be a
warm day I fancy. Specially in these black clothes feel it more. Black
conducts, reflects, (refracts is it?), the heat. But I couldn't go in
that light suit. Make a picnic of it. His eyelids sank quietly often as
he walked in happy warmth. Boland's breadvan delivering with trays our
daily but she prefers yesterday's loaves turnovers crisp crowns hot.
Makes you feel young. Somewhere in the east: early morning: set off at
dawn. Travel round in front of the sun, steal a day's march on him. Keep
it up for ever never grow a day older technically. Walk along a strand,
strange land, come to a city gate, sentry there, old ranker too, old
Tweedy's big moustaches, leaning on a long kind of a spear. Wander
through awned streets. Turbaned faces going by. Dark caves of carpet
shops, big man, Turko the terrible, seated crosslegged, smoking a coiled
pipe. Cries of sellers in the streets. Drink water scented with fennel,
sherbet. Dander along all day. Might meet a robber or two. Well,
meet him. Getting on to sundown. The shadows of the mosques among the
pillars: priest with a scroll rolled up. A shiver of the trees, signal,
the evening wind. I pass on. Fading gold sky. A mother watches me from
her doorway. She calls her children home in their dark language. High
wall: beyond strings twanged. Night sky, moon, violet, colour of Molly's
new garters. Strings. Listen. A girl playing one of those instruments
what do you call them: dulcimers. I pass.

Probably not a bit like it really. Kind of stuff you read: in the track
of the sun. Sunburst on the titlepage. He smiled, pleasing himself. What
Arthur Griffith said about the headpiece over the _Freeman_ leader: a
homerule sun rising up in the northwest from the laneway behind the bank
of Ireland. He prolonged his pleased smile. Ikey touch that: homerule
sun rising up in the north-west.

He approached Larry O'Rourke's. From the cellar grating floated up the
flabby gush of porter. Through the open doorway the bar squirted out
whiffs of ginger, teadust, biscuitmush. Good house, however: just the
end of the city traffic. For instance M'Auley's down there: n. g. as
position. Of course if they ran a tramline along the North Circular from
the cattlemarket to the quays value would go up like a shot.

Baldhead over the blind. Cute old codger. No use canvassing him for an
ad. Still he knows his own business best. There he is, sure enough, my
bold Larry, leaning against the sugarbin in his shirtsleeves watching
the aproned curate swab up with mop and bucket. Simon Dedalus takes him
off to a tee with his eyes screwed up. Do you know what I'm going to
tell you? What's that, Mr O'Rourke? Do you know what? The Russians,
they'd only be an eight o'clock breakfast for the Japanese.

Stop and say a word: about the funeral perhaps. Sad thing about poor
Dignam, Mr O'Rourke.

Turning into Dorset street he said freshly in greeting through the
doorway:

--Good day, Mr O'Rourke.

--Good day to you.

--Lovely weather, sir.

--'Tis all that.

Where do they get the money? Coming up redheaded curates from the county
Leitrim, rinsing empties and old man in the cellar. Then, lo and behold,
they blossom out as Adam Findlaters or Dan Tallons. Then thin of the
competition. General thirst. Good puzzle would be cross Dublin without
passing a pub. Save it they can't. Off the drunks perhaps. Put down
three and carry five. What is that, a bob here and there, dribs and
drabs. On the wholesale orders perhaps. Doing a double shuffle with the
town travellers. Square it you with the boss and we'll split the job,
see?

How much would that tot to off the porter in the month? Say ten barrels
of stuff. Say he got ten per cent off. O more. Fifteen. He passed Saint
Joseph's National school. Brats' clamour. Windows open. Fresh air
helps memory. Or a lilt. Ahbeesee defeegee kelomen opeecue rustyouvee
doubleyou. Boys are they? Yes. Inishturk. Inishark. Inishboffin. At
their joggerfry. Mine. Slieve Bloom.

He halted before Dlugacz's window, staring at the hanks of sausages,
polonies, black and white. Fifteen multiplied by. The figures whitened
in his mind, unsolved: displeased, he let them fade. The shiny links,
packed with forcemeat, fed his gaze and he breathed in tranquilly the
lukewarm breath of cooked spicy pigs' blood.

A kidney oozed bloodgouts on the willowpatterned dish: the last. He
stood by the nextdoor girl at the counter. Would she buy it too, calling
the items from a slip in her hand? Chapped: washingsoda. And a pound and
a half of Denny's sausages. His eyes rested on her vigorous hips.
Woods his name is. Wonder what he does. Wife is oldish. New blood.
No followers allowed. Strong pair of arms. Whacking a carpet on the
clothesline. She does whack it, by George. The way her crooked skirt
swings at each whack.

The ferreteyed porkbutcher folded the sausages he had snipped off with
blotchy fingers, sausagepink. Sound meat there: like a stallfed heifer.

He took a page up from the pile of cut sheets: the model farm at
Kinnereth on the lakeshore of Tiberias. Can become ideal winter
sanatorium. Moses Montefiore. I thought he was. Farmhouse, wall round
it, blurred cattle cropping. He held the page from him: interesting:
read it nearer, the title, the blurred cropping cattle, the page
rustling. A young white heifer. Those mornings in the cattlemarket, the
beasts lowing in their pens, branded sheep, flop and fall of dung, the
breeders in hobnailed boots trudging through the litter, slapping a palm
on a ripemeated hindquarter, there's a prime one, unpeeled switches in
their hands. He held the page aslant patiently, bending his senses and
his will, his soft subject gaze at rest. The crooked skirt swinging,
whack by whack by whack.

The porkbutcher snapped two sheets from the pile, wrapped up her prime
sausages and made a red grimace.

--Now, my miss, he said.

She tendered a coin, smiling boldly, holding her thick wrist out.

--Thank you, my miss. And one shilling threepence change. For you,
please?

Mr Bloom pointed quickly. To catch up and walk behind her if she went
slowly, behind her moving hams. Pleasant to see first thing in the
morning. Hurry up, damn it. Make hay while the sun shines. She stood
outside the shop in sunlight and sauntered lazily to the right. He
sighed down his nose: they never understand. Sodachapped hands. Crusted
toenails too. Brown scapulars in tatters, defending her both ways.
The sting of disregard glowed to weak pleasure within his breast. For
another: a constable off duty cuddling her in Eccles lane. They like
them sizeable. Prime sausage. O please, Mr Policeman, I'm lost in the
wood.

--Threepence, please.

His hand accepted the moist tender gland and slid it into a sidepocket.
Then it fetched up three coins from his trousers' pocket and laid them
on the rubber prickles. They lay, were read quickly and quickly slid,
disc by disc, into the till.

--Thank you, sir. Another time.

A speck of eager fire from foxeyes thanked him. He withdrew his gaze
after an instant. No: better not: another time.

--Good morning, he said, moving away.

--Good morning, sir.

No sign. Gone. What matter?

He walked back along Dorset street, reading gravely. Agendath Netaim:
planters' company. To purchase waste sandy tracts from Turkish
government and plant with eucalyptus trees. Excellent for shade, fuel
and construction. Orangegroves and immense melonfields north of Jaffa.
You pay eighty marks and they plant a dunam of land for you with olives,
oranges, almonds or citrons. Olives cheaper: oranges need artificial
irrigation. Every year you get a sending of the crop. Your name entered
for life as owner in the book of the union. Can pay ten down and the
balance in yearly instalments. Bleibtreustrasse 34, Berlin, W. 15.

Nothing doing. Still an idea behind it.

He looked at the cattle, blurred in silver heat. Silverpowdered
olivetrees. Quiet long days: pruning, ripening. Olives are packed in
jars, eh? I have a few left from Andrews. Molly spitting them out. Knows
the taste of them now. Oranges in tissue paper packed in crates. Citrons
too. Wonder is poor Citron still in Saint Kevin's parade. And Mastiansky
with the old cither. Pleasant evenings we had then. Molly in Citron's
basketchair. Nice to hold, cool waxen fruit, hold in the hand, lift it
to the nostrils and smell the perfume. Like that, heavy, sweet, wild
perfume. Always the same, year after year. They fetched high prices too,
Moisel told me. Arbutus place: Pleasants street: pleasant old times.
Must be without a flaw, he said. Coming all that way: Spain, Gibraltar,
Mediterranean, the Levant. Crates lined up on the quayside at Jaffa,
chap ticking them off in a book, navvies handling them barefoot in
soiled dungarees. There's whatdoyoucallhim out of. How do you? Doesn't
see. Chap you know just to salute bit of a bore. His back is like that
Norwegian captain's. Wonder if I'll meet him today. Watering cart. To
provoke the rain. On earth as it is in heaven.

