# Bian Lian (1996)

### reviewed by
Dennis Schwartz

KING OF MASKS, THE (BIAN LIAN) (director: Wu Tianming; screenwriter: Minglun Wei; cinematographer: Mu Dayuan; cast: Zhao Zhi Gang (Liang Sao Lang), Zhou Ren-ying (Doggie), Zhu Xu (Bian Lian Wang-The King of Masks); Runtime: 101; Samuel Goldwyn Release; 1996-Hong Kong)

    Reviewed by Dennis Schwartz

Set in the 1930s, in the rural province of China called Sichuan. In reality that was a time of great poverty and unrest and this film serves as a humanistic response to that age of intolerance and greed, though the film does not make a direct political statement. The director Wu Tianming was one of the founders of 'fifth generation' directors and left China after the Tiananmen Square uprising, only to return in 1995. This is his first film in ten years and it is sponsored by the Chinese government, and one of its chief faults is that the film used bad film stock, as it seemed out of focus and grainy. On the positive side, it is a colorful and heart-tugging though highly manipulative melodrama, filled with obvious reactions against injustices, but whose voice is always on the side of the artist and those who are disenfranchised in society.

The story centers around an elderly street performer who is a fast changer of silk masks. He has no male heir and according to the ancient customs, he can only pass the art onto a male. To remedy this, concerned his art will die with him, he adopts an 8-year-old son and is pleased when he calls him grandpa, but soon realizes that he has been fooled into taking a girl.

Bian Lian Wang (Zhu Xu), the King of Masks, is a crowd favorite among those in the streets, who makes his money on donations. Seeing him perform his speedy changing faces, is a much idolized opera singer of the time, Liang Sao Lang (Zhao Zhigang), who is a female impersonator. He shows such tremendous admiration for the King's gifts, that he asks to learn the old man's tricks, which he is willing to pay him a huge sum for and put him in his more prestigious show. The poverty-stricken Old Master turns him down while expressing great appreciation for the offer, but maintains his artistic secrets can only be passed onto a male heir. What he takes to heart, is the impersonator's plea for him to find a male heir. In the next town the Old Master goes to, that is struck with floods and personal misfortune, he bargains with an unscrupulous man in the black market and pays $5 for what he is told is a boy. The lonely man, who lost his only son many years ago, is moved by hearing himself called grandpa and agrees to the price even though it is too high for him.

The film will go on to dispel China's ancient notions that a girl is not as valuable as a boy. Doggie (Zhou Ren-ying) will do everything that she can to try and please grandpa, but he resists teaching her his gifts when he learns that he is a girl. Still, he is the only one who has showed her any kindness in her short life and she offers to call him boss and work as a cook and cleaner for him, rather than have him kick her out of his river boathouse. He reluctantly agrees to this arrangement, and as they live together he can't help feeling strongly about her, but he just can't show it. When she causes him much grief and leaves his place, she tries to make things right by taking a kidnapped boy to him. This will result in him being framed as the kidnapper by the venal police.

The film becomes predictable, as it shows how they are both shaped by their experiences of the hard-times they live in and by the traditions. She is a good-hearted girl and a real sweetie pie, while he shows signs of being a very generous person, but can't get over his stubborness. As a result, when the film's last act rolls around, what happens all feels contrived and overacted, and I felt manipulated, especially when I saw that the sweet little girl is even willing to die for her grandpa. One would have to have a heart of stone not to be moved by her actions of self-sacrifice. Though the viewer is being shamelessly manipulated, the story feels so strong and right, that it seems easy to get caught up in the emotions of the moment and the beautifully arranged images that lit the screen up with magical faces and gorgeous sets and costumes. And, if the girl wasn't a charmer enough, and the Old Master and opera singer didn't have expressive enough gestures to steal the scenes they were in, there is the Old Master's monkey to even steal scenes from them, as he repays the Old Master for his kindness by remaining completely devoted to him, even after he is framed and jailed for kidnapping a young boy. The film got ever so mushy, but it was so cleverly executed and I was gladly taken in by Zhou Ren-ying and Zhu Xu pulling on my heart strings.

    REVIEWED ON 12/7/2000     GRADE: B

Dennis Schwartz: "Ozus' World Movie Reviews"

    http://www.sover.net/~ozus

    ozus@sover.net

© ALL RIGHTS RESERVED DENNIS SCHWARTZ

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