# Abre los ojos (1997)

### reviewed by
Dennis Schwartz

OPEN YOUR EYES (ABRE LOS OJOS)(director/writer:Alejando Amenabar; screenwriter: Mateo Gil; cinematography: Hans Burmann; cast: Eduardo Noriega (Cesar), Penelope Cruz (Sofia), Fele Martinez (Pelayo), Najwa Nimri (Nuria), Gerard Barray (Serge Duvernois/Man on TV), Chete Lera (Antonio), 1997-Spain)

    Reviewed by Dennis Schwartz

"Open Your Eyes" asks a lot of questions, such as: How do you know if you are awake or dreaming? How do you know if you are sane or mad? How do you know what is real or fantasy? How do you know if you killed someone or not? The Spanish director Alejandro Amenabar (Tesis) has made a psychological thriller that entertains these questions, intermixing his story with ideas about such subjects as virtual reality and cryogenics, in his story about a vain and selfish man, who lives by his good looks and accrued wealth, who when he loses his looks, has to rethink who he is.

This stylish work, filmed in all the sleekness of a modern Madrid inhabited by the affluent young, tells its jarring tale in a non-linear way, sure to confuse even the most avid moviegoer.

Cesar (Eduardo Noriega), a handsome ladies man, is 25-years-old and is rich, having inherited his father's restaurant chain when his parents died 15- years ago. He is proud of his luxurious apartment, his three expensive cars and a reputation for never spending two nights with the same woman. He has the smile of a professional charmer and the warmth of a snake.

The main event of the story comes at its beginning, as he is having a birthday party in his "pad" and his last night's sexual conquest shows up uninvited, Nuria (Najwa Nimri), and when she refuses to leave, only wanting to go to bed with him again, Cesar asks Sofia (Penelope Cruz), an actress, the date of his best friend, Pelayo (Fele Martinez), to aid him in avoiding her.

Cesar takes the very attractive Sofia back to her place, hoping to sleep with her, instead they stay up all-night talking and finding out things about each other, but do not sleep together. They are attracted to each other and make plans to date again, as Cesar leaves her place in the morning.

Waiting outside in her shiny red Alfa, is Nuria, who dares him into getting in for a ride. When he goes for a ride, she takes some pills, which he refuses, and asks him if he believes in God, and then crashes the car, resulting in her death and in his facial disfigurement; and, for the viewer, it is the end of the story being told without the filmmaker playing mind- games with the reality seen onscreen.

In the next scene, Cesar awakes disfigured, hiding behind a mask, in a psychiatric prison cell, being held there on a murder charge. He is being interviewed by a psychiatrist, Antonio (Lera), who tells him he is only trying to help him understand what happened.

The dead Nuria will reappear as someone still alive and to add confusion onto confusion, she will become interchangeable with Sofia. Also appearing, is the suave Serge Duvernois (Gerard Barray), who is seen on television advertising cryogenics and the possibility of life after death, which can be accomplished by freezing methods, adds another element of mystery to the tale. There is one tremendous line, where Cesar comments to Antonio, "These quacks promise immortality, just like the priests do."

The final unresolved question will be: Is Cesar's life a dream or a nightmare?

If you like playing guessing games and are taken with the slickness of this bold but not exactly fresh script (I've seen mind-games like this played-out in some recent films, including "The Game"), then you will have a more favorable impression of the film than I did. I felt it tried to be interesting, and touched on many different genres, from romance to sci-fi, to tell its Kafkaesque denouement, but it was not particularly a moving experience. I felt uninvolved, finding myself easily drifting into my own dreamworld, and as diverting, beautifully acted and photographed, and entertaining as the film was, I thought it was mostly about style and not ideas.

    REVIEWED ON 2/7/2000      GRADE: C

Dennis Schwartz: "Ozus' World Movie Reviews"

    http://www.sover.net/~ozus

    ozus@sover.net

© ALL RIGHTS RESERVED DENNIS SCHWARTZ

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