A cloud began to cover the sun slowly, wholly. Grey. Far.

No, not like that. A barren land, bare waste. Vulcanic lake, the dead
sea: no fish, weedless, sunk deep in the earth. No wind could lift those
waves, grey metal, poisonous foggy waters. Brimstone they called it
raining down: the cities of the plain: Sodom, Gomorrah, Edom. All dead
names. A dead sea in a dead land, grey and old. Old now. It bore the
oldest, the first race. A bent hag crossed from Cassidy's, clutching a
naggin bottle by the neck. The oldest people. Wandered far away over
all the earth, captivity to captivity, multiplying, dying, being born
everywhere. It lay there now. Now it could bear no more. Dead: an old
woman's: the grey sunken cunt of the world.

Desolation.

Grey horror seared his flesh. Folding the page into his pocket he turned
into Eccles street, hurrying homeward. Cold oils slid along his veins,
chilling his blood: age crusting him with a salt cloak. Well, I am here
now. Yes, I am here now. Morning mouth bad images. Got up wrong side of
the bed. Must begin again those Sandow's exercises. On the hands down.
Blotchy brown brick houses. Number eighty still unlet. Why is that?
Valuation is only twenty-eight. Towers, Battersby, North, MacArthur:
parlour windows plastered with bills. Plasters on a sore eye. To smell
the gentle smoke of tea, fume of the pan, sizzling butter. Be near her
ample bedwarmed flesh. Yes, yes.

Quick warm sunlight came running from Berkeley road, swiftly, in slim
sandals, along the brightening footpath. Runs, she runs to meet me, a
girl with gold hair on the wind.

Two letters and a card lay on the hallfloor. He stooped and gathered
them. Mrs Marion Bloom. His quickened heart slowed at once. Bold hand.
Mrs Marion.

--Poldy!

Entering the bedroom he halfclosed his eyes and walked through warm
yellow twilight towards her tousled head.

--Who are the letters for?

He looked at them. Mullingar. Milly.

--A letter for me from Milly, he said carefully, and a card to you. And
a letter for you.

He laid her card and letter on the twill bedspread near the curve of her
knees.

--Do you want the blind up?

Letting the blind up by gentle tugs halfway his backward eye saw her
glance at the letter and tuck it under her pillow.

--That do? he asked, turning.

She was reading the card, propped on her elbow.

--She got the things, she said.

He waited till she had laid the card aside and curled herself back
slowly with a snug sigh.

--Hurry up with that tea, she said. I'm parched.

--The kettle is boiling, he said.

But he delayed to clear the chair: her striped petticoat, tossed soiled
linen: and lifted all in an armful on to the foot of the bed.

As he went down the kitchen stairs she called:

--Poldy!

--What?

--Scald the teapot.

On the boil sure enough: a plume of steam from the spout. He scalded and
rinsed out the teapot and put in four full spoons of tea, tilting the
kettle then to let the water flow in. Having set it to draw he took off
the kettle, crushed the pan flat on the live coals and watched the lump
of butter slide and melt. While he unwrapped the kidney the cat mewed
hungrily against him. Give her too much meat she won't mouse. Say they
won't eat pork. Kosher. Here. He let the bloodsmeared paper fall to
her and dropped the kidney amid the sizzling butter sauce. Pepper. He
sprinkled it through his fingers ringwise from the chipped eggcup.

Then he slit open his letter, glancing down the page and over. Thanks:
new tam: Mr Coghlan: lough Owel picnic: young student: Blazes Boylan's
seaside girls.

The tea was drawn. He filled his own moustachecup, sham crown

Derby, smiling. Silly Milly's birthday gift. Only five she was then. No,
wait: four. I gave her the amberoid necklace she broke. Putting pieces
of folded brown paper in the letterbox for her. He smiled, pouring.

     _O, Milly Bloom, you are my darling.
     You are my lookingglass from night to morning.
     I'd rather have you without a farthing
     Than Katey Keogh with her ass and garden._


Poor old professor Goodwin. Dreadful old case. Still he was a courteous
old chap. Oldfashioned way he used to bow Molly off the platform. And
the little mirror in his silk hat. The night Milly brought it into
the parlour. O, look what I found in professor Goodwin's hat! All we
laughed. Sex breaking out even then. Pert little piece she was.

He prodded a fork into the kidney and slapped it over: then fitted the
teapot on the tray. Its hump bumped as he took it up. Everything on
it? Bread and butter, four, sugar, spoon, her cream. Yes. He carried it
upstairs, his thumb hooked in the teapot handle.

Nudging the door open with his knee he carried the tray in and set it on
the chair by the bedhead.

--What a time you were! she said.

She set the brasses jingling as she raised herself briskly, an elbow on
the pillow. He looked calmly down on her bulk and between her large soft
bubs, sloping within her nightdress like a shegoat's udder. The warmth
of her couched body rose on the air, mingling with the fragrance of the
tea she poured.

A strip of torn envelope peeped from under the dimpled pillow. In the
act of going he stayed to straighten the bedspread.

--Who was the letter from? he asked.

Bold hand. Marion.

--O, Boylan, she said. He's bringing the programme.

--What are you singing?

--_La ci darem_ with J. C. Doyle, she said, and _Love's Old Sweet Song_.

Her full lips, drinking, smiled. Rather stale smell that incense leaves
next day. Like foul flowerwater.

--Would you like the window open a little?

She doubled a slice of bread into her mouth, asking:

--What time is the funeral?

--Eleven, I think, he answered. I didn't see the paper.

Following the pointing of her finger he took up a leg of her soiled
drawers from the bed. No? Then, a twisted grey garter looped round a
stocking: rumpled, shiny sole.

--No: that book.

Other stocking. Her petticoat.

--It must have fell down, she said.

He felt here and there. _Voglio e non vorrei_. Wonder if she pronounces
that right: _voglio_. Not in the bed. Must have slid down. He stooped
and lifted the valance. The book, fallen, sprawled against the bulge of
the orangekeyed chamberpot.

--Show here, she said. I put a mark in it. There's a word I wanted to
ask you.

She swallowed a draught of tea from her cup held by nothandle and,
having wiped her fingertips smartly on the blanket, began to search the
text with the hairpin till she reached the word.

--Met him what? he asked.

--Here, she said. What does that mean?

He leaned downward and read near her polished thumbnail.

--Metempsychosis?

--Yes. Who's he when he's at home?

--Metempsychosis, he said, frowning. It's Greek: from the Greek. That
means the transmigration of souls.

--O, rocks! she said. Tell us in plain words.

He smiled, glancing askance at her mocking eyes. The same young eyes.
The first night after the charades. Dolphin's Barn. He turned over
the smudged pages. _Ruby: the Pride of the Ring_. Hello. Illustration.
Fierce Italian with carriagewhip. Must be Ruby pride of the on the floor
naked. Sheet kindly lent. _The monster Maffei desisted and flung his
victim from him with an oath_. Cruelty behind it all. Doped animals.
Trapeze at Hengler's. Had to look the other way. Mob gaping. Break your
neck and we'll break our sides. Families of them. Bone them young so
they metamspychosis. That we live after death. Our souls. That a man's
soul after he dies. Dignam's soul...

--Did you finish it? he asked.

--Yes, she said. There's nothing smutty in it. Is she in love with the
first fellow all the time?

--Never read it. Do you want another?

--Yes. Get another of Paul de Kock's. Nice name he has.

She poured more tea into her cup, watching it flow sideways.

Must get that Capel street library book renewed or they'll write to
Kearney, my guarantor. Reincarnation: that's the word.

--Some people believe, he said, that we go on living in another body
after death, that we lived before. They call it reincarnation. That
we all lived before on the earth thousands of years ago or some other
planet. They say we have forgotten it. Some say they remember their past
lives.

The sluggish cream wound curdling spirals through her tea. Bette remind
her of the word: metempsychosis. An example would be better. An example?

The _Bath of the Nymph_ over the bed. Given away with the Easter number
of _Photo Bits_: Splendid masterpiece in art colours. Tea before you
put milk in. Not unlike her with her hair down: slimmer. Three and six
I gave for the frame. She said it would look nice over the bed. Naked
nymphs: Greece: and for instance all the people that lived then.

He turned the pages back.

--Metempsychosis, he said, is what the ancient Greeks called it. They
used to believe you could be changed into an animal or a tree, for
instance. What they called nymphs, for example.

Her spoon ceased to stir up the sugar. She gazed straight before her,
inhaling through her arched nostrils.

--There's a smell of burn, she said. Did you leave anything on the fire?

--The kidney! he cried suddenly.

He fitted the book roughly into his inner pocket and, stubbing his toes
against the broken commode, hurried out towards the smell, stepping
hastily down the stairs with a flurried stork's legs. Pungent smoke shot
up in an angry jet from a side of the pan. By prodding a prong of the
fork under the kidney he detached it and turned it turtle on its back.
Only a little burnt. He tossed it off the pan on to a plate and let the
scanty brown gravy trickle over it.

Cup of tea now. He sat down, cut and buttered a slice of the loaf.
He shore away the burnt flesh and flung it to the cat. Then he put a
forkful into his mouth, chewing with discernment the toothsome pliant
meat. Done to a turn. A mouthful of tea. Then he cut away dies of bread,
sopped one in the gravy and put it in his mouth. What was that about
some young student and a picnic? He creased out the letter at his side,
reading it slowly as he chewed, sopping another die of bread in the
gravy and raising it to his mouth.

Dearest Papli

Thanks ever so much for the lovely birthday present. It suits me
splendid. Everyone says I am quite the belle in my new tam. I got
mummy's Iovely box of creams and am writing. They are lovely. I am
getting on swimming in the photo business now. Mr Coghlan took one of me
and Mrs. Will send when developed. We did great biz yesterday. Fair day
and all the beef to the heels were in. We are going to lough Owel on
Monday with a few friends to make a scrap picnic. Give my love to
mummy and to yourself a big kiss and thanks. I hear them at the piano
downstairs. There is to be a concert in the Greville Arms on Saturday.
There is a young student comes here some evenings named Bannon his
cousins or something are big swells and he sings Boylan's (I was on the
pop of writing Blazes Boylan's) song about those seaside girls. Tell him
silly Milly sends my best respects. I must now close with fondest love

Your fond daughter, MILLY.

P. S. Excuse bad writing am in hurry. Byby. M.

Fifteen yesterday. Curious, fifteenth of the month too. Her first
birthday away from home. Separation. Remember the summer morning she
was born, running to knock up Mrs Thornton in Denzille street. Jolly old
woman. Lot of babies she must have helped into the world. She knew from
the first poor little Rudy wouldn't live. Well, God is good, sir. She
knew at once. He would be eleven now if he had lived.

His vacant face stared pityingly at the postscript. Excuse bad writing.
Hurry. Piano downstairs. Coming out of her shell. Row with her in the
XL Cafe about the bracelet. Wouldn't eat her cakes or speak or look.
Saucebox. He sopped other dies of bread in the gravy and ate piece after
piece of kidney. Twelve and six a week. Not much. Still, she might do
worse. Music hall stage. Young student. He drank a draught of cooler tea
to wash down his meal. Then he read the letter again: twice.

O, well: she knows how to mind herself. But if not? No, nothing has
happened. Of course it might. Wait in any case till it does. A wild
piece of goods. Her slim legs running up the staircase. Destiny.
Ripening now.

Vain: very.

He smiled with troubled affection at the kitchen window. Day I caught
her in the street pinching her cheeks to make them red. Anemic a little.
Was given milk too long. On the ERIN'S KING that day round the Kish.
Damned old tub pitching about. Not a bit funky. Her pale blue scarf
loose in the wind with her hair. _All dimpled cheeks and curls, Your
head it simply swirls._


Seaside girls. Torn envelope. Hands stuck in his trousers' pockets,
jarvey off for the day, singing. Friend of the family. Swurls, he says.
Pier with lamps, summer evening, band,

     _Those girls, those girls,
     Those lovely seaside girls._


Milly too. Young kisses: the first. Far away now past. Mrs Marion.
Reading, lying back now, counting the strands of her hair, smiling,
braiding.

A soft qualm, regret, flowed down his backbone, increasing. Will happen,
yes. Prevent. Useless: can't move. Girl's sweet light lips. Will happen
too. He felt the flowing qualm spread over him. Useless to move now.
Lips kissed, kissing, kissed. Full gluey woman's lips.

Better where she is down there: away. Occupy her. Wanted a dog to pass
the time. Might take a trip down there. August bank holiday, only two
and six return. Six weeks off, however. Might work a press pass. Or
through M'Coy.

The cat, having cleaned all her fur, returned to the meatstained paper,
nosed at it and stalked to the door. She looked back at him, mewing.
Wants to go out. Wait before a door sometime it will open. Let her wait.
Has the fidgets. Electric. Thunder in the air. Was washing at her ear
with her back to the fire too.

He felt heavy, full: then a gentle loosening of his bowels. He stood up,
undoing the waistband of his trousers. The cat mewed to him.

--Miaow! he said in answer. Wait till I'm ready.

Heaviness: hot day coming. Too much trouble to fag up the stairs to the
landing.

A paper. He liked to read at stool. Hope no ape comes knocking just as
I'm.

In the tabledrawer he found an old number of _Titbits_. He folded it
under his armpit, went to the door and opened it. The cat went up in
soft bounds. Ah, wanted to go upstairs, curl up in a ball on the bed.

Listening, he heard her voice:

--Come, come, pussy. Come.

He went out through the backdoor into the garden: stood to listen
towards the next garden. No sound. Perhaps hanging clothes out to dry.
The maid was in the garden. Fine morning.

He bent down to regard a lean file of spearmint growing by the wall.
Make a summerhouse here. Scarlet runners. Virginia creepers. Want to
manure the whole place over, scabby soil. A coat of liver of sulphur.
All soil like that without dung. Household slops. Loam, what is this
that is? The hens in the next garden: their droppings are very good top
dressing. Best of all though are the cattle, especially when they are
fed on those oilcakes. Mulch of dung. Best thing to clean ladies' kid
gloves. Dirty cleans. Ashes too. Reclaim the whole place. Grow peas in
that corner there. Lettuce. Always have fresh greens then. Still gardens
have their drawbacks. That bee or bluebottle here Whitmonday.

He walked on. Where is my hat, by the way? Must have put it back on the
peg. Or hanging up on the floor. Funny I don't remember that. Hallstand
too full. Four umbrellas, her raincloak. Picking up the letters.
Drago's shopbell ringing. Queer I was just thinking that moment. Brown
brillantined hair over his collar. Just had a wash and brushup. Wonder
have I time for a bath this morning. Tara street. Chap in the paybox
there got away James Stephens, they say. O'Brien.

Deep voice that fellow Dlugacz has. Agendath what is it? Now, my miss.
Enthusiast.

He kicked open the crazy door of the jakes. Better be careful not to get
these trousers dirty for the funeral. He went in, bowing his head
under the low lintel. Leaving the door ajar, amid the stench of mouldy
limewash and stale cobwebs he undid his braces. Before sitting down he
peered through a chink up at the nextdoor windows. The king was in his
countinghouse. Nobody.

Asquat on the cuckstool he folded out his paper, turning its pages over
on his bared knees. Something new and easy. No great hurry. Keep it a
bit. Our prize titbit: _Matcham's Masterstroke_. Written by Mr Philip
Beaufoy, Playgoers' Club, London. Payment at the rate of one guinea
a column has been made to the writer. Three and a half. Three pounds
three. Three pounds, thirteen and six.

Quietly he read, restraining himself, the first column and, yielding but
resisting, began the second. Midway, his last resistance yielding, he
allowed his bowels to ease themselves quietly as he read, reading still
patiently that slight constipation of yesterday quite gone. Hope it's
not too big bring on piles again. No, just right. So. Ah! Costive. One
tabloid of cascara sagrada. Life might be so. It did not move or touch
him but it was something quick and neat. Print anything now. Silly
season. He read on, seated calm above his own rising smell. Neat
certainly. _Matcham often thinks of the masterstroke by which he won the
laughing witch who now_. Begins and ends morally. _Hand in hand_. Smart.
He glanced back through what he had read and, while feeling his water
flow quietly, he envied kindly Mr Beaufoy who had written it and
received payment of three pounds, thirteen and six.

Might manage a sketch. By Mr and Mrs L. M. Bloom. Invent a story for
some proverb. Which? Time I used to try jotting down on my cuff what she
said dressing. Dislike dressing together. Nicked myself shaving. Biting
her nether lip, hooking the placket of her skirt. Timing her. 9.l5.
Did Roberts pay you yet? 9.20. What had Gretta Conroy on? 9.23. What
possessed me to buy this comb? 9.24. I'm swelled after that cabbage. A
speck of dust on the patent leather of her boot.

Rubbing smartly in turn each welt against her stockinged calf. Morning
after the bazaar dance when May's band played Ponchielli's dance of the
hours. Explain that: morning hours, noon, then evening coming on, then
night hours. Washing her teeth. That was the first night. Her head
dancing. Her fansticks clicking. Is that Boylan well off? He has money.
Why? I noticed he had a good rich smell off his breath dancing. No use
humming then. Allude to it. Strange kind of music that last night. The
mirror was in shadow. She rubbed her handglass briskly on her woollen
vest against her full wagging bub. Peering into it. Lines in her eyes.
It wouldn't pan out somehow.

Evening hours, girls in grey gauze. Night hours then: black with daggers
and eyemasks. Poetical idea: pink, then golden, then grey, then black.
Still, true to life also. Day: then the night.

He tore away half the prize story sharply and wiped himself with it.
Then he girded up his trousers, braced and buttoned himself. He pulled
back the jerky shaky door of the jakes and came forth from the gloom
into the air.

In the bright light, lightened and cooled in limb, he eyed carefully his
black trousers: the ends, the knees, the houghs of the knees. What time
is the funeral? Better find out in the paper.

A creak and a dark whirr in the air high up. The bells of George's
church. They tolled the hour: loud dark iron.

     _Heigho! Heigho!
     Heigho! Heigho!
     Heigho! Heigho!_


Quarter to. There again: the overtone following through the air, third.

Poor Dignam!


By lorries along sir John Rogerson's quay Mr Bloom walked soberly, past
Windmill lane, Leask's the linseed crusher, the postal telegraph office.
Could have given that address too. And past the sailors' home. He turned
from the morning noises of the quayside and walked through Lime street.
By Brady's cottages a boy for the skins lolled, his bucket of offal
linked, smoking a chewed fagbutt. A smaller girl with scars of eczema
on her forehead eyed him, listlessly holding her battered caskhoop. Tell
him if he smokes he won't grow. O let him! His life isn't such a bed of
roses. Waiting outside pubs to bring da home. Come home to ma, da.
Slack hour: won't be many there. He crossed Townsend street, passed
the frowning face of Bethel. El, yes: house of: Aleph, Beth. And past
Nichols' the undertaker. At eleven it is. Time enough. Daresay Corny
Kelleher bagged the job for O'Neill's. Singing with his eyes shut.
Corny. Met her once in the park. In the dark. What a lark. Police tout.
Her name and address she then told with my tooraloom tooraloom tay.
O, surely he bagged it. Bury him cheap in a whatyoumaycall. With my
tooraloom, tooraloom, tooraloom, tooraloom.


In Westland row he halted before the window of the Belfast and Oriental
Tea Company and read the legends of leadpapered packets: choice blend,
finest quality, family tea. Rather warm. Tea. Must get some from Tom
Kernan. Couldn't ask him at a funeral, though. While his eyes still read
blandly he took off his hat quietly inhaling his hairoil and sent his
right hand with slow grace over his brow and hair. Very warm morning.
Under their dropped lids his eyes found the tiny bow of the leather
headband inside his high grade ha. Just there. His right hand came down
into the bowl of his hat. His fingers found quickly a card behind the
headband and transferred it to his waistcoat pocket.

So warm. His right hand once more more slowly went over his brow and
hair. Then he put on his hat again, relieved: and read again: choice
blend, made of the finest Ceylon brands. The far east. Lovely spot it
must be: the garden of the world, big lazy leaves to float about on,
cactuses, flowery meads, snaky lianas they call them. Wonder is it like
that. Those Cinghalese lobbing about in the sun in _dolce far niente_,
not doing a hand's turn all day. Sleep six months out of twelve. Too hot
to quarrel. Influence of the climate. Lethargy. Flowers of idleness. The
air feeds most. Azotes. Hothouse in Botanic gardens. Sensitive plants.
Waterlilies. Petals too tired to. Sleeping sickness in the air. Walk on
roseleaves. Imagine trying to eat tripe and cowheel. Where was the chap
I saw in that picture somewhere? Ah yes, in the dead sea floating on his
back, reading a book with a parasol open. Couldn't sink if you tried: so
thick with salt. Because the weight of the water, no, the weight of
the body in the water is equal to the weight of the what? Or is it the
volume is equal to the weight? It's a law something like that. Vance in
High school cracking his fingerjoints, teaching. The college curriculum.
Cracking curriculum. What is weight really when you say the weight?
Thirtytwo feet per second per second. Law of falling bodies: per second
per second. They all fall to the ground. The earth. It's the force of
gravity of the earth is the weight.

He turned away and sauntered across the road. How did she walk with her
sausages? Like that something. As he walked he took the folded _Freeman_
from his sidepocket, unfolded it, rolled it lengthwise in a baton and
tapped it at each sauntering step against his trouserleg. Careless air:
just drop in to see. Per second per second. Per second for every second
it means. From the curbstone he darted a keen glance through the door of
the postoffice. Too late box. Post here. No-one. In.

He handed the card through the brass grill.

--Are there any letters for me? he asked.

While the postmistress searched a pigeonhole he gazed at the recruiting
poster with soldiers of all arms on parade: and held the tip of his
baton against his nostrils, smelling freshprinted rag paper. No answer
probably. Went too far last time.

The postmistress handed him back through the grill his card with a
letter. He thanked her and glanced rapidly at the typed envelope.

Henry Flower Esq, c/o P. O. Westland Row, City.

Answered anyhow. He slipped card and letter into his sidepocket,
reviewing again the soldiers on parade. Where's old Tweedy's regiment?
Castoff soldier. There: bearskin cap and hackle plume. No, he's a
grenadier. Pointed cuffs. There he is: royal Dublin fusiliers. Redcoats.
Too showy. That must be why the women go after them. Uniform. Easier to
enlist and drill. Maud Gonne's letter about taking them off O'Connell
street at night: disgrace to our Irish capital. Griffith's paper is on
the same tack now: an army rotten with venereal disease: overseas or
halfseasover empire. Half baked they look: hypnotised like. Eyes front.
Mark time. Table: able. Bed: ed. The King's own. Never see him dressed
up as a fireman or a bobby. A mason, yes.

He strolled out of the postoffice and turned to the right. Talk: as if
that would mend matters. His hand went into his pocket and a forefinger
felt its way under the flap of the envelope, ripping it open in jerks.
Women will pay a lot of heed, I don't think. His fingers drew forth the
letter the letter and crumpled the envelope in his pocket. Something
pinned on: photo perhaps. Hair? No.

M'Coy. Get rid of him quickly. Take me out of my way. Hate company when
you.

--Hello, Bloom. Where are you off to?

--Hello, M'Coy. Nowhere in particular.

--How's the body?

--Fine. How are you?

--Just keeping alive, M'Coy said.

His eyes on the black tie and clothes he asked with low respect:

--Is there any... no trouble I hope? I see you're...

--O, no, Mr Bloom said. Poor Dignam, you know. The funeral is today.

--To be sure, poor fellow. So it is. What time?

A photo it isn't. A badge maybe.

--E... eleven, Mr Bloom answered.

--I must try to get out there, M'Coy said. Eleven, is it? I only heard
it last night. Who was telling me? Holohan. You know Hoppy?

--I know.

Mr Bloom gazed across the road at the outsider drawn up before the door
of the Grosvenor. The porter hoisted the valise up on the well. She
stood still, waiting, while the man, husband, brother, like her,
searched his pockets for change. Stylish kind of coat with that roll
collar, warm for a day like this, looks like blanketcloth. Careless
stand of her with her hands in those patch pockets. Like that haughty
creature at the polo match. Women all for caste till you touch the spot.
Handsome is and handsome does. Reserved about to yield. The honourable
Mrs and Brutus is an honourable man. Possess her once take the starch
out of her.

--I was with Bob Doran, he's on one of his periodical bends, and what do
you call him Bantam Lyons. Just down there in Conway's we were.

Doran Lyons in Conway's. She raised a gloved hand to her hair. In came
Hoppy. Having a wet. Drawing back his head and gazing far from beneath
his vailed eyelids he saw the bright fawn skin shine in the glare, the
braided drums. Clearly I can see today. Moisture about gives long sight
perhaps. Talking of one thing or another. Lady's hand. Which side will
she get up?

--And he said: _Sad thing about our poor friend Paddy! What Paddy?_ I
said. _Poor little Paddy Dignam_, he said.

Off to the country: Broadstone probably. High brown boots with laces
dangling. Wellturned foot. What is he foostering over that change for?
Sees me looking. Eye out for other fellow always. Good fallback. Two
strings to her bow.

--_Why?_ I said. _What's wrong with him?_ I said.

Proud: rich: silk stockings.

--Yes, Mr Bloom said.

He moved a little to the side of M'Coy's talking head. Getting up in a
minute.

--_What's wrong with him_? He said. _He's dead_, he said. And, faith,
he filled up. _Is it Paddy Dignam_? I said. I couldn't believe it when I
heard it. I was with him no later than Friday last or Thursday was it in
the Arch. _Yes,_ he said. _He's gone. He died on Monday, poor fellow_.
Watch! Watch! Silk flash rich stockings white. Watch!

A heavy tramcar honking its gong slewed between.

Lost it. Curse your noisy pugnose. Feels locked out of it. Paradise and
the peri. Always happening like that. The very moment. Girl in Eustace
street hallway Monday was it settling her garter. Her friend covering
the display of _esprit de corps_. Well, what are you gaping at?

--Yes, yes, Mr Bloom said after a dull sigh. Another gone.

--One of the best, M'Coy said.

The tram passed. They drove off towards the Loop Line bridge, her rich
gloved hand on the steel grip. Flicker, flicker: the laceflare of her
hat in the sun: flicker, flick.

--Wife well, I suppose? M'Coy's changed voice said.

--O, yes, Mr Bloom said. Tiptop, thanks.

He unrolled the newspaper baton idly and read idly:

_What is home without Plumtree's Potted Meat? Incomplete With it an
abode of bliss._

--My missus has just got an engagement. At least it's not settled yet.

Valise tack again. By the way no harm. I'm off that, thanks.

Mr Bloom turned his largelidded eyes with unhasty friendliness.

--My wife too, he said. She's going to sing at a swagger affair in the
Ulster Hall, Belfast, on the twenty-fifth.

--That so? M'Coy said. Glad to hear that, old man. Who's getting it up?

Mrs Marion Bloom. Not up yet. Queen was in her bedroom eating bread and.
No book. Blackened court cards laid along her thigh by sevens. Dark lady
and fair man. Letter. Cat furry black ball. Torn strip of envelope.

     _Love's
     Old
     Sweet
     Song
     Comes lo-ove's old..._

--It's a kind of a tour, don't you see, Mr Bloom said thoughtfully.
_Sweeeet song_. There's a committee formed. Part shares and part
profits.

M'Coy nodded, picking at his moustache stubble.

--O, well, he said. That's good news.

He moved to go.

--Well, glad to see you looking fit, he said. Meet you knocking around.

--Yes, Mr Bloom said.

--Tell you what, M'Coy said. You might put down my name at the funeral,
will you? I'd like to go but I mightn't be able, you see. There's a
drowning case at Sandycove may turn up and then the coroner and myself
would have to go down if the body is found. You just shove in my name if
I'm not there, will you?

--I'll do that, Mr Bloom said, moving to get off. That'll be all right.

--Right, M'Coy said brightly. Thanks, old man. I'd go if I possibly
could. Well, tolloll. Just C. P. M'Coy will do.

--That will be done, Mr Bloom answered firmly.

Didn't catch me napping that wheeze. The quick touch. Soft mark. I'd
like my job. Valise I have a particular fancy for. Leather. Capped
corners, rivetted edges, double action lever lock. Bob Cowley lent him
his for the Wicklow regatta concert last year and never heard tidings of
it from that good day to this.

Mr Bloom, strolling towards Brunswick street, smiled. My missus has just
got an. Reedy freckled soprano. Cheeseparing nose. Nice enough in its
way: for a little ballad. No guts in it. You and me, don't you know:
in the same boat. Softsoaping. Give you the needle that would. Can't
he hear the difference? Think he's that way inclined a bit. Against
my grain somehow. Thought that Belfast would fetch him. I hope that
smallpox up there doesn't get worse. Suppose she wouldn't let herself be
vaccinated again. Your wife and my wife.

Wonder is he pimping after me?

Mr Bloom stood at the corner, his eyes wandering over the multicoloured
hoardings. Cantrell and Cochrane's Ginger Ale (Aromatic). Clery's Summer
Sale. No, he's going on straight. Hello. _Leah_ tonight. Mrs Bandmann
Palmer. Like to see her again in that. _Hamlet_ she played last night.
Male impersonator. Perhaps he was a woman. Why Ophelia committed
suicide. Poor papa! How he used to talk of Kate Bateman in that. Outside
the Adelphi in London waited all the afternoon to get in. Year before
I was born that was: sixtyfive. And Ristori in Vienna. What is this the
right name is? By Mosenthal it is. Rachel, is it? No. The scene he was
always talking about where the old blind Abraham recognises the voice
and puts his fingers on his face.

Nathan's voice! His son's voice! I hear the voice of Nathan who left his
father to die of grief and misery in my arms, who left the house of his
father and left the God of his father.

Every word is so deep, Leopold.

Poor papa! Poor man! I'm glad I didn't go into the room to look at his
face. That day! O, dear! O, dear! Ffoo! Well, perhaps it was best for
him.

Mr Bloom went round the corner and passed the drooping nags of the
hazard. No use thinking of it any more. Nosebag time. Wish I hadn't met
that M'Coy fellow.

He came nearer and heard a crunching of gilded oats, the gently champing
teeth. Their full buck eyes regarded him as he went by, amid the sweet
oaten reek of horsepiss. Their Eldorado. Poor jugginses! Damn all they
know or care about anything with their long noses stuck in nosebags.
Too full for words. Still they get their feed all right and their doss.
Gelded too: a stump of black guttapercha wagging limp between their
haunches. Might be happy all the same that way. Good poor brutes they
look. Still their neigh can be very irritating.

He drew the letter from his pocket and folded it into the newspaper he
carried. Might just walk into her here. The lane is safer.

He passed the cabman's shelter. Curious the life of drifting cabbies.
All weathers, all places, time or setdown, no will of their own. _Voglio
e non_. Like to give them an odd cigarette. Sociable. Shout a few flying
syllables as they pass. He hummed:

     _La ci darem la mano
     La la lala la la._

He turned into Cumberland street and, going on some paces, halted in the
lee of the station wall. No-one. Meade's timberyard. Piled balks. Ruins
and tenements. With careful tread he passed over a hopscotch court with
its forgotten pickeystone. Not a sinner. Near the timberyard a squatted
child at marbles, alone, shooting the taw with a cunnythumb. A wise
tabby, a blinking sphinx, watched from her warm sill. Pity to disturb
them. Mohammed cut a piece out of his mantle not to wake her. Open it.
And once I played marbles when I went to that old dame's school. She
liked mignonette. Mrs Ellis's. And Mr? He opened the letter within the
newspaper.

A flower. I think it's a. A yellow flower with flattened petals. Not
annoyed then? What does she say?

Dear Henry

I got your last letter to me and thank you very much for it. I am sorry
you did not like my last letter. Why did you enclose the stamps? I am
awfully angry with you. I do wish I could punish you for that. I called
you naughty boy because I do not like that other world. Please tell me
what is the real meaning of that word? Are you not happy in your home
you poor little naughty boy? I do wish I could do something for you.
Please tell me what you think of poor me. I often think of the beautiful
name you have. Dear Henry, when will we meet? I think of you so often
you have no idea. I have never felt myself so much drawn to a man as
you. I feel so bad about. Please write me a long letter and tell me
more. Remember if you do not I will punish you. So now you know what I
will do to you, you naughty boy, if you do not wrote. O how I long to
meet you. Henry dear, do not deny my request before my patience are
exhausted. Then I will tell you all. Goodbye now, naughty darling, I
have such a bad headache. today. and write _by return_ to your longing

Martha

P. S. Do tell me what kind of perfume does your wife use. I want to
know.

He tore the flower gravely from its pinhold smelt its almost no smell
and placed it in his heart pocket. Language of flowers. They like it
because no-one can hear. Or a poison bouquet to strike him down. Then
walking slowly forward he read the letter again, murmuring here and
there a word. Angry tulips with you darling manflower punish your cactus
if you don't please poor forgetmenot how I long violets to dear roses
when we soon anemone meet all naughty nightstalk wife Martha's perfume.
Having read it all he took it from the newspaper and put it back in his
sidepocket.

Weak joy opened his lips. Changed since the first letter. Wonder did she
wrote it herself. Doing the indignant: a girl of good family like me,
respectable character. Could meet one Sunday after the rosary. Thank
you: not having any. Usual love scrimmage. Then running round corners.
Bad as a row with Molly. Cigar has a cooling effect. Narcotic. Go
further next time. Naughty boy: punish: afraid of words, of course.
Brutal, why not? Try it anyhow. A bit at a time.

Fingering still the letter in his pocket he drew the pin out of it.
Common pin, eh? He threw it on the road. Out of her clothes somewhere:
pinned together. Queer the number of pins they always have. No roses
without thorns.

Flat Dublin voices bawled in his head. Those two sluts that night in the
Coombe, linked together in the rain.

     _O, Mary lost the pin of her drawers.
     She didn't know what to do
     To keep it up
     To keep it up._

It? Them. Such a bad headache. Has her roses probably. Or sitting all
day typing. Eyefocus bad for stomach nerves. What perfume does your wife
use. Now could you make out a thing like that?

     _To keep it up._

Martha, Mary. I saw that picture somewhere I forget now old master or
faked for money. He is sitting in their house, talking. Mysterious. Also
the two sluts in the Coombe would listen.

     _To keep it up._

Nice kind of evening feeling. No more wandering about. Just loll there:
quiet dusk: let everything rip. Forget. Tell about places you have been,
strange customs. The other one, jar on her head, was getting the supper:
fruit, olives, lovely cool water out of a well, stonecold like the hole
in the wall at Ashtown. Must carry a paper goblet next time I go to the
trottingmatches. She listens with big dark soft eyes. Tell her: more and
more: all. Then a sigh: silence. Long long long rest.

Going under the railway arch he took out the envelope, tore it swiftly
in shreds and scattered them towards the road. The shreds fluttered
away, sank in the dank air: a white flutter, then all sank.

Henry Flower. You could tear up a cheque for a hundred pounds in the
same way. Simple bit of paper. Lord Iveagh once cashed a sevenfigure
cheque for a million in the bank of Ireland. Shows you the money to be
made out of porter. Still the other brother lord Ardilaun has to change
his shirt four times a day, they say. Skin breeds lice or vermin. A
million pounds, wait a moment. Twopence a pint, fourpence a quart,
eightpence a gallon of porter, no, one and fourpence a gallon of porter.
One and four into twenty: fifteen about. Yes, exactly. Fifteen millions
of barrels of porter.

What am I saying barrels? Gallons. About a million barrels all the same.

An incoming train clanked heavily above his head, coach after coach.
Barrels bumped in his head: dull porter slopped and churned inside.
The bungholes sprang open and a huge dull flood leaked out, flowing
together, winding through mudflats all over the level land, a lazy
pooling swirl of liquor bearing along wideleaved flowers of its froth.

He had reached the open backdoor of All Hallows. Stepping into the porch
he doffed his hat, took the card from his pocket and tucked it again
behind the leather headband. Damn it. I might have tried to work M'Coy
for a pass to Mullingar.

Same notice on the door. Sermon by the very reverend John Conmee S.J.
on saint Peter Claver S.J. and the African Mission. Prayers for the
conversion of Gladstone they had too when he was almost unconscious. The
protestants are the same. Convert Dr William J. Walsh D.D. to the true
religion. Save China's millions. Wonder how they explain it to the
heathen Chinee. Prefer an ounce of opium. Celestials. Rank heresy for
them. Buddha their god lying on his side in the museum. Taking it easy
with hand under his cheek. Josssticks burning. Not like Ecce Homo. Crown
of thorns and cross. Clever idea Saint Patrick the shamrock. Chopsticks?
Conmee: Martin Cunningham knows him: distinguishedlooking. Sorry I
didn't work him about getting Molly into the choir instead of that
Father Farley who looked a fool but wasn't. They're taught that. He's
not going out in bluey specs with the sweat rolling off him to baptise
blacks, is he? The glasses would take their fancy, flashing. Like to see
them sitting round in a ring with blub lips, entranced, listening. Still
life. Lap it up like milk, I suppose.

The cold smell of sacred stone called him. He trod the worn steps,
pushed the swingdoor and entered softly by the rere.

Something going on: some sodality. Pity so empty. Nice discreet place
to be next some girl. Who is my neighbour? Jammed by the hour to slow
music. That woman at midnight mass. Seventh heaven. Women knelt in the
benches with crimson halters round their necks, heads bowed. A batch
knelt at the altarrails. The priest went along by them, murmuring,
holding the thing in his hands. He stopped at each, took out a
communion, shook a drop or two (are they in water?) off it and put it
neatly into her mouth. Her hat and head sank. Then the next one. Her hat
sank at once. Then the next one: a small old woman. The priest bent down
to put it into her mouth, murmuring all the time. Latin. The next one.
Shut your eyes and open your mouth. What? _Corpus:_ body. Corpse. Good
idea the Latin. Stupefies them first. Hospice for the dying. They
don't seem to chew it: only swallow it down. Rum idea: eating bits of a
corpse. Why the cannibals cotton to it.

He stood aside watching their blind masks pass down the aisle, one by
one, and seek their places. He approached a bench and seated himself in
its corner, nursing his hat and newspaper. These pots we have to wear.
We ought to have hats modelled on our heads. They were about him here
and there, with heads still bowed in their crimson halters, waiting for
it to melt in their stomachs. Something like those mazzoth: it's that
sort of bread: unleavened shewbread. Look at them. Now I bet it makes
them feel happy. Lollipop. It does. Yes, bread of angels it's called.
There's a big idea behind it, kind of kingdom of God is within you feel.
First communicants. Hokypoky penny a lump. Then feel all like one family
party, same in the theatre, all in the same swim. They do. I'm sure of
that. Not so lonely. In our confraternity. Then come out a bit spreeish.
Let off steam. Thing is if you really believe in it. Lourdes cure,
waters of oblivion, and the Knock apparition, statues bleeding. Old
fellow asleep near that confessionbox. Hence those snores. Blind faith.
Safe in the arms of kingdom come. Lulls all pain. Wake this time next
year.

He saw the priest stow the communion cup away, well in, and kneel an
instant before it, showing a large grey bootsole from under the lace
affair he had on. Suppose he lost the pin of his. He wouldn't know what
to do to. Bald spot behind. Letters on his back: I.N.R.I? No: I.H.S.
Molly told me one time I asked her. I have sinned: or no: I have
suffered, it is. And the other one? Iron nails ran in.

Meet one Sunday after the rosary. Do not deny my request. Turn up with
a veil and black bag. Dusk and the light behind her. She might be here
with a ribbon round her neck and do the other thing all the same on the
sly. Their character. That fellow that turned queen's evidence on the
invincibles he used to receive the, Carey was his name, the communion
every morning. This very church. Peter Carey, yes. No, Peter Claver I am
thinking of. Denis Carey. And just imagine that. Wife and six children
at home. And plotting that murder all the time. Those crawthumpers,
now that's a good name for them, there's always something shiftylooking
about them. They're not straight men of business either. O, no, she's
not here: the flower: no, no. By the way, did I tear up that envelope?
Yes: under the bridge.

The priest was rinsing out the chalice: then he tossed off the dregs
smartly. Wine. Makes it more aristocratic than for example if he drank
what they are used to Guinness's porter or some temperance beverage
Wheatley's Dublin hop bitters or Cantrell and Cochrane's ginger ale
(aromatic). Doesn't give them any of it: shew wine: only the other.
Cold comfort. Pious fraud but quite right: otherwise they'd have one old
booser worse than another coming along, cadging for a drink. Queer the
whole atmosphere of the. Quite right. Perfectly right that is.

Mr Bloom looked back towards the choir. Not going to be any music. Pity.
Who has the organ here I wonder? Old Glynn he knew how to make that
instrument talk, the _vibrato_: fifty pounds a year they say he had in
Gardiner street. Molly was in fine voice that day, the _Stabat Mater_
of Rossini. Father Bernard Vaughan's sermon first. Christ or Pilate?
Christ, but don't keep us all night over it. Music they wanted.
Footdrill stopped. Could hear a pin drop. I told her to pitch her voice
against that corner. I could feel the thrill in the air, the full, the
people looking up:

_Quis est homo._

Some of that old sacred music splendid. Mercadante: seven last words.
Mozart's twelfth mass: _Gloria_ in that. Those old popes keen on music,
on art and statues and pictures of all kinds. Palestrina for example
too. They had a gay old time while it lasted. Healthy too, chanting,
regular hours, then brew liqueurs. Benedictine. Green Chartreuse. Still,
having eunuchs in their choir that was coming it a bit thick. What kind
of voice is it? Must be curious to hear after their own strong basses.
Connoisseurs. Suppose they wouldn't feel anything after. Kind of a
placid. No worry. Fall into flesh, don't they? Gluttons, tall, long
legs. Who knows? Eunuch. One way out of it.

He saw the priest bend down and kiss the altar and then face about and
bless all the people. All crossed themselves and stood up. Mr Bloom
glanced about him and then stood up, looking over the risen hats. Stand
up at the gospel of course. Then all settled down on their knees again
and he sat back quietly in his bench. The priest came down from the
altar, holding the thing out from him, and he and the massboy answered
each other in Latin. Then the priest knelt down and began to read off a
card:

--O God, our refuge and our strength...

Mr Bloom put his face forward to catch the words. English. Throw them
the bone. I remember slightly. How long since your last mass? Glorious
and immaculate virgin. Joseph, her spouse. Peter and Paul. More
interesting if you understood what it was all about. Wonderful
organisation certainly, goes like clockwork. Confession. Everyone wants
to. Then I will tell you all. Penance. Punish me, please. Great weapon
in their hands. More than doctor or solicitor. Woman dying to. And I
schschschschschsch. And did you chachachachacha? And why did you? Look
down at her ring to find an excuse. Whispering gallery walls have ears.
Husband learn to his surprise. God's little joke. Then out she comes.
Repentance skindeep. Lovely shame. Pray at an altar. Hail Mary and Holy
Mary. Flowers, incense, candles melting. Hide her blushes. Salvation
army blatant imitation. Reformed prostitute will address the meeting.
How I found the Lord. Squareheaded chaps those must be in Rome: they
work the whole show. And don't they rake in the money too? Bequests
also: to the P.P. for the time being in his absolute discretion.
Masses for the repose of my soul to be said publicly with open doors.
Monasteries and convents. The priest in that Fermanagh will case in the
witnessbox. No browbeating him. He had his answer pat for everything.
Liberty and exaltation of our holy mother the church. The doctors of the
church: they mapped out the whole theology of it.

The priest prayed:

--Blessed Michael, archangel, defend us in the hour of conflict. Be
our safeguard against the wickedness and snares of the devil (may God
restrain him, we humbly pray!): and do thou, O prince of the heavenly
host, by the power of God thrust Satan down to hell and with him those
other wicked spirits who wander through the world for the ruin of souls.

The priest and the massboy stood up and walked off. All over. The women
remained behind: thanksgiving.

Better be shoving along. Brother Buzz. Come around with the plate
perhaps. Pay your Easter duty.

He stood up. Hello. Were those two buttons of my waistcoat open all the
time? Women enjoy it. Never tell you. But we. Excuse, miss, there's a
(whh!) just a (whh!) fluff. Or their skirt behind, placket unhooked.
Glimpses of the moon. Annoyed if you don't. Why didn't you tell me
before. Still like you better untidy. Good job it wasn't farther south.
He passed, discreetly buttoning, down the aisle and out through the main
door into the light. He stood a moment unseeing by the cold black marble
bowl while before him and behind two worshippers dipped furtive hands in
the low tide of holy water. Trams: a car of Prescott's dyeworks: a widow
in her weeds. Notice because I'm in mourning myself. He covered himself.
How goes the time? Quarter past. Time enough yet. Better get that lotion
made up. Where is this? Ah yes, the last time. Sweny's in Lincoln place.
Chemists rarely move. Their green and gold beaconjars too heavy to stir.
Hamilton Long's, founded in the year of the flood. Huguenot churchyard
near there. Visit some day.

He walked southward along Westland row. But the recipe is in the other
trousers. O, and I forgot that latchkey too. Bore this funeral affair.
O well, poor fellow, it's not his fault. When was it I got it made up
last? Wait. I changed a sovereign I remember. First of the month it must
have been or the second. O, he can look it up in the prescriptions book.

The chemist turned back page after page. Sandy shrivelled smell he seems
to have. Shrunken skull. And old. Quest for the philosopher's stone. The
alchemists. Drugs age you after mental excitement. Lethargy then. Why?
Reaction. A lifetime in a night. Gradually changes your character.
Living all the day among herbs, ointments, disinfectants. All his
alabaster lilypots. Mortar and pestle. Aq. Dist. Fol. Laur. Te Virid.
Smell almost cure you like the dentist's doorbell. Doctor Whack. He
ought to physic himself a bit. Electuary or emulsion. The first fellow
that picked an herb to cure himself had a bit of pluck. Simples. Want to
be careful. Enough stuff here to chloroform you. Test: turns blue
litmus paper red. Chloroform. Overdose of laudanum. Sleeping draughts.
Lovephiltres. Paragoric poppysyrup bad for cough. Clogs the pores or the
phlegm. Poisons the only cures. Remedy where you least expect it. Clever
of nature.

--About a fortnight ago, sir?

--Yes, Mr Bloom said.

He waited by the counter, inhaling slowly the keen reek of drugs, the
dusty dry smell of sponges and loofahs. Lot of time taken up telling
your aches and pains.

--Sweet almond oil and tincture of benzoin, Mr Bloom said, and then
orangeflower water...

It certainly did make her skin so delicate white like wax.

--And white wax also, he said.

Brings out the darkness of her eyes. Looking at me, the sheet up to
her eyes, Spanish, smelling herself, when I was fixing the links in my
cuffs. Those homely recipes are often the best: strawberries for the
teeth: nettles and rainwater: oatmeal they say steeped in buttermilk.
Skinfood. One of the old queen's sons, duke of Albany was it? had only
one skin. Leopold, yes. Three we have. Warts, bunions and pimples to
make it worse. But you want a perfume too. What perfume does your? _Peau
d'Espagne_. That orangeflower water is so fresh. Nice smell these soaps
have. Pure curd soap. Time to get a bath round the corner. Hammam.
Turkish. Massage. Dirt gets rolled up in your navel. Nicer if a nice
girl did it. Also I think I. Yes I. Do it in the bath. Curious longing
I. Water to water. Combine business with pleasure. Pity no time for
massage. Feel fresh then all the day. Funeral be rather glum.

--Yes, sir, the chemist said. That was two and nine. Have you brought a
bottle?

--No, Mr Bloom said. Make it up, please. I'll call later in the day and
I'll take one of these soaps. How much are they?

--Fourpence, sir.

Mr Bloom raised a cake to his nostrils. Sweet lemony wax.

--I'll take this one, he said. That makes three and a penny.

--Yes, sir, the chemist said. You can pay all together, sir, when you
come back.

--Good, Mr Bloom said.

He strolled out of the shop, the newspaper baton under his armpit, the
coolwrappered soap in his left hand.

At his armpit Bantam Lyons' voice and hand said:

--Hello, Bloom. What's the best news? Is that today's? Show us a minute.

Shaved off his moustache again, by Jove! Long cold upper lip. To look
younger. He does look balmy. Younger than I am.

Bantam Lyons's yellow blacknailed fingers unrolled the baton. Wants a
wash too. Take off the rough dirt. Good morning, have you used Pears'
soap? Dandruff on his shoulders. Scalp wants oiling.

--I want to see about that French horse that's running today, Bantam
Lyons said. Where the bugger is it?

He rustled the pleated pages, jerking his chin on his high collar.
Barber's itch. Tight collar he'll lose his hair. Better leave him the
paper and get shut of him.

--You can keep it, Mr Bloom said.

--Ascot. Gold cup. Wait, Bantam Lyons muttered. Half a mo. Maximum the
second.

--I was just going to throw it away, Mr Bloom said.

Bantam Lyons raised his eyes suddenly and leered weakly.

--What's that? his sharp voice said.

--I say you can keep it, Mr Bloom answered. I was going to throw it away
that moment.

Bantam Lyons doubted an instant, leering: then thrust the outspread
sheets back on Mr Bloom's arms.

--I'll risk it, he said. Here, thanks.

He sped off towards Conway's corner. God speed scut.

Mr Bloom folded the sheets again to a neat square and lodged the soap
in it, smiling. Silly lips of that chap. Betting. Regular hotbed of it
lately. Messenger boys stealing to put on sixpence. Raffle for large
tender turkey. Your Christmas dinner for threepence. Jack Fleming
embezzling to gamble then smuggled off to America. Keeps a hotel now.
They never come back. Fleshpots of Egypt.

He walked cheerfully towards the mosque of the baths. Remind you of a
mosque, redbaked bricks, the minarets. College sports today I see. He
eyed the horseshoe poster over the gate of college park: cyclist doubled
up like a cod in a pot. Damn bad ad. Now if they had made it round
like a wheel. Then the spokes: sports, sports, sports: and the hub big:
college. Something to catch the eye.

There's Hornblower standing at the porter's lodge. Keep him on hands:
might take a turn in there on the nod. How do you do, Mr Hornblower? How
do you do, sir?

Heavenly weather really. If life was always like that. Cricket weather.
Sit around under sunshades. Over after over. Out. They can't play it
here. Duck for six wickets. Still Captain Culler broke a window in the
Kildare street club with a slog to square leg. Donnybrook fair more
in their line. And the skulls we were acracking when M'Carthy took the
floor. Heatwave. Won't last. Always passing, the stream of life, which
in the stream of life we trace is dearer than them all.

Enjoy a bath now: clean trough of water, cool enamel, the gentle tepid
stream. This is my body.

He foresaw his pale body reclined in it at full, naked, in a womb of
warmth, oiled by scented melting soap, softly laved. He saw his
trunk and limbs riprippled over and sustained, buoyed lightly upward,
lemonyellow: his navel, bud of flesh: and saw the dark tangled curls of
his bush floating, floating hair of the stream around the limp father of
thousands, a languid floating flower.



Martin Cunningham, first, poked his silkhatted head into the creaking
carriage and, entering deftly, seated himself. Mr Power stepped in after
him, curving his height with care.

--Come on, Simon.

--After you, Mr Bloom said.

Mr Dedalus covered himself quickly and got in, saying:

Yes, yes.

--Are we all here now? Martin Cunningham asked. Come along, Bloom.

Mr Bloom entered and sat in the vacant place. He pulled the door to
after him and slammed it twice till it shut tight. He passed an arm
through the armstrap and looked seriously from the open carriagewindow
at the lowered blinds of the avenue. One dragged aside: an old woman
peeping. Nose whiteflattened against the pane. Thanking her stars she
was passed over. Extraordinary the interest they take in a corpse. Glad
to see us go we give them such trouble coming. Job seems to suit them.
Huggermugger in corners. Slop about in slipperslappers for fear he'd
wake. Then getting it ready. Laying it out. Molly and Mrs Fleming making
the bed. Pull it more to your side. Our windingsheet. Never know who
will touch you dead. Wash and shampoo. I believe they clip the nails and
the hair. Keep a bit in an envelope. Grows all the same after. Unclean
job.

All waited. Nothing was said. Stowing in the wreaths probably. I am
sitting on something hard. Ah, that soap: in my hip pocket. Better shift
it out of that. Wait for an opportunity.

All waited. Then wheels were heard from in front, turning: then nearer:
then horses' hoofs. A jolt. Their carriage began to move, creaking and
swaying. Other hoofs and creaking wheels started behind. The blinds of
the avenue passed and number nine with its craped knocker, door ajar. At
walking pace.

They waited still, their knees jogging, till they had turned and were
passing along the tramtracks. Tritonville road. Quicker. The wheels
rattled rolling over the cobbled causeway and the crazy glasses shook
rattling in the doorframes.

--What way is he taking us? Mr Power asked through both windows.

--Irishtown, Martin Cunningham said. Ringsend. Brunswick street.

Mr Dedalus nodded, looking out.

--That's a fine old custom, he said. I am glad to see it has not died
out.

All watched awhile through their windows caps and hats lifted by
passers. Respect. The carriage swerved from the tramtrack to the
smoother road past Watery lane. Mr Bloom at gaze saw a lithe young man,
clad in mourning, a wide hat.

--There's a friend of yours gone by, Dedalus, he said.

--Who is that?

--Your son and heir.

--Where is he? Mr Dedalus said, stretching over across.

The carriage, passing the open drains and mounds of rippedup roadway
before the tenement houses, lurched round the corner and, swerving back
to the tramtrack, rolled on noisily with chattering wheels. Mr Dedalus
fell back, saying:

--Was that Mulligan cad with him? His _fidus Achates_!

--No, Mr Bloom said. He was alone.

--Down with his aunt Sally, I suppose, Mr Dedalus said, the Goulding
faction, the drunken little costdrawer and Crissie, papa's little lump
of dung, the wise child that knows her own father.

Mr Bloom smiled joylessly on Ringsend road. Wallace Bros: the
bottleworks: Dodder bridge.

Richie Goulding and the legal bag. Goulding, Collis and Ward he calls
the firm. His jokes are getting a bit damp. Great card he was. Waltzing
in Stamer street with Ignatius Gallaher on a Sunday morning, the
landlady's two hats pinned on his head. Out on the rampage all night.
Beginning to tell on him now: that backache of his, I fear. Wife ironing
his back. Thinks he'll cure it with pills. All breadcrumbs they are.
About six hundred per cent profit.

--He's in with a lowdown crowd, Mr Dedalus snarled. That Mulligan is a
contaminated bloody doubledyed ruffian by all accounts. His name stinks
all over Dublin. But with the help of God and His blessed mother I'll
make it my business to write a letter one of those days to his mother
or his aunt or whatever she is that will open her eye as wide as a gate.
I'll tickle his catastrophe, believe you me.

He cried above the clatter of the wheels:
